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Scientific Essay from the year 2016 in the subject English Language and Literature Studies - Literature, University of Balochistan (Department of English Literature), course: Literature, language: English, abstract: This paper intends to focus on the different facets and meanings of "Waiting for Godot" by Samuel Beckett. The different occurrences of conflicting and contradictory meanings within the text of the play show existence of the late modernist bourgeois ideology. Based on the theoretical concern of the discussions of Post-Structuralist Marxist theorists Louis Althusser and Pierre Macherey, the main concern of the discussion concentrates on the theory of decentred or disparate text, expounded by Pierre Macherey in his book, "A Theory of Literary Production" (1978). This paper asks how the significant gaps, silences, absences and non-saids in the text of "Waiting for Godot" reflect the presence of the late modernist bourgeois ideology. This paper aims to reflect on the significance of ideology to articulate Post-Structuralist Marxist theory of decentred or disparate text. To make vocal the non-saids of Samuel Beckett s text, the theory and methodology, I seek in this research paper is Post-Structuralist Althusserian Hermeneutics that helps to find conflict, disparity and contradiction of meaning within the text and between the text and its ideological content. It also helps to make speak and vocal the silences and non-saids of the play with conceptual framework of Post-Structuralist Althusserian theory of decentred or disparate text. The study would analyse how the ideological processes keep the author silent at certain stages in trying to tell the truth in his own way. It is hoped that this paper would enable the readers and students of literature to theoretical reading of the literary texts, making vocal the unspoken portions of them. They are also expected to find different, conflicting and contradictory meanings within the text of "Waiting for Godot" an"
Research Paper from the year 2016 in the subject English Language and Literature Studies - Literature, University of Balochistan (Department of English), course: Literature, language: English, abstract: Applying Derridean deconstructive hermeneutics to Samuel Beckett's "Waiting for Godot," the author of this paper introduces a new portrait of the personages of the play. The study will retrace the pathways of Western tradition of the metaphysics of presence and its compelling influences, which have proved to be the inhibiting and fossilizing deadlocks of aporia of meaning and authoritative structures of human thought to explore the new horizons. In its concluding mode, the study exposes preventive stumbling aporic blocks of centralized structure of the minds of characters in the given play. Jacques Derrida (1930-2004) is the most eminent French philosopher and literary theorist of deconstruction. He challenges the logocentric Western tradition of the metaphysics of pres-ence, which has been dominant from Plato's "Phaedrus" until Edmund Husserl's "Origin of Geometry" in Western philosophy. His trend-breaking theory of deconstruction attacks the metaphysical presuppositions of Western philosophy, ethics, culture, politics and literature. It may give a new meaning and perspective to Samuel Beckett's "Waiting for Godot," which has always been a focal point for the world's literary critics. They have applied various theories to it, but this paper tries to scrutinize the different facets of the play from Derridean deconstructive theory.
Alex, whose birthday it is, hijacks a story about Birthday Bunny on his special day and turns it into a battle between a supervillain and his enemies in the forest--who, in the original story, are simply planning a surprise party.
Essays by Beckett's biographer and friend and hitherto unknown photographs by one of the leading theatre photographers in the field.
This collection of essays – the first volume in the Dialogue series – brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett’s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett’s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.
DIVDIVFor Barbara Vaughn, a checkpoint between Jordan and the newly formed Israel is the threshold to painful self-discovery/divDIV /divDIV/divDIVBarbara Vaughn is a scholarly woman whose fascination with religion stems partly from a conversion to Catholicism, and partly from her own half-Jewish background. When her boyfriend joins an archaeological excursion to search for additional Dead Sea Scrolls, Vaughn takes the opportunity to explore the Holy Land. But this is 1960, and with the nation of Israel still in its infancy, the British Empire in retreat from the region, and the Eichmann trials in full swing, Vaughn uncovers much deeper mysteries than those found at tourist sites. /divDIV /divDIVBoth an espionage thriller and a journey of faith, The Mandelbaum Gate won the James Tait Black Memorial Prize upon its publication, and is one of Spark’s most compelling novels./divDIV /divDIVThis ebook features an illustrated biography of Muriel Spark including rare photos and never-before-seen documents from the author’s archive at the National Library of Scotland./divDIV /divDIV/div/div
Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.
"An impressively complete survey of the play in its cultural, theatrical, historical and political contexts." - David Bradby, co-editor of Contemporary Theatre Review Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences.
Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.