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What would happen, I wondered, if I simply missed out the fifty per cent of the population whose voices have been credited with shaping this particular ‘cultural form’. If I coppiced the woodland, so to speak, and allowed the light to shine down to the forest floor and illuminate countless saplings now that a gap has opened in the canopy. . . There has, in recent years, been an explosion of writing about place, landscape and the natural world. But within this blossoming of interest, women’s voices have remained very much in the minority. For the very first time, this landmark anthology collects together the work of women, over the centuries and up to the present day, who have written about the natural world in Britain, Ireland and the outlying islands of our archipelago. Alongside the traditional forms of the travelogue, the walking guide, books on birds, plants and wildlife, Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head. Katharine Norbury has sifted through the pages of women’s fiction, poetry, household planners, gardening diaries and recipe books to show the multitude of ways in which they have observed the natural world about them, from the fourteenth-century writing of the anchorite Julian of Norwich to the seventeenth-century travel journal of Celia Fiennes; from the keen observations of Emily Brontë to a host of brilliant contemporary voices. Women on Nature presents a groundbreaking vision of the natural world which, in addition to being a rich and scintillating anthology that shines a light on many unjustly overlooked writers, is of unique importance in terms of women’s history and the history of writing about nature.
Since 1968, Bernie Krause has traveled the world recording the sounds of remote landscapes, endangered habitats, and rare animal species. Through his organization, Wild Sanctuary, he has collected the soundscapes of more than 2,000 different habitat types, marine and terrestrial. With powerful illustrations and compelling stories, Krause provides a manifesto for the appreciation and protection of natural soundscapes. In his previous book, The Great Animal Orchestra, Krause drew readers’ attention to what Jane Goodall described as “the harmonies of nature . . . [that are being] one by one by one, snuffed out by human actions.” He now explains that the secrets hidden in the natural world’s shrinking sonic environment must be preserved, not only for our scientific understanding, but for our cultural heritage and humanity’s physical and spiritual welfare. Krause’s narrative—supplemented by exclusive access to field recordings from the wild—draws on a compelling range of personal anecdotes, histories, and examples to document his early exploration of this field and to lay the groundwork for future generations.
"What messages do animals send to each other using sound? How can we decipher them? What lessons might these messages offer for understanding the origins and workings of our own communication? Scientists who study bioacoustics try and answer these questions, using physiology, animal behavior, and evolutionary biology to understand how and why animals communicate via sound. In this book, Nicholas Mathevon offers readers an accessible overview of the field of bioacoustics, from the mechanisms of sound to its complex social function. Comprising short, accessible chapters, A Sound Journey explores how sound travels underwater, the act of hearing, and how animals use sounds inaudible to humans. Mathevon also shows how animals use sound to communicate in various circumstances, including parent-offspring relationships, conflict, expressions of emotion, and complex socialization. The study of acoustic communication enables a better understanding of the complexities of animal behavior, and the book uses examples from throughout the animal kingdom to illustrate how discoveries in bioacoustics have revealed various species' behaviors. In the final chapters, Mathevon explores animal "language" and the various philosophical and biological implications of this topic, both for various wild and domesticated species and for our understanding of how human communication systems developed"--
The author here argues that the traditions of Pope and Goldsmith are continued in the present day by the likes of R.S. Thomas, George Mackay Brown, and others work in an 'anti-pastoralist' tradition of Crabbe and Clare. A chapter examining the attitudes towards the environment of sixteen contemporary poets concludes a lively ecological introduction to modern poetry.
In Design by Nature: Using Universal Forms and Principles in Design, author Maggie Macnab takes you on an intimate and eclectic journey examining the unending versatility of nature, showing how to uncover nature’s ingenuity and use it to create beautiful and compelling designed communications. Written for designers and creative thinkers of all types, this book will guide you through a series of unexpected a-ha! moments that describe relationships among nature, art, science, technology, and design. Through explanation and example, you will learn about natural processes, consisting of everyday patterns and shapes that are often taken for granted, but that can be used effectively in visual messaging. Explore the principles all human beings intuitively use to understand the world and learn to incorporate nature’s patterns and shapes into your work for more meaningful design. By recognizing and appreciating a broad range of relationships, you can create more aesthetic and effective design, building communications that encompass the universal experience of being part of nature, and that are relevant to a worldwide audience. Teaches how to understand and integrate the essential processes of nature’s patterns and shapes in design Includes key concepts, learning objectives, definitions, and exercises to help you put what you learn into practice Features a foreword by Debbie Millman and reviews and discussions of practice and process by some of the world’s leading designers, including Milton Glaser, Stefan Sagmeister, and Ellen Lupton Includes profiles of street artist Banksy, creative director and author Kenya Hara, and typographical designer Erik Spiekermann
Animals ranging from mosquitoes to elephants use their own words to guide humanity to a deeper spiritual awakening. • Contains interviews with 25 professional animal communicators and over 100 different animals and animal spirits. • Provides a thrilling glimpse of the possibilities of direct animal-human dialogue. According to Echo, an Arabian mare, "Humans are beings of love who have forgotten what love is and who they are." Along with a host of other animal communicators, Dawn Baumann Brunke gives animals like Echo a voice--a direct line of communication to the human mind. Through Animal Voices, the animal kingdom delivers a message about deepening our spirituality and reconnecting with the web of life. Our earliest ancestors had an ongoing shamanic dialogue with the animal kingdom, but this ability has been lost to most in the modern world. Brunke provides the techniques to reopen these connections, reminding us that when we are open to communication with animals, we are open to deeper layers of ourselves. The main contributors to this book are actual animals, who reveal themselves to be sentient beings with their own thoughts, emotions, and spiritual reasons for being on the planet. How Brunke overcame her initial skepticism and learned to hear their voices is a fascinating story. Throughout Animal Voices the author integrates her own reflections with those of the animals she interviews. The result is something that will delight animal lovers and force skeptics to reconsider their ideas about the nature of animal consciousness and the possibility of telepathic human-animal communication.
Through his organization Wild Sanctuary, Bernie Krause has traveled the globe to hear and record the sounds of diverse natural habitats. Wild Soundscapes, first published in 2002, inspires readers to follow in Krause’s footsteps. The book enchantingly shows how to find creature symphonies (or, as Krause calls them, “biophonies”); use simple microphones to hear more; and record, mix, and create new expressions with the gathered sounds. After reading this book, readers will feel compelled to investigate a wide range of habitats and animal sounds, from the conversations of birds and howling sand dunes to singing anthills. This rewritten and updated edition explains the newest technological advances and research, encouraging readers to understand the earth’s soundscapes in ways previously unimaginable. With links to the sounds that are discussed in the text, this accessible and engaging guide to natural soundscapes will captivate amateur naturalists, field recordists, musicians, and anyone else who wants to fully appreciate the sounds of our natural world.
.".. book which explores the journey of celebrating the link between people and nature, the book reveals how plants, animals and landscapes are profoundly reflected in Xhosa language, stories, poetry, religious rituals, healing practices and everyday customs that define Xhosa culture. Over the years cultural and spiritual meaning of nature in South Africa has been poorly recorded and often misunderstood. The current trade of medicinal plants is often destructive and unsustainable with an estimated 27 million South Africans making use of indigenous medicines. This is a serious detriment as natural resources have been a reliant for underprivileged people who gain food, fuel, medicines, and building materials from wild plants. Therefore the addition of information on edible and medicinal plants is of extreme importance ... Voices from the Forest gives a fresh positive approach to biodiversity conservation in SA by showing that people\2019s values for natural resources can be considered positively as a way forward to continued sustainable use. The book explores the role that nature plays in the cultural and spiritual landscapes of the Xhosa people in the Eastern Cape of South Africa and serves as a pointer to sustainable practices in the future. The underlying aim is ultimately sustaining cultural heritage and conserving biodiversity because in our modernising world cultural diversity is threatened by the loss of natural diversity and finding ways of protecting the region's biodiversity and cultural diversity is of vital importance"--Publisher's website.