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Are you tired of the leftist nonsense infiltrating our society, trying to take away our manhood and rational thinking? Are you bored of the same old debates on Critical Theory, Wokeism, and their nefarious influence on literature, linguistics, and philosophy? Wake Up Macho is here to help! From Jacques Derrida's Deconstruction to Redpilled Reaganomics, this book will: - Debunk the myths surrounding Derrida's work and its supposed "evilness" - Expose the flaws in Critical Theory and its offspring like Queer Theory, Gender Studies, and Feminism - Explore the science of Machismo and Rationality, backed by evolutionary biology and psychology - Break down the evolution of various ideological movements, from Neo-Marxism to Wokeism - Delve into the intellectual work of the Frankfurt School, and its enduring legacy - Dissect the rise of so-called "Woke Wastelands" and provide practical tips for staying Redpilled in a hostile world Don't let the Woke Wastelands overrun your mind and beliefs. Say goodbye to confusion and adverse influences, and embrace a Redpilled, Macho worldview. If you're ready to take your life back, then buy "Wake Up Macho: Deconstruction and Redpilled Reaganomics" today!
A true love story never ends... Shelly Salemassi and Hector “Macho” Camacho should never have crossed paths, but in a twist of fate, one night in a casino in Canada, they literally bumped into each other. He came over on a boat from Detroit because he had a felony and couldn’t cross the bridge. She had to be talked into coming to an exhibition fight by her friends. For the next fifteen years, Hector gave her a life she would never have experienced on her own or dreamed of—grand openings, HBO parties, flying first class, Fight Night benefits, limos, and luxury. Then on November 20, 2012, she was in a bar in Dearborn shooting pool with her friends when she received a call from her sister to turn the TV on...
Prepare yourself to dance in a disco in Silver Lake, check out papis in Orchard Beach, cross the border from Guatemala to Mexico on your way to the U.S., see a puro macho bathe in a river in Puerto Rico, make love under a full moon in the Dominican Republic, sigh at a tender moment in an orange grove in Lindsay, visit a panaderia in Kansas, see a full blown birthday party in Juarez, and be seduced by a young artist in the South Bronx. These are some of the stories in this collection of thirty gay Latino writers from around the United States. There are "don't mess with me" divas, alluring bad boys, and sexy teenagers, but also empowered youth for whom being queer is not a question and a family that grows wings on their heads. The infectious rhythms of House music in New York City are adjacent to cumbia in Mexico, next to reggaeton in Puerto Rico, alongside Latin pop in L.A. and merengue in an east coast city. But the spectrum of experiences and emotions that inhabit our days gives these stories dimension and gay/queer Latinos a common ground. The stories are vibrantly varied and clearly connected in this "era of lost signals" in which we live.
"WrestleCrap: The Very Worst of Professional Wrestling" examines some of the ridiculously horrible characters and storylines that pro wrestling promoters have subjected their fans to over the past twenty years. Why would any sane person think that having two grown men fight over a turkey was actually a reasonable idea? Was George Ringo, the Wrestling Beatle, really the best gimmick that a major promotional organization could come up with? And who would charge fans to watch a wrestler named the Gobbeldy Gooker emerge from an egg? In an attempt to answer such questions and figure out just what the promoters were thinking, authors Randy Baer and R.D. Reynolds go beyond what wrestling fans saw on the screen and delve into the mindset of those in the production booth. In some instances, the motivations driving the spectacle prove even more laughable than what was actually seen in the ring. Covering such entertainment catastrophes as an evil one - eyed midget and a wrestler from the mystical land of Oz, not to mention the utterly comprehensible Turkey - on - a - Pole match (a gimmick which AWA fans might recall), "WrestleCrap" is hysterically merciless in its evaluation of such organizations as the WCW and the WWF. This retrospective look at the wrestling world's misguided attempts to attract viewers will leave wrestling fans and critics alike in stitches.
On a blowtorch-hot night in Cape Town, ex-model Roxy Palmer and her gunrunner husband, Joe, are carjacked, leaving Joe lying in a pool of blood. As the carjackers make their getaway, Roxy makes a choice that changes her life forever. Disco and Godwynn, the ghetto gangbangers who sped away in Joe's convertible, will stop at nothing to track her down. Billy Afrika, a mixed-race ex-cop turned mercenary, won't let her out of his sight because Joe owed him a chunk of money. And hunting them all is Piper, a love-crazed psychopath determined to renew his vows with his jailhouse "wife," Disco. As these desperate lives collide and old debts are settled in blood, Roxy is caught in a wave of escalating violence in the beautiful and brutal African seaport.
From the Homeboy to the Latin Lover, America cherishes a host of images about Latino men, yet all are based on the belief in macho men, virile and brash, full of violence and testosterone. With the gender correctness of the 90s challenging all men to embrace a new masculinity, how do Latino men of today--grounded in the "macho" tradition -- define this new identity? From today's best-known, as well as emerging, Latino writers, poet and editor Ray Gonzalez has gathered personal essays written especially for Muy Macho on machismo and masculinity. The result is a rich and exciting collection of men talking about themselves, about other men, about their wives and lovers, about their fathers and their sons. In "Me Macho, You Jane," Dagoberto Gilb contrasts how he perceives himself with how others, particularly women, interpret his behavior, while in "Whores," Luis Alberto Urrea chronicles a rite of passage for many Latino men. Most insightful and moving are essays like "The Puerto Rican Dummy and the Merciful Son" by poet Martin Espada, which portray the fragile love between fathers and sons and the process by which men learn from and teach each other how to be men. Muy Macho contains photographs of all contributors, while Gonzalez illuminates the cultural context of Latino masculinity in his introduction. Emotionally honest and powerfully written, the voices of Muy Macho break the "cult of silence" between Latino men which prevents our culture from understanding the true nature of machismo.
Days six, seven and eight at Camp Walker. The comical side of camp life in the 1960s is featured, along with some new story developments. Julian Draws two portraits: Leonard, and then Mark. Julian and Mark's conferences continue. Julian feels empowered and undertakes a unique challenge: outfitting Nick and Tom's clandestine bedroom. He becomes their self-appointed secret guardian. Friday: The Scouts of Troop Nine have been in camp nearly a week. Their schedules and routines are well established. As in the previous two segments, Julian and Mark, remain our protagonists—but we take time to focus on a few secondary characters for a while. Some of these we have met in earlier scenes, others are in the spotlight for the first time. Friday begins in high spirits. The annual troop barbecue and songfest last night was a huge success, but it creates a wakeup surprise for some. Max's baked beans and Brad's onions have been fermenting overnight. Developments in the domestic life of the Flaming Arrow Patrol have stretched the limits of discretion. Nick and Tom have set up sleeping accommodations in the supply tent. Julian is fearful that Scoutmaster Mark will discover what is going on. By day's end, stability is assured. Introducing Kurt Davis, a member of the Zebra patrol. Circumstances bring him into Julian's circle of friends, Jeremy, Sid and Justin. He has a grudge against Tom that he can't talk about directly. Sid's snorkel comes in handy again. Kurt wants to learn how it works. He gives Sid his first canoe ride. Introducing Andy Ashbaugh and Tony Johnson. These two are close friends in Troop Nine that, unlike most, want to have more to do with Tom. Lots more. Geoff and Nick become friends; Nick gets a glimpse of the outside world. Saturday: The first week of camp comes to a close; activity and involvement is at the highest level. Few appreciate that camp is half over: only a week remains, many behave as if they have all summer. Julian feels empowered and secure because of his conference with Mark. He undertakes a unique domestic challenge. Danny revisits his plan to secure Julian's affection. Geoff selects Leonard as his special project. Ignoring the staff/scout boundary comes naturally. Introducing Freddy, an entrepreneur from another troop. He recruits Andy to join his unauthorized enterprise. The first week of camp ends with progress milestones for everyone in the leadership patrol. Danny gets a major promotion. Mark and Julian have evolved an aesthetic dimension in their relationship. Nick and Tom break in their new domicile. Sunday: Sunday is set aside at Camp Walker much like it is at home; it is set aside as a day of rest and reflection. Merit Badge and rank advancement classes are suspended. Relationships formed during the past week are in full swing however, and new ones will form during the final week of camp; conflicting interests arise as well, and unexpected tests of character are varied. Troop Nine has a banner day showing off. Scoutmaster Mark provides Danny his debut as a leader by assigning him to lead the troop in place of Tom, the Junior Assistant. Nick has asked Julian to stay in camp instead of attending the special service. He and Tom have a ceremony planned to thank him for his effort yesterday to secure mattresses for their bed. The scouts write letters home—several are shared with the reader. Geoff takes up a new quest—his greatest, most daring challenge yet. He becomes obsessed. Julian's drawing skills continue to advance and attract a wider audience. Mark's growing personal happiness is infectious; it feeds his enthusiasm for coaching water polo, and it makes him a magnetic figure in unplanned and unexpected ways. Circumstances force Kurt to confront Tom, who has to set things right. Justin and his private demon are explored. Mark is able to help.
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and ANU, plays by Owen McCafferty, Stacey Gregg, and David Ireland, dramatizing the legacy of the Troubles, and adaptations of Greek tragedy by Marina Carr and others reflecting the conditions of modern Ireland. From 2015, the movement #WakingTheFeminists led to a sharpened awareness of gender. While male playwrights showed a toxic masculinity on the stage, a generation of female dramatists including Carr, Gregg, and Nancy Harris gave voice to the experiences of women long suppressed in conservative Ireland. For three separate periods, 2006, 2016, 2020-2, the author served as one of the judges for the Irish Times Irish Theatre Awards, attending all new productions across the island of Ireland. This allowed him to provide the detailed overview of the 'state of play' of Irish theatre in each of those times which punctuate the book as one of its most innovative features. Drawing also on interviews with Ireland's leading theatre makers, Grene provides readers with a close-up understanding of Irish theatre in a period when Ireland became for the first time a fully modernized, secular, and multi-ethnic society.
How many FBI agents retire and become professional ventriloquists? OneMe! And thats what this book is about. It describes my metamorphosis from investigator to entertainer. The story follows the progression from my childhood desire to be on stage and through my years as an award winning Vietnam War military photojournalist whose duties included shooting Bob Hopes USO shows. It details my thirty-year career as an FBI agent, and concludes with a look at my present day occupation as a ventriloquist/singer/comedian. Its a compelling and revealing glimpse into the world of an FBI agent who pursued a very different dream.