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Fie, first princess of Daeman, finds herself isolated and stranded in the foreign Kingdom of Orstoll all by her lonesome - effectively having been wed off as a dowry gift in accessory to her sister, Princess Fielle's marriage. Trapped and isolated in a small back garden that once used to be a storehouse, Fie lives her days without purpose, and eventually without food - after the only member of her entourage, the chef, resigns. Just as Fie was about to give in to despair, she finds a pamphlet advertising a squire's test for the Royal Knights of Orstoll - beginning her journey of friendship, hard work, and guts, along with masquerading as a boy to walk her second path in life. What will Fie find along the way?
Princess Fie escaped her life as an unwanted second bride, and is now living a happy, cross-dressing life as Heath, a squire for the Royal Knights. Now, it's time for Fie's northern squire dorm and the eastern dorm to compete with each other in a duel championship. However, their opponents are all the top winners from the entrance exam! Fie and her friends have been training hard, but will their efforts be enough to beat the squires of the eastern dormitory? Volume 2 continues the adventures of the plucky, princess-turned-squire Fie in her quest to become a Royal Knight!
LIFE AFTER DEATH ​Kaito Ukei was destined for greatness in his new world, landing himself the role of a hero and defeating the evil sorceress alongside a band of noble adventurers. When he's double crossed, though, and brutally murdered by his former allies, something inside him snaps. Death brings Kaito neither peace nor salvation. Rather, it instills in him a singular desire—to squeeze the life out of his blasted betrayers in the cruellest manner possible...! The strange twist of fate that gives him a second chance in the world with all his memories intact provides opportunity to do just that, and so begins his quest to stalk and torture the members of his former party in the bloodiest, unholiest, most sadistic ways imaginable!
Revenge. But a single word defines Kaito Ukei’s second chance at life. After being mercilessly betrayed and murdered by his so-called comrades, he goes back in time to the day he met the princess who ultimately double-crossed him. But killing her isn’t enough—he wants to revel in every second of her agony as he looks her in the eye and robs her of all she holds dear. Her debt is the first to be repaid, though it shall not be the last. And by the time he’s finished, he will bathe in the blood of every last traitor who dared to cross him…
Just when I thought navigating high school was bad enough, I woke up to a rotting, post-apocalyptic world! I thought that the poisonous swamp surrounding my small island would have protected me from all the drama, but what did I see staggering my way? A nasty, putrid zombie! With nothing left to lose, I shoved it away! To my surprise, it turned into a living, breathing, not-so-dead human! So, I have the power to purify zombies. And now I’m expected to save this undead world from the zombie apocalypse? Great. This is so NOT my problem!
The Bahá'í Faith is a religion that was founded by Bahá'u'lláh in the mid-nineteenth century and has since spread all around the world. Though a way of life that is largely grounded in action, the mystical connection between the individual believer and God stands at its core. The seeker of truth aims to walk the mystical path with practical feet. This book highlights the place of mysticism in the Bahá'í Faith through an exploration of its sacred literature. It discusses Bahá'u'lláh’s teachings on God and creation, the purpose of life, the nature of spiritual experience and transformation, as well as the principles and practices that the spiritual seeker utilises on the path of transformation. Through this exploration we discover the potential of the human being to live an active and spiritual life in this world, drawing closer to God. Each person was created in the image of God and has the capacity to mirror all of God’s perfections, experiencing His light both in the outside world and within, in this world and the next.
"Here, Drunvalo Melchizedek presents in text and graphics the first half of the Flower of Life Workshop, illuminating the mysteries of how we came to be, why the world is the way it is and the subtle energies that allow our awareness to blossom into its true beauty." --COVER.
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times