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This collection brings together leading international scholars and filmmakers focusing on Latin American cinema. Themes discussed include subjectivity, history, memory, representations of reality, cinema's relation to the public sphere, and issues of production, distribution and marketing.
Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.
A Companion to Latin American Cinema offers a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century. Features contributions from international critics, historians, and scholars, along with interviews with acclaimed Latin American film directors Includes essays on the Latin American film industry, as well as the interactions between TV and documentary production with feature film culture Covers several up-and-coming regions of film activity such as nations in Central America Offers novel insights into Latin American cinema based on new methodologies, such as the quantitative approach, and essays contributed by practitioners as well as theorists
Belize, a small British colony in Central America faced with a territorial claim and military threats from neighboring Guatemala, overcame disadvantages of size and power by implementing a strategy of internationalization that utilized new international norms and international organizations, in particular the Non-Aligned Movement and the United Nations. This book, written by a key player in the independence struggle, details the history of the territorial claim and of the international campaign that made it possible for Belize to achieve secure independence with all its territory despite pressures from Britain and the United States to cede land and compromise its sovereignty.
This volume provides a systematic overview of the contemporary Latin American youth violence phenomenon. The authors focus specifically on youth gangs, juvenile justice issues, and applied research concerns, providing a rounded and balanced exploration of this increasingly important topic.
Bringing Latin American popular art out of the margins and into the center of serious scholarship, this book rethinks the cultural canon and recovers previously undervalued cultural forms as art. Juan Ramos uses "decolonial aesthetics," a theory that frees the idea of art from Eurocentric forms of expression and philosophies of the beautiful, to examine the long decade of the 1960s in Latin America--a time of cultural production that has not been studied extensively from a decolonial perspective. Ramos looks at examples of "antipoetry," unconventional verse that challenges canonical poets and often addresses urgent social concerns. He analyzes the militant popular songs of nueva canción by musicians such as Mercedes Sosa and Violeta Parra. He discusses films that use visually shocking images and melodramatic effects to tell the stories of Latin American nations. He asserts that these different art forms should not be studied in isolation but rather brought together as a network of contributions to decolonial art. These art forms, he argues, appeal to an aesthetic that involves all the senses. Instead of being outdated byproducts of their historical moments, they continue to influence Latin American cultural production today.
This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples. It offers the first systematic survey of the genre and explains why the road movie is key to contemporary Latin American cinema and society. Proposing the new category of “counter-road movie,” and paying special attention to the genre’s intricate relationship to modernity, Nadia Lie charts the variety of the road movie through films by both renowned and emerging filmmakers. The Latin American (Counter-) Road Movie and Ambivalent Modernity engages with ongoing debates on transnationalism and takes the reader along a wide range of topics, from exile to undocumented migration, from tourism to internally displaced people.
Two decades of neoliberalism in Latin America have left legacies of uneven growth, inequity and lackluster democracy. This book offers an original and grounded discussion of what governance after neoliberalism means in Latin America and examines how states are pursuing more independent development strategies and models of democracy.
This book aims to address this neglect in the European context with concentration on the UK case. Conceptually, it explores the meanings of diaspora and whether this is an appropriate concept to refer to Latin American migration to Europe in particular
Integrating the political and governmental histories of Spain and the American colonies, this book focuses on the political and governmental history of the Viceroyalty of Peru during the 'early Bourbon' period and provides a new interpretation of the period's broader significance within Spanish American history.