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A review of history, antiquities and topography in the county.
Reprint of the original, first published in 1875.
Index of archaeological papers published in 1891, under the direction of the Congress of Archaeological Societies in union with the Society of Antiquaries.
This innovative study examines and analyses the wealth of evidence provided by the monumental effigies of Yorkshire, from the thirteenth and fourteenth centuries, including some of very high sculptural merit. More than 200 examples survive from the historic county in varying states of preservation. Together, they present a picture of the people able to afford them, at a time when the county was frequently at the forefront of national politics and administration, during the Scottish wars. Many monuments display remarkable realism, depicting people as they themselves wished to be remembered, and are accompanied by a great volume of contemporary sculptural and architectural detail. Stylistic analysis of the effigies themselves has been employed, better to understand how they relate to one another and give a firmer basis for their dating and production patterns. They are considered in relation to the history and material culture of the area at the time they were produced. A more soundly based appreciation of the sculptor's intentions and the aspirations of patrons is sought through close attention to the full extent of the visible evidence afforded by the monuments and their surroundings. The corpus is of sufficient size to permit meaningful analysis to shed light on aspects such as personal aspiration, social networks, patterns of supply and production, piety and wealth. It demonstrates the value of funerary monuments to the wider understanding of medieval society. The text will be accompanied by a comprehensive catalogue, making available a substantial body of research for the first time. The study considers the relationship between the monuments and related sculpture, architecture, painting, glass etc, together with contemporary documentary evidence, where it is available. This material and the underlying methodology are now available to illuminate monuments of the medieval period across the whole country. Its methods and messages extend understanding of all monuments, broadening its potential audience from the purely local to everyone concerned with medieval sculpture and church archaeology.
The men and women who gathered at the Tabard Inn in Southwark in Chaucer's Canterbury Tales are only the most famous of the tens of thousands of English pilgrims, from kings to peasants, who set off to the shrines of saints and the sites of miracles in the middle ages. As they traveled along well-established routes in the hope of a cure or a blessing, to fulfill a vow or to see new places, the pilgrims left records that let us see medieval people and their concerns and beliefs from a unique and intimate angle. As well as the most famous shrines, notably that of St Thomas Becket at Canterbury, Diana Webb also describes the many local pilgrimages and cults, and their rise and fall, over the English middle ages as a whole "Webb's scholarly achievement deserves high praise" -Christina Hardyment, The Independent