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Focusing on works by some of the major literary figures of the period, Faletra argues that the legendary history of Britain that flourished in medieval chronicles and Arthurian romances traces its origins to twelfth-century Anglo-Norman colonial interest in Wales and the Welsh.
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
The Black Middle Ages examines the influence of medieval studies on African-American thought. Matthew X. Vernon focuses on nineteenth century uses of medieval texts to structure racial identity, but also considers the flexibility of medieval narratives more broadly in the medieval period, twentieth and twenty-first centuries. This book engages disparate discourses to reassess African-American positionalities in time and space. Utilizing a transhistorical framework, Vernon reflects on medieval studies as a discipline built upon a contended set of ideologies and acts of imaginative appropriation visible within source texts and their later mobilizations.
Fantastic Histories explores the political and cultural contexts of the entry of fairies to the historical record in twelfth century England, and the subsequent uses of fairy narratives in both insular and continental history and romance. It traces the uses of the fairy as a contested marker of historicity and fictionality in the histories of Gerald of Wales and Walter Map, the continental mirabilia of Gervase of Tilbury, and the fourteenth- and fifteenth-century French Mélusine romances and their early English reception. Working across insular and continental source material, Fantastic Histories explores the practices of history-writing, fiction-making, and the culturally determined boundaries of wonder that defined the limits of medieval history.
• This book is the first multi-authored work on Gerald of Wales • It has a cross-disciplinary approach bringing together a variety of voices and perspectives • Includes rare focus on his lesser-studied works • This broader view provides a fuller context for Gerald’s more popular/better-studied works
This book is a comprehensive single-volume history of literature in the two major languages of Wales from post-Roman to post-devolution Britain.
An examination of how regional identities are reflected in texts from medieval England.
This new book examines all of the available source materials, dating from the ninth century to the present, that have associated Arthur with sites in Wales. The material ranges from Medieval Latin chronicles, French romances and Welsh poetry through to the earliest printed works, antiquarian notebooks, periodicals, academic publications and finally books, written by both amateur and professional historians alike, in the modern period that have made various claims about the identity of Arthur and his kingdom. All of these sources are here placed in context, with the issues of dating and authorship discussed, and their impact and influence assessed. This book also contains a gazetteer of all the sites mentioned, including those yet to be identified, and traces their Arthurian associations back to their original source.
This holistic study demonstrates the interconnected nature of early medieval origin legends and traces their growth over time.
Offers insights into the political, social and cultural interests that informed the shaping of England's pre-Conquest history. The Norman Conquest brought about great change in England: new customs, a new language, and new political and ecclesiastical hierarchies. It also saw the emergence of an Anglo-Norman intellectual culture, with an innate curiosity in the past. For the pre-eminent twelfth-century English historians - such as Eadmer of Canterbury, William of Malmesbury and Henry of Huntingdon - the pre-Conquest past was of abiding interest. While they recognised the disruptions of the Conquest, this was accompanied by an awareness that it was but one part of a longer story, stretching back to sub-Roman Britain. This concept of a continuum of English history that traversed the events of 1066 would prove enduring, being transmitted into and by the works of successive generations of medieval English historians. This collection sheds new light on the perceptions and uses of the pre-Conquest past in post-Conquest historiography, drawing on a variety of approaches, from historical and literary studies, to codicology, historiography, memory theory and life writing. Its essays are arranged around two main interlinked themes: post-Conquest historiographical practice and how identities - institutional, regional and personal - could be constructed in reference to this past. Alongside their analyses of the works of Eadmer, William and Henry, contributors offer engaging studies of the works of such authors as Aelred of Rievaulx, Orderic Vitalis, Gervase of Canterbury, John of Worcester, Richard of Devizes, and Walter Map, as well as numerous anonymous hagiographies and histories.