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The South African higher education system has historically been characterized by racial and gender inequities inherited from the discriminatory policies of the apartheid era. Emerging from a higher education history plagued with deeply entrenched racial disparities, Voices of Conflict examines how academic programs and structures at the historically white universities have responded to the increasing enrollment of black students since the enactment of the Universities Amendment Act in 1983. Dr. Mabokela specifically seeks to understand the perceptions and attitudes of students, faculty, and administrators and to determine how these respective constituents have responded to changes in student demographics. Her study brings to light, with clarity and thoroughness, many too often overlooked and neglected issues in higher education in South Africa.
"The film industry in Hollywood now employs a global mode of production run by massive media conglomerates that mobilize hundreds, sometimes thousands, of workers for each feature film or television series. Yet these workers and their labor remain largely invisible to the general audience. In fact, this has been a signal characteristic of Hollywood style for more than a hundred years: everything that matters happens onscreen, not off. Consequently, when it comes to movies and television, the voices heard most often are those belonging to talent and corporate executives. Those we hear least are the voices of labor, and it's that silence we aim to redress in the collection of interviews in this book. Drawing from the detailed and personal accounts in this collection, we offer three interrelated propositions about the current state and future prospects of craftwork and screen media labor: 1. Craftwork exists within an intricate and intimate matrix of social relations. 2. Hollywood craftwork today constitutes a regime of excessive labor. 3. Screen media production is a protean entity. We organized the collection into three sections: company town, global machine, and fringe city. The first section refers to Hollywood's historic roots as a core component of the motion picture business. The second section engages more directly with the spatial dynamics of film and television production to underscore the economic and political structures that are integrating distant locations into the studios' mode of production. We close with a section on the visual effects sector, in which stories shared by vfx artists, advocates, and organizers specifically illustrate how the industry today relies on marginal institutions to sustain its power and profitability"--Provided by publisher.
Letters, diaries, memoirs, interviews, ballads, newspaper articles, and speeches depict life and events during the four years of the Civil War.
A Time magazine foreign correspondent shares “moving stories from the Iraqis who lived through the nightmare” in this oral history of the Iraq War (Kikrus). Journalist Mark Kukis presents a history of the U.S. invasion and occupation of Iraq as told by Iraqis who live through it.Beginning in 2003, this intimate narrative includes the accounts of civilians, politicians, former dissidents, insurgents, and militiamen. The men and women sharing their firsthand experiences range from onetime Prime Minister Ayad Allawi to resistance fighters speaking on the condition of anonymity. Divided into five parts, these interviews recount the 2003 invasion; the two years of chaos that followed; the start of a new order in 2006; the rise of sectarian violence; and the effort to reconstruct their society since 2008. In each section, interviews grouped into themes, with brief epilogues for the participants. As Studs Terkel's The Good War did for World War II, Voices from Iraq brings the meaning and legacy of America's campaign in Iraq to vivid life.
Arranged chronologically and in counterpoint, this unique book samples all conceivable forms of oral and written documentation to illuminate the United States' involvement in its longest and most divisive war. From foot soldiers to generals, politicians to protesters, hawks and doves, their attitudes and experiences are graphically revealed.
"Protest campaigns against large-scale public works usually take place within a local context. However, since the 1990s new forms of protest have been emerging. This book analyses two cases from Italy that illustrate this development: the environmentalist protest campaigns against the TAV (the building of a new high-speed railway in Val de Susa, close to the border with France), and the construction of the Bridge on the Messina Straits (between Calabria and Sicily). Such mobilizations emerge from local conflicts but develop as part of a global justice movement, often resulting in the production of new identities. They are promoted through multiple networks of different social and political groups, that share common claims and adopt various forms of protest action. It is during the protest campaigns that a sense of community is created."--BOOK JACKET.
"In three days the number of so-called 'volunteers' reached over three hundred men. Very quickly they organized us into military units. Just like that I became a North Korean soldier and was on the way to some unknown place." -- from the book South Korean Lee Young Ho was seventeen years old when he was forced to serve in the North Korean People's Army during the first year of the Korean War. After a few months, he deserted the NKPA and returned to Seoul where he joined the South Korean Marine Corps. Ho's experience is only one of the many compelling accounts found in Voices from the Korean War. Unique in gathering war stories from veterans from all sides of the Korean War -- American, South Korean, North Korean, and Chinese -- this volume creates a vivid and multidimensional portrait of the three-year-long conflict told by those who experienced the ground war firsthand. Richard Peters and Xiaobing Li include a significant introduction that provides a concise history of the Korean conflict, as well as a geographical and a political backdrop for the soldiers' personal stories.
From the end of 1941 to 1945 a pivotal but often overlooked conflict was being fought in the South-East Asian Theatre of World War 2 - the Burma Campaign. In 1941 the Allies fought in a disastrous retreat across Burma against the Japanese - an enemy more prepared, better organised and more powerful than anyone had imagined. Yet in 1944, following key battles at Kohima and Imphal, and daring operations behind enemy lines by the Chindits, the Commonwealth army were back, retaking lost ground one bloody battle at a time. Fighting in dense jungle and open paddy field, this brutal campaign was the longest fought by the British Commonwealth in the Second World War. But the troops taking part were a forgotten army, and the story of their remarkable feats and their courage remains largely untold to this day. The Fourteenth Army in Burma became one of the largest and most diverse armies of the Second World War. British, West African, Ghurkha and Indian regiments fought alongside one another and became comrades. In Forgotten Voices of Burma - a remarkable new oral history taken from Imperial War Museum's Sound Archive - soldiers from both sides tell their stories of this epic conflict.
LONG-LISTED FOR THE CARNEGIE MEDAL Reminiscent of the work of Nobel Prize winner Svetlana Alexievich, an astonishing collection of intimate wartime testimonies and poetic fragments from a cross-section of Syrians whose lives have been transformed by revolution, war, and flight. Against the backdrop of the wave of demonstrations known as the Arab Spring, in 2011 hundreds of thousands of Syrians took to the streets demanding freedom, democracy and human rights. The government’s ferocious response, and the refusal of the demonstrators to back down, sparked a brutal civil war that over the past five years has escalated into the worst humanitarian catastrophe of our times. Yet despite all the reporting, the video, and the wrenching photography, the stories of ordinary Syrians remain unheard, while the stories told about them have been distorted by broad brush dread and political expediency. This fierce and poignant collection changes that. Based on interviews with hundreds of displaced Syrians conducted over four years across the Middle East and Europe, We Crossed a Bridge and It Trembled is a breathtaking mosaic of first-hand testimonials from the frontlines. Some of the testimonies are several pages long, eloquent narratives that could stand alone as short stories; others are only a few sentences, poetic and aphoristic. Together, they cohere into an unforgettable chronicle that is not only a testament to the power of storytelling but to the strength of those who face darkness with hope, courage, and moral conviction.