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A fun and informative exploration of how the classic television series Bonanza differs from the reality of Virginia City, Nevada. In 1959, one hundred years after the big bonanza silver strike in Virginia City, the classic television series Bonanza made its debut and brought the small Nevada city to the forefront of households around the country, and into many parts of the world. The richest city in the world at the time of the Comstock Lode, Virginia City today might well be a ghost town if not for the fame spurred by Bonanza.The show was so popular that it went on to air for thirteen years and even spawned a theme park. Historical accuracy was of great import to Bonanza’s creator, but as the series evolved, it took on a life of its own beyond the boundaries of real-life Virginia City. In Virginia City vs Bonanza: A Tale of Merging Histories, Monette Bebow-Reinhard explores select history from the show’s legendary storylines and compares it to the real history of nineteenth-century Virginia City. Readers will learn why gambling is so prominent in Nevada, how Virginia City was not necessarily developed as a cattle town, and much more, ultimately understanding how and where Bonanza got its history right. Through her analysis of history versus fiction, Bebow-Reinhard emphasizes the impact television had on shaping how we remember the Old West. From the beginnings on Sun Mountain to the new technology created for Virginia City’s mines to keep up with the demands of the labor force—hungry for more wealth—Virginia City vs Bonanza examines the politics, the environmental damage, and the social and cultural settings that made Virginia City unique. Readers will witness it all: silver’s inevitable collapse, the advent of tourism, the natives, the diversity, the violence, and today, the fun. A must-read for fans of televisionand history alike.
Describes over 2,000 sites of supernatural occurances in the United States, including places visited by ghosts, UFOs, and unusual creatures.
Leslie traveled west through Chicago, Wyoming, Utah (and met Brigham Young), Nevada, and around in California.
The first collection of essays on public history in the American West.
Finalist for the 2021 Willa Literary Award in Scholarly Non-Fiction Finalist for the 2021 Will Rogers Medallion Award in Western Non-Fiction Carolyn Grattan Eichin’s From San Francisco Eastward explores the dynamics and influence of theater in the West during the Victorian era. San Francisco, Eichin argues, served as the nucleus of the western theatrical world, having attained prominence behind only New York and Boston as the nation’s most important theatrical center by 1870. By focusing on the West’s hinterland communities, theater as a capitalist venture driven by the sale of cultural forms is illuminated against the backdrop of urbanization. Using the vagaries of the West’s notorious boom-bust economic cycles, Eichin traces the fiscal, demographic, and geographic influences that shaped western theater. With an emphasis on the 1860s and 70s, this thoroughly researched work uses distinct notions of ethnicity, class, and gender to examine a cultural institution driven by a market economy. From San Francisco Eastward is a thorough analysis of the ever-changing theatrical personalities and strategies that shaped Victorian theater in the West, and the ways in which theater as a business transformed the values of a region.
While moving image advertising has been around us, everywhere, for at least a century, the topic has tended to be overlooked by cinema studies. This far-reaching new collection makes an incisive contribution to a new field of study, by exploring the history, theory and practice of moving image advertising, and emphasising the dynamic and lasting relationships between print, film, broadcasting and advertising cultures.In chapters written by an international ensemble of leading scholars and archivists, the book covers a variety of materials from pre-show advertising films to lantern slides and sponsored 'educations'. With case studies of advertising campaigns and archival collections from a range of different countries, and giving consideration to the problems that advertising materials pose for preservation and presentation, this rich and expansive text testifies to the need for a new approach to this burgeoning subject that looks beyond the mere study of promotional film.
From 1955 to 1964, American television was awash in adult Westerns, as much as one quarter of all prime-time programming. During its six seasons (1957-1963), Have Gun-Will Travel was recognized as one of the best shows on television--politically the most liberal, and intellectually and aesthetically the most sophisticated, largely because of Richard Boone. This work places the series in its larger historical context, exploring why the Western was so popular at the time, and examines how the early history of television affected the shows. A brief biography of Boone is included, revealing how his values and experiences shaped the series. Behind-the-scenes life on the show is compared with that of its most popular competitors, Gunsmoke, Wagon Train and Bonanza. Major themes and patterns of the shows are compared, in particular the figures of the lawman, the gunfighter and the outlaw, racial and ethnic minorities, and women.
A history and legal analysis of vigilantism in Montana in the 1860s, from a state Supreme Court justice and legal historian. Historians and novelists alike have described the vigilantism that took root in the gold-mining communities of Montana in the mid-1860s, but Mark C. Dillon is the first to examine the subject through the prism of American legal history, considering the state of criminal justice and law enforcement in the western territories and also trial procedures, gubernatorial politics, legislative enactments, and constitutional rights. Using newspaper articles, diaries, letters, biographies, invoices, and books that speak to the compelling history of Montana’s vigilantism in the 1860s, Dillon examines the conduct of the vigilantes in the context of the due process norms of the time. He implicates the influence of lawyers and judges who, like their non-lawyer counterparts, shaped history during the rush to earn fortunes in gold. Dillon’s perspective as a state Supreme Court justice and legal historian uniquely illuminates the intersection of territorial politics, constitutional issues, corrupt law enforcement, and the basic need of citizenry for social order. This readable and well-directed analysis of the social and legal context that contributed to the rise of Montana vigilante groups will be of interest to scholars and general readers interested in Western history, law, and criminal justice for years to come. “[Justice Dillon’s] book reads like a Western. Dillon masterfully sets the stage for the rise of the Montana vigilantes by bringing alive the people who created and lived in [mining] towns. There are heroes, villains, shady characters, and more than a few politicians, businessmen, lawyers and judges. What sets Dillon’s book apart from historical texts and fictional tales is that he provides legal analyses and explanations of the trials, sentences, due process and procedures of the day . . . And shed[s] grisly light on the details of the hangings. Dillon’s unique background as an attorney and judge and his downright dogged research are what makes this complex story so engaging. The prose is clear, crisp and gets to the point. . . . The book is satisfying because it answers contemporary nagging questions about the law regarding the vigilantes and the hangings.” —Gregory Zenon, Brooklyn Barrister “Dillon’s analysis of the vigilantes of Bannack, Alder Gulch, and Helena in Montana Territory is the most detailed, insightful, and legally nuanced yet produced. . . . This book is a model for historians to follow when dealing with 19th-century criminal proceedings. Establishing historical context includes examining the laws in books as well as the law in action.” —Gordon Morris Bakken, Great Plains Research