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Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, makes creating black and white and toned photos simple with this how-to guide. "In a world dominated by colorful images, black and white and toned photographs can stand out as something different, something somehow more beautiful," Tomlinson writes. "To really work in the 21st century, a black and white or toned image must be special. It must express something not there in color. There must be a reason to change the reality of the image by turning it grayscale, not just that you can. All that said, there is absolutely nothing like a truly great black and white image." The author covers the basics of B&W and toned photos including processing techniques, printing, presentation in eBooks, and much more. This is an expanded and revised edition of the original eBook and trade paperback editions.
Michael Freemanour top digital photography author and a worldwide namepresents the most comprehensive book yet on black-and-white digital photography. Oversized, beautifully illustrated, and far-reaching in scope, this guide is destined to be a standard reference for years to come. Freeman covers all aspects of black-and-white digital photography: its fine art tradition as well as its techniques. Learn how to see and expose in black and white, digitally convert color to monochrome, and develop a black-and-white digital workflow. Explore creative choices and how to interpret various subjects most skillfully in monochrome. Finally, get an expert s advice on printing and displaying black-and-white photographs to best effect. "
Now updated and expanded to cover the latest information on the impact of digital imaging and Internet technology, Mastering Black and White Photography covers every aspect of the process, from choosing a camera and building a darkroom to finding subjects and creating dazzling prints. Readers will discover expert advice and no-fail techniques for developing a contact sheet; creating a final print, using the Internet to present a portfolio, making extra prints and enlargements, and more. For any photographer looking to develop expert skills in the art and technique of black-and-white photography, this newly revised classic provides all the ready-to-use help one needs! * An industry classic providing a thorough introduction to black-and-white photography * One of the most reasonably priced, accessible, and comprehensive books on the topic
Everybody gives out tips for better photography. Well, maybe not your boss or the guy who fixes your furnace (although mine does), but most photography websites, forums and magazines fill their pages with tips for becoming a better photographer. There's a reason there are so many tips out there: photographers want them. On the other hand, we who have some little knowledge like to give them, too. Most people like to pass on what they've learned. I've been a photographer for nearly four decades. I've published thousands of photographs. I write a photography column (Photo Curmudgeon). I love photography. I read tips from other photographers often. Sometimes, I read something new, or at least put in a new way so that it sparks an idea. No one can tell you how to develop your photographer's eye. Only you can figure that out. What I can do is give you some pointers about how to develop your own photographer's eye, and how to get better as a photographer.
Whether you are a novice or an expert in the darkroom, the second edition of The Elements of Black-and-White Printing will give you the tools necessary to control your print making. You will learn the proper techniques for exposing a print, how to choose the correct paper contrast, and ways to find the best combination of paper and developer for your images. In addition to explaining the procedures, this unique book contains exercises that help you calibrate these procedures with your own equipment with the materials you prefer. Photographers will find this book an essential resource in the darkroom. Elements of Black-and-White Printing will help you learn how to choose the right exposure and contrast for your negative; select papers, developers, and toners that complement each other; print negatives with extreme contrast ranges; salvage seemingly hopeless negatives and prints; print, develop, and store negatives and prints for maximun life; display your photographs in a way that enhances their message; properly align your enlarger; and more.
Poetry and photography
Beautifully illustrated and far-reaching in scope, this guide is destined to be a standard reference for years to come. Alongside the work of author Michael Freeman, you'll find the work of iconic black and white photographers such as Ansel Adams, Ian Berry, Bill Brandt, Edward Curtis, Brett Weston and Edward Weston, amongst others. From its historic roots, black and white photography in the digital age is thoroughly explored. Freeman covers all aspects of black-and-white digital photography: the fine art tradition as well as the techniques. Learn how to see and expose in black and white, digitally convert color to monochrome and develop a black and white digital workflow using the latest software.
Joe Farace is an award-winning photographer with more than 30 books and 1,600 articles to his credit. So there’s no one better to take monochrome into the digital age. Whether you’re shooting digital black and white from your camera or converting color photographs to monochrome on the computer, you’ll discover an array of unique, innovative, and inspirational techniques suitable for shutterbugs of every level. Farace explains what kinds of software programs are best, and how to use them to manipulate your photos in diverse ways. He also discusses various in-camera effects including toning and soft focus. The detailed information and instruction cover everything from creating traditional looking black-and-white or sepia images, to adding color selectively for a one-of-a-kind, fine-art approach.
Four brief stories about parents, trains, and cows, or is it really all one story? The author recommends careful inspection of words and pictures to both minimize and enhance confusion.
A lot has changed since I wrote and published this first volume of what became this guide series. One thing hasnÕt. I still have the same enthusiasm and joy in photography I had way back at the beginning of the series. I have a lot more knowledge and experience now and, occasionally even get close to taking good photographs. ThatÕs the thing, see. I didnÕt know a lot when I originally wrote this guide. I had been working in photography since 1982 professionally. Everything I knew, pretty much, was self-taught. In general, thatÕs still true. ThereÕs no need for you to do it all by yourself, too, though. This book and this series are meant to help you get going with the basics fast. Yes, OK, I tend to relate my own experiences, but that, too, is meant to help you avoid some basic mistakes I made. And, perhaps, I write in a tad too friendly manner, but think of it as sitting down with me to have a friendly talk about a passion we share: Photography!