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Capturing the landscapes, landmarks, poetry and letters of Keats's epic walk, Carol Kyros Walker retraced Keats's footsteps originally in 1978-1979 and again in the autumns of 2015 and 2016 allowing readers to 'walk' alongside him.
Occasioned by the spirit of celebrating Keats's 200th birthday (31 October 1995), Jeffrey C. Robinson's Reception and Poetics in Keats offers at once a history and readings of the many praise and commemorative poems to or about Keats (collected in an appendix) from the time of his early death up to the present day and a consequent rethinking of Keats's own poems and poetics. Keats emerges as a poet uniquely available and useful to the experimental poets of our own time.
As the essays in this volume reveal, Keats’s places could be comforting, familiar, grounding sites, but they were also shifting, uncanny, paradoxical spaces where the geographical comes into tension with the familial, the touristic with the medical, the metropolitan with the archipelagic. Collectively, the chapters in Keats’s Places range from the claustrophobic stands of Guy’s Hospital operating theatre to the boneshaking interior of the Southampton mail coach; from Highland crags to Hampstead Heath; from crowded city interiors to leafy suburban lanes. Offering new insights into the complex registrations of place and the poetic imagination, the contributors to this book explore how the significant places in John Keats’s life helped to shape an authorial identity.
This book tackles the age-old interpretative problem of 'pleasure' in Keat's poetry by placing him in the context of the liberal, leisured and luxurious culture of Hunt's circle. Challenging the standard narrative which attribute Keat's astonishing poetic development to his separation from Hunt, the author cogently argues that Keats, profoundly imbued with Hunt's bourgeois ethic and aesthetic, remained a poet of sensuous pleasure through to the end of his short career.
Keats’s first volume of poems, published in 1817, demonstrated both his belief in the consummate power of poetry and his liberal views. While he was criticized by many for his politics, his immediate circle of friends and family immediately recognized his genius. In his short life he proved to be one of the greatest and most original thinkers of the second generation of Romantic poets, with such poems as ‘Ode to a Nightingale’, ‘On First Looking into Chapman’s Homer’ and ‘La Belle Dame sans Merci’. While his writing is illuminated by his exaltation of the imagination and abounds with sensuous descriptions of nature’s beauty, it also explores profound philosophical questions. John Barnard’s acclaimed volume contains all the poems known to have been written by Keats, arranged by date of composition. The texts are lightly modernized and are complemented by extensive notes, a comprehensive introduction, an index of classical names, selected extracts from Keats’s letters and a number of pieces not widely available, including his annotations to Milton’s Paradise Lost.
This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses through which they have been viewed since becoming the subject of concerted study in Victorian times, this book builds on the latest work in an ever-growing body of contemporary folklore scholarship. Many of the contributing scholars are also practicing performers and bring experience and understanding of performance to their analyses and critiques. Chapters range across the spectrum of folk song, music, drama and dance, but maintain a focus on the key defining characteristics of folk performance – custom and tradition – in a full range of performances, from carol singing and sword dancing to playground rhymes and mummers' plays. As well as being an essential reference for folklorists and scholars of traditional performance and local history, this is a valuable resource for readers in all disciplines of dance, drama, song and music whose work coincides with English folk traditions.
John Keats's biographers have rarely been fair to George Keats (1797--1841) -- pushing him to the background as the younger brother, painting him as a prodigal son, or labeling him as the "business brother." Some have even condemned him as a heartless villain who took more than his fair share of an inheritance and abandoned the ailing poet to pursue his own interests. In this authoritative biography, author Lawrence M. Crutcher demonstrates that George Keats deserves better. Crutcher traces his subject from Regency London to the American frontier, correcting the misconceptions surrounding the Keats brothers' relationship and revealing the details of George's remarkable life in Louisville, Kentucky. Brilliantly illustrated with more than ninety color photographs, this engaging book reveals how George Keats embraced new business opportunities to become an important member of the developing urban community. In addition, George Keats of Kentucky offers a rare and fascinating glimpse into nineteenth-century life, commerce, and entrepreneurship in Louisville and the Bluegrass.
John Keats’s biographers have rarely been fair to George Keats (1797–1841)—pushing him to the background as the younger brother, painting him as a prodigal son, or labeling him as the “business brother.” Some have even condemned him as a heartless villain who took more than his fair share of an inheritance and abandoned the ailing poet to pursue his own interests. In this authoritative biography, author Lawrence M. Crutcher demonstrates that George Keats deserves better. Crutcher traces his subject from Regency London to the American frontier, correcting the misconceptions surrounding the Keats brothers’ relationship and revealing the details of George’s remarkable life in Louisville, Kentucky. Brilliantly illustrated with more than ninety color photographs, this engaging book reveals how George Keats embraced new business opportunities to become an important member of the developing urban community. In addition, George Keats of Kentucky offers a rare and fascinating glimpse into nineteenth-century life, commerce, and entrepreneurship in Louisville and the Bluegrass.
"Posthumous Keats" is the result of Plumly's 20 years of reflection on the enduring poetry of one of England's greatest Romanticists. Incisive in its observations and beautifully written, this work is an ode to the man who saw his mortality as fatal to his poetry.