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Explores the phenomenon of wandering poets, setting them within the wider context of ancient networks of exchange, patronage and affiliation.
This book presents a substantially revised version of some of the most important and innovative articles published by Alan Cameron in the field of late antique Greek poetry and philosophy. Much new material has been added to the account of the "Wandering Poets" from early Byzantine Egypt, and earlier judgment on their paganism is nuanced. The story of Cyrus of Panopolis and the empress Eudocia takes into account important recent work on the poetry of Eudocia. Several chapters discuss the date and identity of the influential poet Nonnus. The longest chapter reviews the celebrated story of the so-called closing of the Academy of Athens and the trip of its seven remaining philosophers to the court of the Persian king Chosroes, rejecting the fashionable current idea that they set up a new school at Harran on the Persian border. An entirely new chapter discusses a recently published papyrus containing poems of the Alexandrian epigrammatist Palladas, rejecting the editor's claim that Palladas wrote almost a century earlier than hitherto believed. A concluding chapter, never before published, reinvestigates the evidence for paganism in sixth-century Byzantium. Boldly and persuasively argued, and drawing on a profound knowledge of the period, the volume as a whole deepens our knowledge of the rich intellectual traditions of the late antique Hellenic world.
This book presents radically revised and updated versions of the most important and innovative articles published by Alan Cameron in the field of late antique Greek poetry and philosophy, attempting to define pagan and Christian elements in early Byzantine literary culture. The longest chapter presents a new account of the closing of the Academy of Athens, and a new article discusses recent theories on the date of the epigrammatist Palladas.
"Examining the act of wandering through many lenses, Wandering in Ancient Greek Culture addresses questions such as: Why did the Greeks associate the figure of the wanderer with the condition of exile? How was the expansion of the world under Rome reflected in the connotations of wandering? Does a person learn by wandering, or is wandering a deviation from the truth? In the end, this matchless volume shows how the transformations that affected the figure of the wanderer coincided with new perceptions of the world and of travel, and invites us to consider its definition and import today."--BOOK JACKET.
In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.
The longevity of Greek ideas, images, and systems of thought bears witness to the incomparable originality of ancient Greek scientific and artistic achievements and the genius of Hellenist society. It is on the foundation of Hellenist achievements that many of our modern advancements have developed. Greek culture also significantly impacted the development of literature and education, beginning with the Romans and expanding to Europe and the West. While the best-known literary masterpiece of the Archaic Greek period is the so-called Homeric epics – The Illiad and The Odyssey - other influential pieces were written by Hesiod and Sappho. Hesiod’s two known works were religious and instructive: Works and Days and Theogony. The ancient Greeks revered Homer and Hesiod and often cited their names together in theological and theological works. While the two could have been contemporaries, some estimate that Hesiod lived up to 100 years after Homer. Sappho was an ancient Greek poetess and musician. She pioneered song lyrics and the ancient Greeks included her in the canon of nine lyric poets. Plato even numbered her among the Parnassian goddesses, referring to her as the tenth muse. Homer. The Iliad. Translated by Alexander Pope Homer. The Odyssey. Translated by William Cowper Hesiod. Works and Days and Theogony. Translated by Hugh G. Evelyn-White Sappho. The Complete Poems. Translated by John Myers O'Hara
A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.
What difference does music make to performance poetry, and how did the ancients understand this relationship? This volume explores the interaction of music and language in ancient Greek poetry, arguing that music crucially informs the ways in which these texts create meaning and exploring its place in contemporary critical writings.
In spite of the growing amount of important new work being carried out on uses of myth in particular ancient contexts, their appeal and reception beyond the framework of one culture have rarely been the primary object of enquiry in contemporary debate. Highlighting the fact that ancient societies were linked by their shared use of mythological narratives, Wandering Myths aims to advance our understanding of the mechanisms by which such tales were disseminated cross-culturally and to investigate how they gained local resonances. In order to assess both wider geographic circulations and to explore specific local features and interpretations, a regional approach is adopted, with a particular focus on Anatolia, the Near East and Italy. Contributions are drawn from a range of disciplines, and cross a wide chronological span, but all are interlinked by their engagement with questions focusing on the factors that guided the processes of reception and steered the facets of local interpretation. The Preface and Epilogue evaluate the material in a synoptic way and frame the challenging questions and views expressed in the Introduction.
A Companion to Greek Literature presents a comprehensive introduction to the wide range of texts and literary forms produced in the Greek language over the course of a millennium beginning from the 6th century BCE up to the early years of the Byzantine Empire. Features contributions from a wide range of established experts and emerging scholars of Greek literature Offers comprehensive coverage of the many genres and literary forms produced by the ancient Greeks—including epic and lyric poetry, oratory, historiography, biography, philosophy, the novel, and technical literature Includes readings that address the production and transmission of ancient Greek texts, historic reception, individual authors, and much more Explores the subject of ancient Greek literature in innovative ways