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Examines the history of celebrations of Mexican Independence Day on September 15. Describes historic celebrations in different parts of the country including Mexico City, San Luis Potosi, San Angel, and Puebla.
There's so much to love about Mexico. Indigenous traditions stretching back millennia; colourful cuisine that's loved the world over; and vibrant festivals bursting with joyful energy. Mexico is a country worth celebrating - and that's exactly what ¡Viva Mexico! is all about. Within its pages, you'll discover the rich diversity of this vast country. Uncover its varied natural landscapes, which stretch from white-sand beaches to jungle-cloaked mountains; explore its vibrant cuisine and how it differs greatly from region to region; and learn about its ever-changing cycle of colourful feasts and fiestas. The book also covers Day of the Dead traditions, how staples of Mexican food have changed as they've travelled the globe, and how pioneering filmmakers continue to influence the world of cinema. Throughout, you'll unearth the unshakable ties that link this diverse country together, whether it's the importance of family, a love of chilis or simply the desire to keep chatting around the table long after dinner has finished. So, get ready to learn what makes Mexico so special - ¡viva Mexico! Long live Mexico!
Four women bond over naughty bestsellers and the shocking letters they inherited from the original members of the Dirty Book Club. As they open up, they learn that friendship might just be the key to rewriting their own stories: all they needed was to find each other first.--
Since 1898, residents of Laredo, Texas, and Nuevo Laredo, Tamaulipas, have reached across the US-Mexico border to celebrate George Washington's birthday. The celebration can last a whole month, with parade goers reveling in American and Mexican symbols; George Washington saluting; and “Pocahontas” riding on horseback. An international bridge ceremony, the heart and soul of the festivities, features children from both sides of the border marching toward each other to link the cities with an embrace. ¡Viva George! offers an ethnography and a history of this celebration, which emerges as both symbol and substance of cross-border community life. Anthropologist and Laredo native Elaine A. Peña shows how generations of border officials, civil society organizers, and everyday people have used the bridge ritual to protect shared economic and security interests as well as negotiate tensions amid natural disasters, drug-war violence, and immigration debates. Drawing on previously unknown sources and extensive fieldwork, Peña finds that border enactments like Washington's birthday are more than goodwill gestures. From the Rio Grande to the 38th Parallel, they do the meaningful political work that partisan polemics cannot.
Flandrau was a young rich American with an individual sense of humor, and no prejudices except against Western uniformity. His travel book is more than a ramble among places; it is a journey among the Mexican people. His brother established a coffee plantation in Mexico in 1903, and Charles traveled there with his mother in 1904. The experiences gained from this visit, along with two other visits in subsequent winters, formed the basis for Viva Mexico! which he described as "one long, carelessly written but absorbing romance."
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Flandrau was a young rich American with an individual sense of humor, and no prejudices except against Western uniformity. His travel book is more than a ramble among places; it is a journey among the Mexican people. His brother established a coffee plantation in Mexico in 1903, and Charles traveled there with his mother in 1904. The experiences gained from this visit, along with two other visits in subsequent winters, formed the basis for Viva Mexico! which he described as "one long, carelessly written but absorbing romance."
This fascinating study presents for the first time the full story of Eisenstein's disastrous attempt to make a great film in Mexico, a motion picture "symphony" of Mexican life, history, culture, and the perpetual Mexican fiesta of death. It clarifies the relationship between Eisenstein and Upton Sinclair, the American novelist who financed the picture, and reveals the causes and consequences of Sinclair's withdrawal of financial backing. Eisenstein was at the height of his creative powers when he began working on the Mexican film. The fiasco that ended the project was to leave a permanent mark on his life and work, while Sinclair was to be vilified on both sides of the Atlantic as the desecrator of the most important film of the world's greatest motion picture director. The book presents the story of these events in a unique manner by embedding the actual correspondence of the main participants in a commentary by Professors Geduld and Gottesman, who have endeavored to tell the truth about a tragic episode in the history of the cinema.