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This important book is the first complete seventeenth-century treatise on Native Americans to be introduced, annotated, and translated into English. Presented in a parallel text translation, it brings the work of the controversial and powerful Bishop Juan de Palafox to non-Spanish speakers for the first time. A seminal document in the history of colonial Mexico and imperial Spain, Virtues of the Indian tells us as much about the Mexican natives as about the ideas, images, and representations upon which the Spanish Empire in America was built. Taken as a whole, this book will raise questions about the Spanish empire and the governance of New Spain's Indians. Even more significantly, it will complicate the prevailing view of Spanish imperialism and colonial society as one dominated by a unified and coherent ruling elite with common goals. The deeply-informed introduction, biographical essay, and annotations that accompany this vivid translation further explore the thoughts and actions of the dynamic and complex Palafox, contributing to a better knowledge of a key figure in the history of Spanish colonialism in the New World.
Chastity and lust, charity and greed, humility and pride, are but some of the virtues and vices that have been in tension since Prudentius’ Psychomachia, written in the fifth century. While there has been widespread agreement within a given culture about what exactly constitutes a virtue or a vice, are these categories so consistent after all? In Ambiguous Antidotes, Hilaire Kallendorf explores the receptions of Virtues in the realm of moral philosophy and the artistic production it influenced during the Spanish Golden Age. Using the Derridian notion of pharmakon, a powerful substance that can serve as poison and cure, Kallendorf’s original and pioneering insight into five key Virtues (justice, fortitude, chastity, charity, and prudence) reveals an intriguing but messy relationship. Rather than being seen as unambiguously good antidotes, the Virtues are instead contested spaces where competing sets of values jostled for primacy and hegemony. Employing an arsenal of tools drawn from literary theory and cultural studies, Ambiguous Antidotes confirms that you can in fact have too much of a good thing.
The history of emotions is a new approach to social history, and this book is the first in English to systematically examine emotions in colonial Mexico. It is easy to assume that emotions are a given, unchanging aspect of human psychology. But the emotions we feel reflect the times in which we live. People express themselves within the norms and prescriptions particular to their society, their class, their ethnicity, and other factors. The essays collected here chart daily life through the study of sex and marriage, love, lust and jealousy, civic rituals and preaching, gambling and leisure, prayer and penance, and protest and rebellion. The first part of the book deals with how individuals experienced emotions on a personal level. The second group of essays explores the role of institutions in guiding and channeling the expression and the objects of emotions.
This book introduces the period and its discourse whilst redefining them, to give proper consideration to developments of themes, styles, concerns and contexts. The book offers succinct and analytical introductions to the work of authors. An excellent book, which will serve as a sound and lively introduction for students, and also will, makes and impressive and substantial contribution to scholarly study of the English-century Literature. Contents: The Eighteenth Century: Pseudo-Classicism and The Beginnings of Modern Romanticism, Eighteenth-Century Thought, Type of Literature in Eighteenth Century, Drama in Eighteenth Century, Primitivism in Eighteenth Century, Novel in Eighteenth Century, Poem in Eighteenth Century, Periodicals in Eighteenth Century, John Evelyn (1620-1706), John Dryden (1631-1700), Samuel Pepys (1633-1703), Thomas Otway (1652-1685), John Dennis (1657- 1734), Daniel Defoe (1660-1731), Matthew Prior (1664-1721), Jonathan Swift (1667-1745), Joseph Addison (1672-1719), Richard Steele (1672-1729), Edward Young (1683-1785), John Gay (1685- 1732), Allan Ramsay (1685-1758), Alexander Pope (1688-1744), Lady Mary Wortley Montagu (1689-1762), Philip Dormer Stanhope, Fourth Earl of Chesterfield (1694-1773), James Thomson (1700-1748), Henry Fielding (1707-1754), Samuel Johnson (1709-1784), Laurence Sterne (1713-1768), Horace Walpole (1717-1797), Richard Hurd (1720-1808), William Collins (1721-1759), Mark Akenside (1721- 1770), Tobias George Smollett (1721-1771), Christopher Smart (1722- 1771), Thomas Warton (1728-1790), Edmund Burke (1729-1797), Thomas Percy (1729-1811), Charles Churchill (1731-1764), William Cowper (1731-1800), James Beattie (1735-1803), James Macpherson (1736-1796), Edward Gibbon (1737-1794), James Boswell (1740-1795), Hester Lynch Piozzi (Mrs. Thrale) (1741-1821), Thomas Chatterton (1752-1770), George Crabbe (1754-1832), Robert Burns (1759-1796), Minor Authors.
In The Poetics of Fire, Pulitzer prize–winning journalist and Chicano author Victor M. Valle posits the chile as a metaphor for understanding the shared cultural histories of ChicanX and LatinX peoples from preconquest Mesoamerica to twentieth-century New Mexico. Valle uses the chile as a decolonizing lens through which to analyze preconquest Mesoamerican cosmology, early European exploration, and the forced conversion of Native peoples to Catholicism as well as European and Mesoamerican perspectives on food and place. Assembling a rich collection of source material, Valle highlights the fiery fruit’s overarching importance as evidenced by the ubiquity of references to the plant over several centuries in literature, art, official documents, and more to offer a new eco-aesthetic reading—a reframing of culinary history from a pluralistic, non-Western perspective.