Download Free War And Peace In The Western Political Imagination Book in PDF and EPUB Free Download. You can read online War And Peace In The Western Political Imagination and write the review.

The study of war in all periods of prehistory and recorded history has always commanded the attention of historians, dramatists, poets and artists. The study of peace has, however, not yet gained a comparable readership, and the subject is attracting an increasing amount of scholarly research. This volume presents the first work of academic research to tackle this imbalance head on. It looks at war and peace through the ages, from the Classical world through to the 18th century. It considers the nature and advocacy of war and peace both from an historical perspective but also a philosophical one, particularly looking at how universal peace, which began as a personal philosophy, became over the centuries a political philosophy that underpins much of modern society's attitudes towards warfare and militarism. Roger Manning begins his journey through history by looking at the Greek martial ethos and philosophical concepts of peace and war in the ancient world; moving through the Roman empire's military advances, he explores the concepts of war and peace in the medieval world and the Renaissance, with the writing of Machiavelli and Erasmus; finally, his account of the search for a science of peace in the 17th and 18th centuries brings the book to its conclusion.
"The study of war in all periods of prehistory and recorded history has always commanded the attention of historians, dramatists, poets and artists. The study of peace has, however, not yet gained a comparable readership, and the subject is attracting an increasing amount of scholarly research. This volume presents the first work of academic research to tackle this imbalance head on. It looks at war and peace through the ages, from the Classical world through to the eighteenth century. It considers the nature and advocacy of war and peace both from an historical perspective but also a philosophical one, particularly looking at how universal peace, which began as a personal philosophy, became over the centuries a political philosophy that underpins much of modern society's attitudes towards warfare and militarism. Roger Manning begins his journey through history by looking at the Greek martial ethos and philosophical concepts of peace and war in the ancient world; moving through the Roman empire's military advances, he explores the concepts of war and peace in the medieval world and the Renaissance, with the writing of Machiavelli and Erasmus; finally, his account of the search for a science of peace in the seventeenth and eighteenth centuries brings the book to its conclusion."--Bloomsbury Publishing
Specter of Peace advances a novel historical conceptualization of peace as a process of “right ordering” that involved the careful regulation of violence, the legitimation of colonial authority, and the creation of racial and gendered hierarchies. The volume highlights the many paths of peacemaking that otherwise have hitherto gone unexplored in early American and Atlantic World scholarship and challenges historians to take peace as seriously as violence. Early American peacemaking was a productive discourse of moral ordering fundamentally concerned with regulating violence. The historicization of peace, the authors argue, can sharpen our understanding of violence, empire, and the early modern struggle for order and harmony in the colonial Americas and Atlantic World. Contributors are: Micah Alpaugh, Brendan Gillis, Mark Meuwese, Margot Minardi, Geoffrey Plank, Dylan Ruediger, Cristina Soriano and Wayne E. Lee.
In politics, utopians do not have a monopoly on imagination. Even the most conservative defenses of the status quo, Raymond Geuss argues, require imaginative acts of some kind. In this collection of recent essays, including his most overtly political writing yet, Geuss explores the role of imagination in politics, particularly how imaginative constructs interact with political reality. He uses decisions about the war in Iraq to explore the peculiar ways in which politicians can be deluded and citizens can misunderstand their leaders. He also examines critically what he sees as one of the most serious delusions of western political thinking--the idea that a human society is always best conceived as a closed system obeying fixed rules. And, in essays on Don Quixote, museums, Celan's poetry, Heidegger's brother Fritz, Richard Rorty, and bourgeois philosophy, Geuss reflects on how cultural artifacts can lead us to embrace or reject conventional assumptions about the world. While paying particular attention to the relative political roles played by rule-following, utilitarian calculations of interest, and aspirations to lead a collective life of a certain kind, Geuss discusses a wide range of related issues, including the distance critics need from their political systems, the extent to which history can enlighten politics, and the possibility of utopian thinking in a world in which action retains its urgency.
On Human Conflict excavates the cavernous philosophical foundations of war and peace. The magnum opus is bracketed by the author's experience of the Cuban missile crisis as a schoolboy, and his witnessing of 9/11 as an adult. It studies the human species with an admixture of evolutionary insight, free-ranging horror, and heavily-guarded optimism. It is also the uncensored voice of a conservative philosopher who dares to speak his mind on contemporary conflicts–including the "culture" and "gender" wars, and Islamic jihad—in an age when political correctness has lowered an "Ivy Curtain" prohibiting freedom of expression on campus, and across Western civilization entire.
"John Paul Lederach's work in the field of conciliation and mediation is internationally recognized. He has provided consultation, training and direct mediation in a range of situations from the Miskito/Sandinista conflict in Nicaragua to Somalia, Northern Ireland, Tajikistan, and the Philippines. His influential 1997 book Building Peace has become a classic in the discipline. In this book, Lederach poses the question, "How do we transcend the cycles of violence that bewitch our human community while still living in them?" Peacebuilding, in his view, is both a learned skill and an art. Finding this art, he says, requires a worldview shift. Conflict professionals must envision their work as a creative act-an exercise of what Lederach terms the "moral imagination." This imagination must, however, emerge from and speak to the hard realities of human affairs. The peacebuilder must have one foot in what is and one foot beyond what exists. The book is organized around four guiding stories that point to the moral imagination but are incomplete. Lederach seeks to understand what happened in these individual cases and how they are relevant to large-scale change. His purpose is not to propose a grand new theory. Instead he wishes to stay close to the "messiness" of real processes and change, and to recognize the serendipitous nature of the discoveries and insights that emerge along the way. overwhelmed the equally important creative process. Like most professional peacemakers, Lederach sees his work as a religious vocation. Lederach meditates on his own calling and on the spirituality that moves ordinary people to reject violence and seek reconciliation. Drawing on his twenty-five years of experience in the field he explores the evolution of his understanding of peacebuilding and points the way toward the future of the art." http://www.loc.gov/catdir/enhancements/fy0616/2004011794-d.html.
The theory of secularisation became a virtually unchallenged truth of twentieth-century social science. First sketched out by Enlightenment philosophers, then transformed into an irreversible global process by nineteenth-century thinkers, the theory was given substance by the precipitate drop in religious practice across Western Europe in the 1960s. However, the re-emergence of acute conflicts at the interface between religion and politics has confounded such assumptions. It is clear that these ideas must be rethought. Yet, as this distinguished, international team of scholars reveal, not everything contained in the idea of secularisation was false. Analyses of developments since 1500 reveal a wide spectrum of historical processes: partial secularisation in some spheres has been accompanied by sacralisation in others. Utilising new approaches derived from history, philosophy, politics and anthropology, the essays collected in Religion and the Political Imagination offer new ways of thinking about the urgency of religious issues in the contemporary world.
This book is a detailed analysis of war within which Wells explores why the Second World War was being fought, what would happen when it ended, what aims should be set, and the possibility of a future where humanity doesn't destroy itself through war. A fascinating and thought-provoking treatise, "The Common Sense of War and Peace" will appeal to those with an interest in WWII and is not to be missed by fans and collectors of H. G. Wells work. Contents include: "Grown Men Do Not Need Leaders", "Can Any Peace Be Made Now?", "What Are We Fighting For?", "Only World Revolution Can End War", "The Blue Swastika and the Religion of the Rentier", "The Triple Choice", "What Federation Means And May Mean", "War in the Air and After", "The Puerility of Current Federal Union Schemes", "The Provisional Declaration of Rights", et cetera. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author. First published in 1940.