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Of the hundreds of foreign students who attended the Munich Art Academy between 1910 and 1915, Walter Ufer (1876–1936) and E. Martin Hennings (1886–1956) returned to the United States to foster the development of a national art. They ultimately established their reputations in the American Southwest. The two German American artists shared much in common, and both would gain membership in the celebrated Taos Society of Artists. Featuring nearly 150 color plates and historical photographs, A Place in the Sun is a long-overdue tribute to the lives, achievements, and artistic legacy of these two important artists. In tracing the lifelong friendship and intersecting careers of Ufer and Hennings, the contributors to this volume explore the social and artistic implications of the artists’ German heritage and training. Following their training in Munich, both men hoped to build careers in the spirited art environment of Chicago. Both were sponsored by wealthy businessmen, many of German descent. The support of these patrons allowed Ufer and Hennings to travel to the American Southwest, where they—like so many other talented artists—fell under the spell of Taos and its picturesque scenery. They also encountered the region’s Native peoples and Hispanic culture that inspired many of their paintings. Despite their mutual interests, Ufer and Hennings were not identical by any means. Each artist had a distinct artistic style and, as the essays in this volume reveal, the two men could not have had more different personalities or career trajectories. Connoisseurs of southwestern art have long admired the masterworks of Ufer and Hennings. By offering a rich sampling of their paintings alongside informative essays by noted art historians, A Place in the Sun ensures that their significant contributions to American art will be long remembered. A Place in the Sun is published in cooperation with the Denver Art Museum.
This book depicts a group of Chicago patrons who sought to shape the city's identity and foster a uniquely American style, by supporting local artists who depicted the West.
Grants story of Taos, New Mexico, covers some four centuries of history. She tells fascinating true stories of a settlement that was home to trappers and explorers and later to artists and writers.
Part of the Ogline Family Papers.
A Divine Comedy is a compilation of the author’s novels True and its sequel One. This book is also available for purchase by Kindle device and app users in the Kindle Store on Amazon.com.
Located in the "Land of Enchantment," Taos has a long history that predates the pilgrims' arrival at Plymouth Rock. Anasazi Indians first inhabited the Taos Valley in 1000 A.D., and the Taos Pueblo (both a UNESCO World Heritage Site and a National Historic Landmark) has been continuously inhabited for more than 1,000 years. Spanish conquistadors explored Taos in 1540, and by 1615 many Spanish families had settled in the region. Taos later became a crossroads for French and American trappers, and by the early 1800s it was a bustling headquarters for mountain men, including the legendary Kit Carson. When artists Bert Phillips and Ernest Blumenschein passed through in 1898, a broken wagon wheel delayed them and ultimately resulted in another wave of newcomers, who established an art colony. In 1917, New York socialite Mabel Dodge became enthralled with Taos, and during the next four decades she invited many highly regarded creative people to visit, including Ansel Adams, Carl Jung, Georgia O'Keefe, Willa Cather, D. H. Lawrence, and Aldous Huxley. Taos continues to attract adventurous, spirited individuals.