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Two friends . . . Two brothers . . . Two weddings . . . Too many secrets . . . Colleen MacGregor rededicated her life to God when she met and married Terence Hayworth. However, her happily-ever-after will have to wait, because she has some serious dragons to slay to sustain her marriage and keep her friendship with Gina Price intact. After fifteen years of friendship, Colleen must now draw the line and stop telling Gina everything. What did God do to her friend? Gina finds it hard to deal with Colleen's newfound faith. She thinks Colleen has become self-righteous, subjecting Gina to her holy tirades whenever the mood strikes. When Gina begins dating one brother, while simultaneously falling in love with the other, boy, does she get an earful! Gina, however, is way too busy trying to sort her way through her own murky feelings to worry about her soul. Her heart wants what it wants. Michelle Lindo-Rice explores the complicated world of female friendships. Can a friendship survive when one friend becomes saved?
The Art of the Straight Line captures the energy of Lou Reed's worlds of Tai Chi, music, and meditation. It was edited by his wife, the artist Laurie Anderson.Lou Reed was a musician, singer, songwriter, poet, and founding member of the legendary rock band the Velvet Underground. He collaborated with many artists, from Andy Warhol and John Cale to Robert Wilson and Metallica. Reed had a groundbreaking solo career that spanned five decades until his death in 2013. Reed was also an accomplished martial artist whose practice began in the 1980s. He studied with Chen Tai Chi pioneer Master Ren GuangYi. This book is a comprehensive collection of Reed's writings on Tai Chi. It includes conversations with Reed's fellow musicians, artists, friends, and Tai Chi practitioners, including Julian Schnabel, A.M. Homes, Hal Willner, Mingyur Rinpoche, Eddie Stern, Tony Visconti, and Iggy Pop. The Art of the Straight Line features Reed's unpublished writings on the technique, practice, and purpose of martial arts, as well as essays, observations, and riffs on meditation and life.
Robert Twigger, poet and travel author, was in search of a new way up England when he stumbled across the Great North Line. From Christchurch on the South Coast to Old Sarum to Stonehenge, to Avebury, to Notgrove barrow, to Meon Hill in the midlands, to Thor's Cave, to Arbor Low stone circle, to Mam Tor, to Ilkley in Yorkshire and its three stone circles and the Swastika Stone, to several forts and camps in Northumberland to Lindisfarne (plus about thirty more sites en route). A single dead straight line following 1 degree 50 West up Britain. No other north-south straight line goes through so many ancient sites of such significance. Was it just a suggestive coincidence or were they built intentionally? Twigger walks the line, which takes him through Birmingham, Halifax and Consett as well as Salisbury Plain, the Peak district, and the Yorkshire moors. With a planning schedule that focused more on reading about shamanism and beat poetry than hardening his feet up, he sets off ever hopeful. He wild-camps along the way, living like a homeless bum, with a heart that starts stifled but ends up soaring with the beauty of life. He sleeps in a prehistoric cave, falls into a river, crosses a 'suicide viaduct' and gets told off by a farmer's wife for trespassing; but in this simple life he finds woven gold. He walks with others and he walks alone, ever alert to the incongruities of the edgelands he is journeying through.
"This is the riveting story of actress and supermodel Patricia Velasquez, and her rise from a poor neighborhood in Venezuela to the world's fashion runways and the Hollywood big screen. Patricia Velasquez worked tirelessly to help life her family out of poverty, but she spend years living a lie. In this intimate and empowering memoir, she finally reveals the naked truth about her life."--Dust jacket, page [4].
Explains how to behave in the school lunchroom.
This book argues that the performance-based work in the featured case studies contributes to the construction of food democracy where the public takes back decision-making in shaping the food system. It explores how contemporary artists translate scientific research about local and global agricultural issues into life stories that inform and engage their audiences and, in so doing, transform passive food consumers into proactive food citizens. The pairing of performing and farmscapes (complex webs of farmlands and storylines) enables artists to use embodied practices to encourage audiences to imagine a just and sustainable agri-food system and to collaborate on making it a reality. The book arranges the case studies on a trajectory that moves from projects that foreground knowledge acquisition to ones that emphasize social engagement by creating conversations and coalitions between farming and nonfarming communities to a final one that pairs protest art and political activism to achieve legally-binding changes in the agricultural landscape.
McManus considers evidence from anthropology, particle physics, the history of medicine, and the notebooks of Leonardo to answer questions like: Why are most people right-handed? Why does European writing go from left to right, while Arabic and Hebrew go from right to left? And how do we know that Jack the Ripper was left-handed?
The author argues that we have reached the nadir of the adaptive range of our industrialised world. Now faced with an unsustainable trilemma of social, organisational and economic complexity, we have entered an era in which the rules we have previously organised our lives around no longer apply. Leaving us with both a design problem and a design challenge which we must urgently solve. By describing an entirely new way for true social, economic and organisational innovation to happen, No straight lines presents a revolutionary logic and an inspiring plea for a more human-centric world.
Despite the admonitions of his friends, a straight line enjoys expressing himself by twirling in whirls, pointing his joints, and creeping in heaps