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As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.
In 1902, in a small community deep in the Mississippi Delta, nearly a generation after the end of slavery, events obscured by time but impossible to forgive or forget echo in the lives of blacks and whites alike. As bound together by history as they are separated by mutual distrust, the citizens of Loring face present tensions as they look toward an uncertain future. Into this charged atmosphere rides Tandy Payne–prodigal son of a prominent planter and brother of the current mayor, and a dissolute gambler looking to reclaim the family estate. When he takes advantage of a perceived slight from the town’s black postmistress, the ensuing clash with his principled brother results in a harrowing confrontation. Fueled by dark and brutal memories, their familial dispute quickly spreads through the countryside. Steve Yarbrough confronts character with morality, reason with blood, in this moving novel that explores the farthest boundaries of human nature.
wide criticism both from Western and Eastern scholars.
In the medieval period before Science had made its stamp on the world there were many practitioners of magic. Ceremonial Magic pre-Lodge magic variation, was considered the most powerful of all magic at that time, practiced from complex 'how to' manuals called grimoires. The grimoires were often annonymous or credited to unbelievable authorship such as King Solomon from the bible. Often people have attempted to trace the grimoire practices to earlier times to understand the mindset of the practitioners but there is no real clear origin that can be established which makes it near impossible. This book takes a unique look at visible appearance in the grimoires; drawing key qoutes and formulating them from the grimoires themselves in to the view of the Grimoire writers. What methods are there to make a spirit appear? Are they visions? Can a spirit become solid? These questions are discussed inside, by one of the current occult personalities pro visible and physical manifestation: Tolka Scrolls.
Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin"-- Publisher description
Denying Jesus Christ, the Son of the Living God, is the greatest mistake the entire world has made in the past and present and will continue to make in the future. Without Jesus Christ as Lord and Savior in one's life, how can a person live coexisting with spirit beings known as demons, wicked spirit persons who have inhabited the earth the entire time mankind has been on earth? Yet the world lives as though we don't coexist with spirit beings, and to reject or deny the only person whom these spirit beings obey is like living without a cause. People, the world in general, it's imperative to acknowledge that demon spirits have invaded human bodies. Demonic forces, whom we can't see nor control, are in control of multitudes of human lives, which have persons in spiritual warfare with invisible demons as enemies in mankind and fighting a battle within themselves and against others like themselves. These demons, which are also named evil spirits, are in human bodies as demon control spirits, sometimes called devils as they became dominant spirit forces. Demons have been assigned to us in the body of humankind to harm, kill, and destroy lives by any means. Demons have been assigned to our children to possess as their own to harm, steal, or destroy lives and family livelihood. The power of Jesus Christ's name provides protection for all mankind in the spirit realm, believers as well as nonbelievers.
In Visible Church-Visible Unity Ola Tjorhom explores central questions in current ecclesiological and ecumenical debates from the perspective of an evangelical catholicity of "the Great Tradition of the Church." Tjorhom shows how the fundamental visibility of the Church and the similarly visible nature of church fellowship is a corrective cover against "invisible" perceptions of these entities. This theme of visibility is developed in view of the sacraments, the ministries, and the mission of the Church. Visible Church-Visible Unity includes "Chapter 1: Toward the End of the Reformation Project? The Riddle of Protestantism," "Chapter 2: The Great Tradition of the Church'-An Old Way Forward?" "Chapter 3: The Church-Mother of Faith and Priest of Creation," "Chapter 4: The Goal of Visible Unity-Reaffirming Our Commitment," and "Chapter 5: Life in the Spirit-Toward a 'Materialist' Spirituality."
The first book to examine the spiritual and therapeutic practice of retreat in physical darkness to explore inner light • Shows how experiencing complete darkness over prolonged periods helps in developing mental clarity and creativity • Draws upon many indigenous and spiritual traditions that use this technique The use of ceremonial darkness is a classic and cross-cultural method for exploring hidden aspects of unconscious and super-conscious states, accessing invisible landscapes, and embracing the deeper recesses of the self. In Darkness Visible Heaven and Buxton examine the spiritual and therapeutic practice of taking retreat in physical darkness. For millennia mystics and sages have used darkness as a spiritual tool for breaking with their pasts, prior conditioning, and the limited reality of their societies. Spiritual seekers from many traditions--Celtic, Eastern, indigenous North and South American, Tibetan, and African--have used darkness as a tool for spiritual enlightenment. Heaven and Buxton show how experiencing complete darkness, even for only a period of hours, brings about a remarkable clarity and mental stillness and thus provides a springboard for creativity, intuition, and spiritual development. They include exercises that explore lucid levels of dream consciousness, drawing both from their experience as teachers of this method and from the many cultures that include this practice in their spiritual traditions. Darkness Visible shows how deprivation of sight can truly teach us to see.