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A blend of case history, anecdote, history, and spiritual quest, this intimate and fascinating look at the world's oldest and most reclusive monastic order provides a rare understanding of day-to-day Trappist existence.
The result is a deeper and richer appreciation of girls' development and women's psychological health.
Behind the Silence is the first in-depth work in any language to explore the diverse perspectives of mainland Chinese regarding induced abortion and fetal life in the context of the world's most ambitious and intrusive family planning program. Through his investigation of public silence, official standpoints, forgotten controversies from the imperial era, popular opinions, women's personal stories, doctors' narratives, and the problem of coerced abortion, Nie Jing-Bao brings to light a surprising range of beliefs concerning fetal life and the morality of abortion, yet finds overall an acceptance of national population policies. China's internal plurality, the author argues, must be taken seriously if the West is to open a fruitful cross-cultural dialogue. Visit our website for sample chapters!
Chiefly on the partition of Punjab, 1947.
He Speaks in the Silence is about Diane Comer’s search for the kind of intimacy with God every woman longs for. It is a story of trying to be a good girl, of following the rules, of longing for a satisfaction that eludes us. Disappointed with all Diane had been told was supposed to fulfill her, she begged God in desperation to give her more. And He did. But first He took her through a trial so debilitating it almost destroyed what little faith she had. He let her go deaf. Using vivid parallels between her deafness and every woman’s struggle to hear God, this book shows women not only how Diane, as a deaf woman, hears in everyday life, but also how she can learn to listen to God in the midst of her own loud life, finding intimacy with God and the deep soul satisfaction she longs for.
Over the past century, opinion polls have come to pervade American politics. Despite their shortcomings, the notion prevails that polls broadly represent public sentiment. But do they? In Silent Voices, Adam Berinsky presents a provocative argument that the very process of collecting information on public preferences through surveys may bias our picture of those preferences. In particular, he focuses on the many respondents who say they "don't know" when asked for their views on the political issues of the day. Using opinion poll data collected over the past forty years, Berinsky takes an increasingly technical area of research--public opinion--and synthesizes recent findings in a coherent and accessible manner while building on this with his own findings. He moves from an in-depth treatment of how citizens approach the survey interview, to a discussion of how individuals come to form and then to express opinions on political matters in the context of such an interview, to an examination of public opinion in three broad policy areas--race, social welfare, and war. He concludes that "don't know" responses are often the result of a systematic process that serves to exclude particular interests from the realm of recognized public opinion. Thus surveys may then echo the inegalitarian shortcomings of other forms of political participation and even introduce new problems altogether.
The result of a joint project by medievalists at the U. of Chile in Santiago and the universities of Ghent and Antwerp in the Netherlands, the essays of this volume consider medieval women's literacy with a focus on the impact of gender. Five essays consider aspects of Hildegard of Bingen's writings, particularly in her Symphonia. Other topics include the uses of literacy in medieval Beguine communities, women's literacy in 13th-century Latin Agogic texts, Johannes Tauler's writings on Bingen's Scivias, and Jan van Ruusbroec's perception of religious women. Distributed by the David Brown Book Company. The volume is not indexed. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
This volume examines the various processes at work in expressing silence and excessive speech in contemporary novels in English, covering the whole spectrum from effusiveness to muteness. Even if in the postmodern episteme language is deemed inadequate for speaking the unspeakable, contemporary authors still rely on voice as a mode of representation and a performative tool, and exploit silence not only as a sign of absence, block or withdrawal, but also as a token of presence and resistance. Logorrhoea and reticence are not necessarily antithetical as compulsive verbosity may work as a smokescreen to sidestep the real issues, while silences and gaps may reveal more than they hide. By submitting their texts to both expansion and retention, hypertrophy and aphasia, writers persistently test the limits of language and its ability to make sense of individual and collective stories. The present volume analyses the complex poetics of silence and speech in fiction from the 1960’s to the present, with special focus on Will Self, Graham Swift, John Fowles, Kazuo Ishiguro, Jenny Diski, Lionel Shriver, Michèle Roberts, Margaret Atwood, Jonathan Safran Foer, Salman Rushdie, Arundhati Roy, Zadie Smith, Jamaica Kincaid, Ryhaan Shah and J.M. Coetzee.