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A generously illustrated collection of John Baines's influential writings on the role of writing and the importance of visual culture in ancient Egypt. Investigation of these key topics in a comparative study of early civilizations is pursued through a number of case studies, and characterized by a radically interdisciplinary approach.
A generously illustrated selection of John Baines's influential writings on two core areas of ancient Egyptian civilization: the role of writing, which was very different in antiquity from what is familiar in the modern world, and the importance of visual culture. These questions are explored through a number of case studies. The volume assembles articles that were scattered in publications in a variety of disciplines, making available key contributions on core problems of theory, comparison, and analysis in the study of many civilizations and offering important points of departure for further research. Three wholly new essays are included, and the overall approach is an interdisciplinary one, synthesizing insights from archaeology, anthropology, and art history as well as Egyptology.
"[A] comprehensive resource, which contains texts, posters, slides, and other materials about outstanding works of Egyptian art from the Museum's collection"--Welcome (preliminary page).
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Discover the intimate details of life under the pharaohs--and their extraordinary legacy--in this fascinating e-guide to Egypt's ancient civilization. Encompassing 3,000 years and 31 Egyptian dynasties, from the time of Narmer to Cleopatra, this fresh appraisal of ancient treasures helps you navigate the political intrigues and cultural achievements of the Ancient Egyptians, from the Pyramids and the Sphinx of Giza to the Great Library and Lighthouse of Alexandria. You'll meet pharaohs such as King Tutankhamun--whose mummified remains and lavish grave goods reveal so much about the society and its beliefs--as well as influential women such as Hatshepsut and Nefertiti, and warriors including Alexander the Great. Lavish photographs reveal the exquisite craftsmanship of their scribes, artists, and metalworkers, and the tomb paintings and relief carvings that captured the everyday life of farmers, artisans, soldiers, and traders in exquisite detail. Exclusive CGI reconstructions use the latest scientific information to recreate the finest tombs, temples, and pyramids. Beautifully illustrated, and unparalleled in scope, Ancient Egypt is the perfect ebook for anyone with an interest in ancient civilizations and Egyptology.
Egyptomania takes us on a historical journey to unearth the Egypt of the imagination, a land of strange gods, mysterious magic, secret knowledge, monumental pyramids, enigmatic sphinxes, and immense wealth. Egypt has always exerted a powerful attraction on the Western mind, and an array of figures have been drawn to the idea of Egypt. Even the practical-minded Napoleon dreamed of Egyptian glory and helped open the antique land to explorers. Ronald H. Fritze goes beyond art and architecture to reveal Egyptomania’s impact on religion, philosophy, historical study, literature, travel, science, and popular culture. All those who remain captivated by the ongoing phenomenon of Egyptomania will revel in the mysteries uncovered in this book.
Writing is not the only notation system used in literate societies. Some visual communication systems are very similar to writing, but work differently. Identity marks are typical examples of such systems, and this book presents a particularly well-documented marking system used in Pharaonic Egypt as an exemplary case. From Single Sign to Pseudo-Script is the first book to fully discuss the nature and development of an ancient marking system, its historical background, and the fascinating story of its decipherment. Chapters on similar systems in other cultures and on semiotic theory help to distinguish between unique and universal features. Written by Egyptologist Ben Haring, the book addresses scholars interested in marking systems, writing, literacy, and the semiotics of visual communication. "With this publication, the author exemplified how a close familiarity with a subject enables research in areas of Egyptian society that had not been touched until now and how the resulting insight is presented properly." - Eva-Maria Engel, Humboldt-Universität zu Berlin, in: Bibliotheca Orientalis 76.1-2 (2019) "This work should certainly become a guidebook to scholars wishing to publish ostraca of this sort, who have in the past shied away from the complex task due to the enigmatic nature of the materials. The time has arrived for this study of this hitherto neglected facet of Egyptian writing, to find its fitting place in the history of literacy and script in Ancient Egypt, as well as in the history of workmen’s signs in general." - Orly Goldwasser, The Hebrew University of Jerusalem, in: Journal of Near Eastern Studies (2019, 78/2) "The technical data and Egyptological scholarship of the book are deliberately made very accessible to be of assistance in the understanding of identity marks in other periods and cultures. This is a remarkable work of social history." - George J. Brooke, in: Journal for the Study of the Old Testament 43.5 (2019)
"This catalogue is published in conjunction with the exhibition 'The Dawn of Egyptian Art' on view at the Metropolitan Museum of Art, New York from April 10 to August 5, 2012"--T.p. verso.
The volume The Materiality of Texts from Ancient Egypt contains nine contributions from well-known papyrologists, Egyptologists, archaeologists and technical specialists. They discuss the materiality of ancient writing and writing supports in various ways through methodological considerations and through practical case studies from the early Pharaonic to the Late Antique periods in Egypt, including Greek and Egyptian papyri and ostraca, inscriptions and graffiti. The articles in this volume present new approaches to the study of textual material and scribal practice, especially in the light of the ongoing development of digital techniques that uncover new information from ancient writing materials. The aim of the book is to encourage researchers of ancient texts to consider the benefits of using these new methods and technological resources.
Cutting-edge research by twenty-four international scholars on female power, agency, health, and literacy in ancient Egypt There has been considerable scholarship in the last fifty years on the role of ancient Egyptian women in society. With their ability to work outside the home, inherit and dispense of property, initiate divorce, testify in court, and serve in local government, Egyptian women exercised more legal rights and economic independence than their counterparts throughout antiquity. Yet, their agency and autonomy are often downplayed, undermined, or outright ignored. In Women in Ancient Egypt twenty-four international scholars offer a corrective to this view by presenting the latest cutting-edge research on women and gender in ancient Egypt. Covering the entirety of Egyptian history, from earliest times to Late Antiquity, this volume commences with a thorough study of the earliest written evidence of Egyptian women, both royal and non-royal, before moving on to chapters that deal with various aspects of Egyptian queens, followed by studies on the legal status and economic roles of non-royal women and, finally, on women’s health and body adornment. Within this sweeping chronological range, each study is intensely focused on the evidence recovered from a particular site or a specific time-period. Rather than following a strictly chronological arrangement, the thematic organization of chapters enables readers to discern diachronic patterns of continuity and change within each group of women. · Clémentine Audouit, Paul Valery University, Montpellier, France · Anne Austin, University of Missouri, St. Louis, Missouri, USA · Mariam F. Ayad, The American University in Cairo, Cairo, Egypt · Romane Betbeze, Université de Genève, Switzerland, and Ecole Pratique des Hautes Etudes, PSL, France · Anke Ilona Blöbaum, Saxon Academy of Sciences and Humanities in Leipzig, Leipzig, Germany · Eva-Maria Engel, Humboldt-Universität zu Berlin, Berlin, Germany · Renate Fellinger, University of Cambridge, Cambridge, UK · Kathrin Gabler, University of Basel, Basel, Switzerland · Rahel Glanzmann, independent scholar, Basel, Switzerland. · Izold Guegan, Swansea University, UK, and Sorbonne University, Paris, France · Fayza Haikal, The American University in Cairo, Cairo, Egypt · Janet H. Johnson, Oriental Institute, University of Chicago, Chicago, Il, USA · Katarzyna Kapiec, Institute of the Mediterranean and Oriental Cultures of the Polish Academy of Sciences, Warsaw, Poland · Susan Anne Kelly, Macquarie University Sydney, Sydney, Australia · AnneMarie Luijendijk, Princeton University, Princeton, New Jersey, USA · Suzanne Onstine, University of Memphis, Memphis, Tennessee, USA · José Ramón Pérez-Accino Picatoste, Facultad de Geografía e Historia, Universidad Complutense de Madrid, Madrid, Spain · Tara Sewell-Lasater, University of Houston, Houston, Texas, USA · Yasmin El Shazly, American Research Center in Egypt, Cairo, Egypt · Reinert Skumsnes, Centre for Gender Research, University of Oslo, Oslo, Norway · Isabel Stünkel, The Metropolitan Museum of Art, New York, New York, USA · Inmaculada Vivas Sainz, National Distance Education University), Madrid, Spain · Hana Vymazalová, Czech Institute of Egyptology, Faculty of Arts, Charles University, Prague, Czeck Republic · Jacquelyn Williamson, George Mason University, Fairfax, Viriginia, USA · Annik Wüthrich, Austrian Academy of Sciences, Austrian Archaeological Institute, Vienna, Austria