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A debut young adult novel about a booksmart teen who spends the summer in Mexico City, meets two very cute boys, attempts to learn Spanish, and uncovers a family secret that changes her life forever. Lola Espinoza is cursed in love. Well, maybe not actually cursed—magic isn't real, is it? When Lola goes to spend the summer with her grandmother in Mexico City and meets handsome, flirtatious Rio, she discovers the unbelievable truth: Magic is very real, and what she'd always written off as bad luck is actually, truly . . . a curse. If Lola ever wants to fall in love without suffering the consequences, she'll have to break the curse. She finds an unlikely curse-breaking companion in Javi, a seemingly stoic boy she meets while working in her cousin's restaurant. Javi is willing to help Lola look into this family curse of hers, and Lola needs all the help she can get. Over the course of one summer—filled with food, family, and two very different boys—Lola explores Mexico City while learning about herself, her heritage, and the magic around us all.
It's the 21st Century and being in any kind of romantic relationship - defined, undefined, or unrefined - is tough. Online dating and hook-up culture, Tinder and Snapchat, Friends with Benefits and Missed Connections. Our modern dating landscape doesn't look like anything that's come before, and we're the brave explorers trying to make sense of it. This collection of practical advice tells you how to do it better. More freedom and less drama. More fun and less guilt. More connection and less loneliness. From the "Ugly Truths about Dating" to "Why Modern Dating is Better." From the "Things Men Will Always Find Attractive in Women" to "Ways to Know You're With the Wrong Guy." From "Advice for the Awkward Dater" to your new go-to questionnaire: "50 Questions to Ask Your Crush to See if They're Right for You." This is your map to the modern dating landscape, a practical guide to finding, friending, hooking up, breaking up and falling in love in the 21st century.
"The energy. The clarity. The beauty. Elisabet Velasquez brings it all. . . . Her voice is FIRE!"—NYT bestselling and award-winning author Jacqueline Woodson An unforgettable, torrential, and hopeful debut young adult novel-in-verse that redefines what it means to "make it,” for readers of Nicholasa Mohr and Elizabeth Acevedo. Sarai is a first-generation Puerto Rican question asker who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister, Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity in a rapidly gentrifying Brooklyn. Sarai questions the society around her, her Boricua identity, and the life she lives with determination and an open heart, learning to celebrate herself in a way that she has long been denied. When We Make It is a love letter to anyone who was taught to believe that they would not make it. To those who feel their emotions before they can name them. To those who still may not have all the language but they have their story. Velasquez’ debut novel is sure to leave an indelible mark on all who read it.
In this searing indictment of the juvenile justice system, one teen in detention weighs what she is willing to endure for forgiveness. Now in paperback. All it took was one night and one bad decision for fifteen-year-old Violetta Chen-Samuels’ life to go off the rails. After driving drunk and causing the accident that kills her little sister, Violetta is incarcerated. Under the juvenile justice system, her fate lies in the hands of those she’s wronged—her family. With their forgiveness, she could go home. But without it? Well . . . Denied their forgiveness, Violetta is now left with two options, neither good—remain in juvenile detention for an uncertain sentence or participate in the Trials. The Trials are no easy feat, but if she succeeds, she could regain both her freedom and what she wants most of all: her family’s love. In her quest to prove her remorse, Violetta is forced to confront not only her family’s grief, but her own—and the question of whether their forgiveness is more important than forgiving herself.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
A memoir of leaving the evangelical church and the search for radical new ways to build community. Jeanna Kadlec knew what it meant to be faithful--in her marriage to a pastor’s son, in the comfortable life ahead of her, in her God--but there was no denying the truth that lived under that conviction: she was queer and, if she wanted to survive, she would need to leave behind the church and every foundational building block she knew. Heretic is a memoir of rebirth. Within, Kadlec reckons with religious trauma and Midwestern values, as a means of unveiling how evangelicalism directly impacts every American--religious or not--and has been a major force in driving our democracy towards fascism. From the story of Lilith to celebrity purity rings, Kadlec interrogates how her indoctrination and years of piety intersects with her Midwest working-class upbringing. As she navigated graduate school, a new home on the East Coast, and a new marriage, another insidious truth began to reveal itself --that conservative Christianity has both built and undermined our political power structures, poisoned our pop culture, and infected how we interact with one another in ways that the secular population couldn’t see. Weaving the personal with powerful critique, Heretic explores how we can radically abandon these painful systems by taking a sledgehammer to the comfortable. Whether searching for community in the face of millennial loneliness or wanting to reclaim a secular form of fellowship in everyday life, Kadlec envisions the brilliant possibilities that come with not only daring to want a different way but actually striking out and claiming it for ourselves.
Fold, fit, tuck . . . Yuna and her family have just moved to the United States, and she doesn't speak English yet. At first, her attempts to catch the attention of the neighborhood kids get lost in translation, but when she shows that she can do something very special with paper, a whole new world unfolds. Marie Tang and Jieting Chen have brought Yuna's origami creations to life in this whimsical, magical picture book, where the language of play can bridge the language barrier and build new friendships. Back matter includes information about the origin of origami and instructions for kids to fold their own paper boat.
From the award-winning, bestselling author of Hold Still and We Are Okay. (Cover may vary) Colby and Bev have a long-standing pact: graduate, hit the road with Bev's band, and then spend the year wandering around Europe. But moments after the tour kicks off, Bev makes a shocking announcement: she's abandoning their plans - and Colby - to start college in the fall. But the show must go on and The Disenchantments weave through the Pacific Northwest, playing in small towns and dingy venues, while roadie- Colby struggles to deal with Bev's already-growing distance and the most important question of all: what's next? Morris Award–finalist Nina LaCour draws together the beauty and influences of music and art to brilliantly capture a group of friends on the brink of the rest of their lives.
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad forms of violence bred by drug trafficking. At first, Eduardo seems unable to connect. He movingly reads the words of Dostoyevsky, Henry James, Daphne du Maurier, and more, but doesn’t truly understand them. His eccentric listeners—including two brothers, one mute, who moves his lips while the other acts as ventriloquist; deaf parents raising children they don’t know are hearing; and a beautiful, wheelchair-bound mezzo soprano—sense his detachment. Then Eduardo comes across a poem his father had copied by the Mexican poet Isabel Fraire, and it affects him as no literature has before. Through these fascinating characters, like the practical, quick-witted Celeste, who intuitively grasps poetry even though she never learned to read, Fabio Morábito shows how art can help us rediscover meaning in a corrupt, unequal society.