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Explore the most interesting, scenic, and historic places in Philadelphia, Pennsylvania, via 30 self-guided walking tours. From Broad Street to Independence National Park, from Manayunk to the Delaware River, the City of Brotherly Love is one of the world’s most fascinating places to explore. Grab your walking shoes, and become an urban adventurer. Local author Natalie Pompilio guides you through 30 unique walking tours in this comprehensive book. Walking Philadelphia makes you feel like you’re being led by your closest friend as you soak up the architecture, trivia, and more. The tours include important historic facts, as well as Natalie’s behind-the-scenes stories and tidbits. Plus, Tricia Pompilio’s photography brings these walking tours to life. Find vintage boutiques and high-end shopping destinations. Try restaurants that showcase famed fare (like cheesesteaks, soft pretzels, and beer that make Philadelphia a foodies’ paradise). Discover Philadelphia’s many firsts: the first zoo, first library system, and first hospital—plus dozens of historic sites that you learned about in school. Explore a Museum District that’s second to none, an all-encompassing park system, and much more. Book Features 30 self-guided tours through the City of Brotherly Love America’s Most Historic Square Mile, one of the country’s liveliest and most lived-in urban centers Unique and surprising stories about people, places, and things Whether you’re looking for the Mural Mile in Center City or the historically modern charm of Society Hill, Walking Philadelphia will get you there. Find a route that appeals to you, and walk Philly!
The Philadelphia Inquirer's Walking Tours of Historic Philadelphia takes history buffs on twelve walking tours through different city neighborhoods, visiting buildings, streets, gardens, and parks that remain testaments to Philadelphia's historic past. Arranged to help readers follow a logical path from site to site, the book includes maps, information about which sites can be toured, and tips on parking, public transportation, and nearby restaurants.
"An alternative, history-focused guidebook to a selection of Philadelphia's heroes and notable places"--
Independence Hall and the Liberty Bell, two of America's most revered symbols of freedom, date back to the British rule of the American colonies. The main structure of Independence Hall was completed in 1732, and the final casting of the Liberty Bell was completed in 1753. Visited by over two million people yearly, these historic icons have been used as backdrops for many political and social demonstrations and speeches. Filled with images from the archives of Independence National Historical Park, Philadelphia Department of Records, and collections from around the country, Independence Hall and the Liberty Bell illustrates how these two historic relics generate a sense of pride and patriotism set forth by the signing of the Declaration of Independence on July 4, 1776.
Norman A. Carter Jr. was sitting in an Army barracks in the 1960s when he decided to become a police officerand in 1967, he was accepted into the Philadelphia, Pennsylvania Police Academy. His wife and family did not like the idea of him becoming an officer of the law. Police officers were known as people not to be trusted, and the people in Carters neighborhood saw them as corrupt and brutal. But Carter was convinced that the best way to change that perception and help the country heal during the turbulent Civil Rights Movement was to become a Police Officer. He knew that once he became a Police Officer, hed work alongside other honorable men and women. While there were plenty of those, including some who died serving their city, he also found others who soiled the reputation of Police Officers determined to protect and serve. Some of them were criminals themselves. For years, he tried to expose these criminalized Police Officers , but he wasignoredor worseretaliated against. He reveals how a corrupt system negatively impacted every citizen of Philadelphia in The Long Blue Walk.
This dialogue between two of the most prominent thinkers on social change in the twentieth century was certainly a meeting of giants. Throughout their highly personal conversations recorded here, Horton and Freire discuss the nature of social change and empowerment and their individual literacy campaigns.
Some travelers visited the classic destinations of earlier times, such as the great waterworks complex, and some reacted generally to the tone and temper of the city. Together, these accounts fall into patterns that often convey a mythic reading of the city, as a place of uncommon order and symmetry, for example, or a place of great torpor and dullness, or a city extraordinary for the way in which elements of wilderness interpenetrate the metropolitan core.
Walking surveys the proliferation of pedestrian practices across contemporary art, taking an avowedly political stance on where and how the three practices of art, walking, and writing intersect. Across the world, walking is a vital way to assert one’s presence in public space and discourse. Walking maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology contends that, as a relational practice, walking inevitably touches upon questions of access, public space, land ownership, and use. Walking is, therefore, always a political act. Artists surveyed include Stanley Brouwn, Laura Grace Ford, Regina Jose Galindo, Emily Hesse, Tehching Hsieh, Kongo Astronauts, Myriam Lefkowitz, Sharon Kivland, Andre Komatsu, Steve McQueen, Jade Montserrat, Sara Morawetz, Paulo Nazareth, Carmen Papalia, Ingrid Pollard, Issa Samb, Sop, Iman Tajik, Tentative Collective, Anna Zvyagintseva. Writers include Jason Allen-Paisant, Tanya Barson, André Brasil, Amanda Cachia, Sarah Jane Cervenak, Annie Dillard, Jacques Derrida, Dwayne Donald, Darby English, Édouard Glissant, Steve Graby, Antje von Graevenitz, Stefano Harney and Fred Moten, Elise Misao Hunchuck, Kathleen Jamie, Carl Lavery, JeeYeun Lee, Michael Marder, Gabriella Nugent, Isobel Parker Philip, Rebecca Solnit.
Wedged between the hustle of New York and the grandeur of Washington, D.C., Philadelphia is America's smallest big city, America's biggest small city, and America's most American city. It is also a city in flux. Bruce Buschel is a native Philadelphian who revisits his hometown and, in doing so, revisits his personal history and the city's complex identity. Buschel was born on Broad Street, his father died on Broad Street; he flunked out of college, sold cameras, and purchased drugs on Broad Street; he wrote for a newspaper on Broad Street, touched JFK's left hand on Broad Street, and met his second wife when she worked on Broad Street. On his thirteen-mile walk down the boulevard, Buschel talks to everyone from the old Italian tailor down the corner from the Chinese Mennonite pastor to the Jewish funeral home director across the street from Bilal, the Muslim restaurateur. On Broad Street, he finds livestock just a few steps from Joe Frazier's gym. The newly dubbed "Gayborhood" is just a stone's throw from the home of the heartbreaking Eagles. A world-class ballet rehearses at the Rock School while outcast rockers practice at the Paul Green School. The gas station attendant on Broad Street may be a recent immigrant, but he has already adopted the brusque manners and terse responses of a fourth-generation Philadelphian. Naturally, William Penn oversees the whole insecure, glorious mess from his perch atop City Hall. After 9/11, Americans were drawn to Philly's authenticity and history. After decades of decay, something positive is happening, and dyspeptic Philadelphians are trying to adjust. A lot has changed since Buschel grew up there, but he hasn't managed to shake the attitudes instilled in childhood -- mere mention of the '64 Phillies (and one of the greatest collapses in baseball history) still stings. He has retained his irreverent sense of humor, his distrust of authority, his ambivalence about New York, his disdain for New Jersey, and, above all, his sense of loyalty -- if not outright love -- for his native city.