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Melissa McFadden always wanted to be an officer when she grew up--to help people. As she left the disciplined, rule driven, world of the Air Force Security Services and landed her dream job in the Columbus, Ohio Division of Police, she learned that policing was something very different than what she had always dreamed it would be. As a Black woman from the coal country of West Virginia she found herself confronting a big city racist police culture that was born in the slave patrols of Reconstruction, emboldened through the Jim Crow era, challenged in the Civil Rights era and still gaining momentum in the Black Lives Matter era. She walked a thin Black line each day that divided her ability to defend her community against police brutality from her ability to defend herself against discrimination on the job. Her memoir is about her journey through the thicket of racist union contracts, unfair assignment practices, and discriminatory disciplinary decisions. She shares how racism hides within police culture, because the purpose of policing has never shed its original focus-a war on Black people. She never imagined the day that she would be standing in solidarity with young Black activists and their white allies, holding a sign saying Police Reform Now, while shouting BLACK LIVES MATTER! Her voice was silenced for over twenty years of her career through threats of retaliation that included taking her entire pension from her. She has fought, cried, sued, mentored, and demanded justice for her Black colleagues and the Black people of Columbus. And now she can show you her efforts and her failures in hopes that the more you know the more you can be part of the solution that is so long overdue.
A nonfiction collection of the exploits and accomplishments of African American law enforcement officers.
This is a brutally honest, no-holds-barred memoir of a cops time on the street. it is a scorching, devastating book (Lawrence Block). Told in short story format, it chronicles a young mans journey from idealistic rookie to scarred, cynical veteran.
A cloth bag containing eight copies of the title, that may also include a folder.
From his insight as a black police officer, community leader and church minister in a volatile urban setting, Terrell Carter offers a constructive approach to addressing racism, societal divisions, the politics of oppression, improving police-community interaction-and points the way to a more hopeful future
The first comparative history of African American and Black British artists, artworks, and art movements, Stick to the Skin traces the lives and works of over fifty painters, photographers, sculptors, and mixed-media, assemblage, installation, video, and performance artists working in the United States and Britain from 1965 to 2015. The artists featured in this book cut to the heart of hidden histories, untold narratives, and missing memories to tell stories that "stick to the skin" and arrive at a new "Black lexicon of liberation." Informed by extensive research and invaluable oral testimonies, Celeste-Marie Bernier’s remarkable text forcibly asserts the originality and importance of Black artists’ work and emphasizes the need to understand Black art as a distinctive category of cultural production. She launches an important intervention into European histories of modern and contemporary art and visual culture as well as into debates within African American studies, African diasporic studies, and Black British studies. Among the artists included are Benny Andrews, Bessie Harvey, Lubaina Himid, Claudette Johnson, Noah Purifoy, Faith Ringgold, Betye Saar, Joyce J. Scott, Maud Sulter, and Barbara Walker.
A road trip novel from the author of Fup that “reads like Kerouac’s On the Road as it might have been written by Hunter S. Thompson” (The Plain Dealer). George Gastin is a Bay Area tow-truck operator who wrecks cars as part of an insurance scam. One of the cars he is hired to demolish is a snow-white Cadillac that was supposed to be a present for the Big Bopper, who died in the Iowa plane crash that killed Buddy Holly and Ritchie Valens. Gastin has a change of heart and takes off in the car, heading for Texas where the Bopper is buried. Armed with a thousand hits of Benzedrine and chased by adversaries real and imagined, Gastin navigates a road trip that covers many miles and states of mind. Traveling in time from the Beat era to the dawn of the sixties, from the coffeehouses of North Beach to the open plains of America, Gastin picks up some extraordinary hitchhikers: the self-proclaimed “world’s greatest salesman,” the Reverend Double-Gone Johnson, and a battered housewife with a box of old 45s. As the miles and sleepless hours roll by, Gastin’s trip becomes a blur of fantasy and reality fueled by a soundtrack of classic rock ‘n’ roll. “His surreal voyage into the chaos of night carries him into the heart of America’s darkest psychological landscapes. Not Fade Away shakes, rattles, and rolls.” —San Francisco Chronicle
This volume investigates the implications of how our brain directs our movements on decision-making. An extensive body of knowledge in chapters from international experts is presented as well as integrative group reports discussing new directions for future research. The understanding of how people make decisions is of central interest to experts working in fields such as psychology, economics, movement science, cognitive neuroscience, neuroinformatics, robotics, and sport science. For the first time the current volume provides a multidisciplinary overview of how action and cognition are integrated in the planning of and decisions about action. - Offers intense, focused, and genuine interdisciplinary perspective - Conveys state-of-the-art and outlines future research directions on the hot topic of mind and motion (or embodied cognition) - Includes contributions from psychologists, neuroscientists, movement scientists, economists, and others
A noted Black woman journalist recounts her experiences as an outsider in the newsroom of the Washington Post in the late 1980s.