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A blank city wall with a fresh coat of paint—is there anything more appealing to doodlers, dreams, and graffiti artists? Walls Notebook invites you to indulge your inner vandal without the risk of jail time. Here are 160 pages of wall photographs for notes, sketches, drawings, and defacement, all packaged in a delightful lay-flat flexi-bind paperback.
Wouldn't it be awesome if you could see how the sketches of your graffiti pieces would look on a brick wall? Well, now you can! Because you can practice your hand style and design your own graffiti masterpieces on the 50 brick wall graffiti sheets in this street art sketchbook! But, if you'd rather practice some of your tags, throw-ups and wildstyle creations on blank white sheets of paper - no problem! Because each page is single sided, giving you over 50 blank pages to sketch on too. So what's the main features of this graffiti blackbook? Well, you get an incredible: 50 brickwork pages (10 different grayscale designs, 5 of each design) Single sided pages to prevent bleed through 80 colors can be tested on the 2 color test pages "Pieces By" page so you can lay claim to your graffiti blackbook And don't forget you can use the "Look inside" feature to see some of these pages for yourself! So give your graffiti designs a more realistic feel and grab your very own brick wall blackbook today. GO ON - SCROLL UP AND GRAB YOUR UNIQUE STREET ART SKETCHBOOK!
We build border walls to keep danger out. But do we understand the danger posed by walls themselves? East Germans were the first to give the crisis a name: Mauerkrankheit, or “wall disease.” The afflicted—everyday citizens living on both sides of the Berlin wall—displayed some combination of depression, anxiety, excitability, suicidal ideation, and paranoia. The Berlin Wall is no more, but today there are at least seventy policed borders like it. What are they doing to our minds? Jessica Wapner investigates, following a trail of psychological harm around the world. In Brownsville, Texas, the hotly contested US-Mexico border wall instills more feelings of fear than of safety. And in eastern Europe, a Georgian grandfather pines for his homeland—cut off from his daughters, his baker, and his bank by the arbitrary path of a razor-wire fence built in 2013. Even in borderlands riven by conflict, the same walls that once offered relief become enduring reminders of trauma and helplessness. Our brains, Wapner writes, devote “border cells” to where we can and cannot go safely—so, a wall that goes up in our town also goes up in our minds. Weaving together interviews with those living up against walls and expert testimonies from geographers, scientists, psychologists, and other specialists, she explores the growing epidemic of wall disease—and illuminates how neither those “outside” nor “inside” are immune.
A companion volume to the author's successful text, Analysing Architecture, this book follows the same approach and format to explore conceptual themes in architecture further.
When life (in a global pandemic) imitates art . . . Van Gogh’s Starry Night made out of spaghetti? Cat with a Pearl Earring? Frida Kahlo self-portraits with pets and toilet paper? While the world reeled from the rapid spread of the novel coronavirus (COVID-19), thousands of people around the globe, inspired by challenges from Getty and other museums, raided toy chests, repurposed pantry items, and enlisted family, roommates, and animals to re-create famous works of art at home. Astonishing in their creativity, wit, and ingenuity, these creations remind us of the power of art to unite us and bring joy during troubled times. Off the Walls: Inspired Re-Creations of Iconic Artworks celebrates these imaginative re-creations, bringing highlights from this challenge together in one whimsical, irresistible volume. Getty Publications will donate all profits from the sales of this book to a charity supporting art and artists.
“A lively popular history of an oft-overlooked element in the development of human society” (Library Journal)—walls—and a haunting and eye-opening saga that reveals a startling link between what we build and how we live. With esteemed historian David Frye as our raconteur-guide in Walls, which Publishers Weekly praises as “informative, relevant, and thought-provoking,” we journey back to a time before barriers of brick and stone even existed—to an era in which nomadic tribes vied for scarce resources, and each man was bred to a life of struggle. Ultimately, those same men would create edifices of mud, brick, and stone, and with them effectively divide humanity: on one side were those the walls protected; on the other, those the walls kept out. The stars of this narrative are the walls themselves—rising up in places as ancient and exotic as Mesopotamia, Babylon, Greece, China, Rome, Mongolia, Afghanistan, the lower Mississippi, and even Central America. As we journey across time and place, we discover a hidden, thousand-mile-long wall in Asia's steppes; learn of bizarre Spartan rituals; watch Mongol chieftains lead their miles-long hordes; witness the epic siege of Constantinople; chill at the fate of French explorers; marvel at the folly of the Maginot Line; tense at the gathering crisis in Cold War Berlin; gape at Hollywood’s gated royalty; and contemplate the wall mania of our own era. Hailed by Kirkus Reviews as “provocative, well-written, and—with walls rising everywhere on the planet—timely,” Walls gradually reveals the startling ways that barriers have affected our psyches. The questions this book summons are both intriguing and profound: Did walls make civilization possible? And can we live without them? Find out in this masterpiece of historical recovery and preeminent storytelling.
Half a century ago a rag-tag group of innovators was building a foundation for modern American rock climbing from a makeshift home base in Yosemite. Photographer Glen Denny was a key figure in this golden age of climbing, capturing pioneering feats on camera while tackling challenging ascents himself. In entertaining short pieces enlivened by his iconic black-and-white images of Yosemite's big wall legends, Denny reveals a young man's coming of age and provides a vivid look at Yosemite’s early climbing culture. He relates such precarious achievements as hauling water in glass gallon jugs up the east face of Washington Column, nailing the 750-foot Rostrum in a punishing heat wave, and dangling overnight on El Capitan’s Dihedral Wall in a lightning storm. Each true tale captures the spirit of historic Camp 4, where Denny and others plan the next big climb while living on the cheap and dodging park rangers.
Three-time Newbery Honor author Jacqualine Woodson explores race and sexuality through the eyes of a compelling narrator Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him--is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family?
“Paper Walls was the first scholarly book to deal with the question of America’s response to the Nazi assault on the European Jews. A revised version of my Ph.D. dissertation at Harvard University, it was originally published in 1968... Those times were very different from these. There was little public receptivity to Holocaust studies then, and only limited academic interest... The scholarly reviews, of which there were several, were favorable. But the general press paid little attention to the book... A pioneer in its field, Paper Walls first established the thesis that three features of American society in the 1930’s and 1940’s were key to understanding the nation’s inadequate response to the refugee crisis. They were anti-Semitism, nativistic nationalism, and the unemployment problem of the Great Depression. This basic concept has been followed in all the succeeding scholarly literature on the topic. This concept is also the main legacy from Paper Walls to my more recent book, The Abandonment of the Jews: America and the Holocaust, 1941-1945 (1984). AlthoughAbandonment stands as a complete study in its own right, it is in fact the sequel toPaper Walls. It is a continuation of the history of America’s reaction to the plight of the European Jews in the Nazi era.” — David S. Wyman, Preface to the 1985 paperback edition of Paper Walls “[A] thorough study of American refugee policy from 1938 to 1941... On the basis of Wyman’s book, the United States stands indicted for a tragic failure to live up to its nineteenth-century ideal of asylum... Though Wyman makes no effort to disguise his strong sympathy for the refugees, his book... gives a careful and well-documented history of American refugee policy... The state department — above all Assistant Secretary of State Breckinridge Long — emerges from his pages as the primary culprit... The attitude displayed by... the foreign service... led to the creation of the paper walls that Wyman so honestly and tragically describes in this important book.” — Robert A. Divine, Journal of American History “The first scholarly examination of American refugee policy between 1938 and 1941... What Wyman sets out to do he does extremely well. Paper Walls is a worthwhile addition to our growing knowledge of the policy of those who bore witness to the Holocaust.” — Henry L. Feingold, American Jewish Historical Quarterly “No one who reads this book will be able to ignore the fact that blatant antisemitism in the United States — from the public, from Congress, and from within the State Department — prevented our government from giving more than minimal assistance to the Jewish refugees... Professor Wyman has done an immense amount of research in primary and secondary sources and Paper Walls is extraordinarily sound and superbly documented. It is tightly written, well-organized, and logically presented.” — Leonard Dinnerstein, Jewish Social Studies “The conclusions of the book are stark and simple: ‘The half-filled quotas of mid-1940 to mid-1941, when refugee rescue remained entirely feasible, symbolize 20,000 to 25,000 lives lost...’ In the eight years from 1933 to 1941, about 250,000 refugees found safety here. The total is not small, but neither is the country which received them.” — Raul Hilberg, Political Science Quarterly “Generally [President Roosevelt] left refugee policy to the disposition of a hostile Congress and the State Department. Yet, as the author points out, neither Roosevelt, the State Department, nor Congress can be blamed entirely for what happened. ‘Viewed within the context of its times, United States refugee policy from 1938 to the end of 1941 was essentially what the American people wanted.’ In December 1938 only 8.7 per cent of the respondents to a Roper poll favored entry of a larger number of European refugees than the quota law allowed; fully 83 per cent were flatly opposed. This book tells a dismal story. While it is dear where the author’s sympathies lie, he tells the story with restraint; if anything, his approach and writing style underplay the pathos involved... Wyman has given us a scholarly description and analysis of the first act of the tragedy, which he promises to carry on through the war and postwar years.” — J. Joseph Huthmacher, The American Historical Review “This thoroughly documented study of the United States policies in regard to the refugee crisis of 1938-1941 is the best available source in this field and on that period. Drawing on material from some well known as well as several previously untapped sources, Wyman discusses both the ambiguous role of particular figures and organizations and the underlying forces at work in American society which influenced governmental policy and practices; anti-semitism, nativism, fear of unemployment and of Nazi subversives are shown as the major pressure to which America’s people and leaders succumbed.” — Joseph S. Roucek, The International Migration Review “This is a depressing topic impressively researched. Professor Wyman has investigated almost all the relevant primary and secondary materials in order to recount the tragic story of America’s indifference to the hundreds of thousands of refugees fleeing Hitler’s Europe... Over two-thirds of Americans desired to keep the Jewish refugees out of the United Stales. Wyman argues that this sentiment was due to three sources: ‘nativism, anti-Semitism, and economic insecurity’... There is enough evidence in Wyman’s book to cause the Statue of Liberty to collapse for lack of moral foundation.” — John P. Diggins, The Historian “Professor Wyman skillfully investigates and thoughtfully analyzes the complexities of the crisis and the reasons why more was not done to aid the refugees in the crucial period between 1938 and 1941... The author examines the problem thoroughly from a number of standpoints... The State Department, the Congress, and the President really were reflecting the attitudes of the American people, who, Wyman asserts, were indifferent and even antagonistic to the refugees [because of] the economic insecurity engendered by the depression, nativistic nationalism, and anti-Semitism. A well-researched and lucidly, if not dispassionately, written book, Paper Walls is a sound, workmanlike study of a significant episode in our nation’s recent past.” — E. Berkeley Tompkins, The Annals of the American Academy of Political and Social Science