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Born in Minnesota in 1890 and raised and educated in Massachusetts, Marjory Stoneman Douglas came to Florida in 1915 to work for her father, who had just started a newspaper called the Herald in a small town called Miami. In this "frontier" town, she recovered from a misjudged marriage, learned to write journalism and fiction and drama, took on the fight for feminism and racial justice and conservation long before those causes became popular, and embarked on a long and uncommonly successful voyage into self-understanding. Way before women did this sort of thing, she recognized her own need for solitude and independence, and built her own little house away from town in an area called Coconut Grove. She still lives there, as she has for over 40 years, with her books and cats and causes, emerging frequently to speak, still a powerful force in ecopolitics. Marjory Stoneman Douglas begins this story of her life by admitting that "the hardest thing is to tell the truth about oneself" and ends it stating her belief that "life should be lived so vividly and so intensely that thoughts of another life, or a longer life, are not necessary." The voice that emerges in between is a voice from the past and a voice from the future, a voice of conviction and common sense with a sense of humor, a voice so many audiences have heard over the years—tough words in a genteel accent emerging from a tiny woman in a floppy hat—which has truly become the voice of the river.
This book addresses societal relationships to river systems, highlighting many unexplored possibilities in how we know and manage our rivers. Brierley contends that although we have good scientific understanding of rivers, with remarkable prospect for profound improvements to river condition, management applications greatly under-deliver. He conceptualizes approaches to river repair in two very different ways: Medean (competitive) and Gaian (cooperative). Rather than ‘managing’ rivers to achieve particular anthropogenic goals (the former option), this book adopts a more-than-human approach to ‘living with living rivers’ (the latter option), applying a river rights framework that conceptualizes rivers as sentient entities. Chapters build on significant experience across many parts of the world, emphasizing the diverse array of river attributes and relationships to be protected and the wide range of problems to be addressed. Although the book has an environmental focus, it is framed as an argument in popular philosophy, contemplating the agency of rivers as place-beings. It will be of great value to academics, students and general readers interested in protecting river systems.
"One of America's greatest (and most threatened) glories is its network of public lands, and in this volume, the talented Dickerson makes the most of them. These landscapes are not the backdrop but the foreground of his lovely essays, that will make you want to travel to these treasures." -Bill McKibben, author of Earth: Making a Life on a Tough New Planet
These unique voices combine in a harmony of Mexican and American, of magical and ordinary, of tragedy and triumph. From established writers to emerging talents, the contributors to this volume represent the depth and beauty of a community that is just beginning to make itself heard. The collection features the short story "The Time About the Dog" by Álvaro Rodríguez, co-screenwriter of the recent film Machete. Other contributors: Angélica Maldonado, Yaresy Salinas, María Ramírez, Daniel Tyx, Mónica G. Hernández, Félix Omar Vela, Evangelina Ayon, Lois Marie Garza, Charlene Bowles, Robert Brown, Cindy Jáimez, Virgilio B. Valencia, Alfredo Ortiz, Javier David González, Matthew Madrigal, Olga Lidia Cervantes, Richard D. Givens, Verónica Sandoval, Edwin de Kock, Gwenda J. González, Jonathan Corey Mangan, Kristin Michelle Keith, María Piedra, Ludivina V. Vásquez, María de la Luz Quiroga, Clarrissia Nerio, Nina Medrano, Rosalia Arriaga, Anna Lilia Castillo, Gloria M. Alvarado, and Edwin Sandoval.
“Timely . . . [the collection] paints intimate portraits of neglected places that are often used as political talking points. A good companion piece to J. D. Vance’s Hillbilly Elegy.”—Booklist The essays in Voices from the Rust Belt "address segregated schools, rural childhoods, suburban ennui, lead poisoning, opiate addiction, and job loss. They reflect upon happy childhoods, successful community ventures, warm refuges for outsiders, and hidden oases of natural beauty. But mainly they are stories drawn from uniquely personal experiences: A girl has her bike stolen. A social worker in Pittsburgh makes calls on clients. A journalist from Buffalo moves away, and misses home.... A father gives his daughter a bath in the lead-contaminated water of Flint, Michigan" (from the introduction). Where is America's Rust Belt? It's not quite a geographic region but a linguistic one, first introduced as a concept in 1984 by Walter Mondale. In the modern vernacular, it's closely associated with the "Post-Industrial Midwest," and includes Michigan, Ohio, and Pennsylvania, as well as parts of Illinois, Wisconsin, and New York. The region reflects the country's manufacturing center, which, over the past forty years, has been in decline. In the 2016 election, the Rust Belt's economic woes became a political talking point, and helped pave the way for a Donald Trump victory. But the region is neither monolithic nor easily understood. The truth is much more nuanced. Voices from the Rust Belt pulls together a distinct variety of voices from people who call the region home. Voices that emerge from familiar Rust Belt cities—Detroit, Cleveland, Flint, and Buffalo, among other places—and observe, with grace and sensitivity, the changing economic and cultural realities for generations of Americans.
The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation
Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the century captures the songs, speech, rituals, and rhythms of a once self-sufficient community and culture swept away by natural catastrophe, modernization, and political conflict. Both historical document and work of art, this lyrical novel provides an intimate view of a community of Hindu fishers and Muslim peasants, coexisting peacefully before the violent partition of Bengal between India and East Pakistan (now Bangladesh). Mallabarman's story documents a way of life that has all but disappeared. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993. Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the centur
This volume comprises 190 poems by 133 poets: old favourites such as Tennyson’s ‘The Song of the Brook’ and Wordworth’s ‘Upon Westminster Bridge’ are joined by 20th century poetry from both sides of the Atlantic, with writers including A.R. Ammon, Wendell Berry, Carol Ann Duffy, U.A. Fanthorpe, Seamus Heaney, Ted Hughes, Andrew Motion, Sylvia Plath and William Carlos Williams. Poets muse on the particularity of rivers, use the river as a metaphor for life’s journey, from spring to the sea of unknowing, and explore the magical qualities of water, its transformations and patterns. Yet in Britain our rivers are still retreating from a post-war onslaught: the lowering of water tables, draining of water meadows, chopping down of trees and destroying wildlife habitats. This book reasserts the timeless importance of rivers to our environment, to the poetic imagination, and indeed to life itself.