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In the medieval period before Science had made its stamp on the world there were many practitioners of magic. Ceremonial Magic pre-Lodge magic variation, was considered the most powerful of all magic at that time, practiced from complex 'how to' manuals called grimoires. The grimoires were often annonymous or credited to unbelievable authorship such as King Solomon from the bible. Often people have attempted to trace the grimoire practices to earlier times to understand the mindset of the practitioners but there is no real clear origin that can be established which makes it near impossible. This book takes a unique look at visible appearance in the grimoires; drawing key qoutes and formulating them from the grimoires themselves in to the view of the Grimoire writers. What methods are there to make a spirit appear? Are they visions? Can a spirit become solid? These questions are discussed inside, by one of the current occult personalities pro visible and physical manifestation: Tolka Scrolls.
This anthropological investigation of dress featuring selected scholarly readings is ideal for courses focused on global perspectives and cultural aspects of dress.
Fantasy and science fiction began in print, and from the first films to the latest blockbusters, print stories have provided the inspirations, the ideas, and in some cases the detailed blueprints. Adaption Studies has long been an area of intense debate in literature and film studies, but no single work has ever approached fantasy and science fiction texts as unique and important areas of inquiry by themselves. The Fantastic Made Visible with 16 fresh essays is the first book to do exactly that. From the earliest adaptations of Jules Verne, Robert A. Heinlein, and Shakespeare to recent films based on The Hobbit, Planet of the Apes, and The Hunger Games, this book offers a wide range of critical approaches and films from around the world.
People worldwide are adding another dimension to their lives: the third dimension! Thanks to the 3D wonder of Magic Eye, people of all ages find themselves spellbound by the hidden images that suddenly are leaping from book pages, greeting cards, calendars, even T-shirts and mugs. This colorful Magic Eye book guides gazers through 23 different 3D, computer-generated illustrations. Complete instructions, including two detailed viewing techniques, will have them searching for visual surprises through beautifully executed, full-page designs. Expand your Magic Eye vision and watch the wonderful happen!
An artistic periodical.
Optical illusions, a magical melding of science and art, appeal to all ages. This lavish full-color book looks at both the science (the peculiarities of human vision that make illusions possible) and the art (famous deceptive images and their creators). Included are a wide variety of eye-fooling tricks, including those practiced by Mother Nature herself.
In documentary studies, the old distinctions between fiction and nonfiction no longer apply, as contemporary film and video artists produce works that defy classification. Coming together to make sense of these developments, the contributors to this book effectively redefine documentary studies. They trace the documentary impulse in the early detective camera, in the reenactment of battle scenes from World War I, and in the telecast of the Nevada A-Bomb test in 1949. Other topics include experiments in virtual reality; the crisis of representation in anthropology; and video art and documentary work that challenges the asymmetry of the postcolonial Us/Them divide.
Visible Women: Tales of Age, Gender and In/Visibility is a reflective, questioning, subjective, self-indulgent and moving narrative exploration of the experiences of women growing older and not disappearing. What lies behind stories of older women becoming invisible and disregarded? How true are they, where do they come from, and what do they mean? How might they be challenged, and what other stories can be told? The core of the book is the poetic representation of the thoughts and lives of a group of women between 50 and 70. Their narratives are drawn from the email correspondence between the author and her seven co-researchers. Starting with a search for the anecdotal and mythical ‘invisible woman’, the author’s own story is woven into, and becomes part of, the journey. The landscape – which is beautifully observed in clear, non-academic language – takes us through feminist and poststructuralist theory, existentialism, auto/biography, journalism, fictional writing, art, film, poetry and the internet. In ‘examining the bones’ of tales of invisibility, Christine Bell is motivated by indignation as much as curiosity.
In 1908, the ruler of the Balinese realm of Klungkung and more than 100 members of his family and court were massacred when they marched deliberately into the fire of the Dutch colonial army. The question of what their action meant and its continued significance in contemporary Klungkung forms the basis of Margaret Wiener's complex anthropolological history. Wiener challenges colonial and academic claims that Klungkung had no "real" power and argues that such claims enabled colonial domination. By focusing on Balinese discourses she makes clear the choices open to Balinese, both at the time of the Dutch conquest and in its narration. At the same time, she shows how these discourses, which revolve around magical weapons acquired from invisible agents such as gods, spirits, and ancestors, offer an alternative understanding of Klungkung's power. Moving between Balinese and Dutch narratives and between past and present, Wiener critiques colonial accounts by recounting Balinese memories and interpretations. Her attention to history and local situations illuminates the ways in which colonialism and orientalist scholarship have obscured the power of indigenous rulers and shows how Klungkung, once Bali's paramount realm, was relegated to a peripheral corner of the Indonesian nation-state. Both as a fascinating story and as a rich example of interdisciplinary scholarship, this book will interest students of colonialism, anthropology, history, religion, and Southeast Asia.