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Wall Art Made Easy: Ready to Frame Vintage Fairy Prints features thirty beautiful illustrations from various children's books. These full color delightful fairy images have been illustrated by Arthur Rackham, Warwick Goble, Edmund Dulac among others. If you love vintage fairy illustrations you're sure to find some that you'll love enough to want to display in your home and when framed make the ideal gift too. Easily transform your home d�cor using Wall Art Made Easy: Ready to Frame Vintage Fairy Prints, the far cheaper alternative to buying expensive prints!
A collection of 20 fairy tales from Japan including "Chin-Chin Kobakama," "The Serpent with Eight Heads," and "The Tea-Kettle."
This publication shows step by step, in a fun and entertaining way, how to make your own three-dimensional works of art on paper.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An art history of the city of Constantinople. The origins of the city's prominence is included as a prelude to the physical qualities of the city itself. The influence of important rulers on the city's layout, the walls, the Golden Horn and inland walls, the churches of the city, and contemporary impressions of Constantinople are included. Has a chapter on Turkish women, and discussion of Islam in Constantinople. Includes reproductions of Goble's watercolor and oil paintings.
Throughout Indian history, many authors and performers have produced, and many patrons have supported, diverse tellings of the story of the exiled prince Rama, who rescues his abducted wife by battling the demon king who has imprisoned her. The contributors to this volume focus on these "many" Ramayanas. While most scholars continue to rely on Valmiki's Sanskrit Ramayana as the authoritative version of the tale, the contributors to this volume do not. Their essays demonstrate the multivocal nature of the Ramayana by highlighting its variations according to historical period, political context, regional literary tradition, religious affiliation, intended audience, and genre. Socially marginal groups in Indian society—Telugu women, for example, or Untouchables from Madhya Pradesh—have recast the Rama story to reflect their own views of the world, while in other hands the epic has become the basis for teachings about spiritual liberation or the demand for political separatism. Historians of religion, scholars of South Asia, folklorists, cultural anthropologists—all will find here refreshing perspectives on this tale.