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In her third collection of poetry, Viper Rum, Mary Karr delves into autobiographical subject matter; various beloveds are birthed and buried in these touching lyrics, some of which, as the title suggests, deal with drink: I cast back to those last years I drank, alone nights at the kitchen sink, bathrobed, my head hatching snakes, while my baby slept in his upstairs cage and my marriage choked to death Precise and surprising, Karr's poems "take on the bedevilments of fate and grief with a diabolical edge of their own" (Poetry). Also included is Karr's controversial and prize-winning essay "Against Decoration," in which she took aim against the verbal ornaments that too often pass for poetry these days-the "new formalism" that elevates form to an end itself.
Between Human and Divine is the first collection of scholarly essays published on a wide variety of contemporary (post 1980) Catholic literary works and artists. Its aim is to introduce readers to recent and emerging writers and texts in the tradition.
Sly and sophisticated, direct, playful, and profound, Amy Gerstler’s new collection highlights her distinctive poetic style. In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.
New from Debora Greger??a special poet in every sense? (Poetry) In her eighth book of poetry, Debora Greger travels not just the present but the past, looking for some strange place to call home. She takes a taxi to Stonehenge. She writes letters to Li Po and Tu Fu, Shakespeare and Jane Austen, always seeking out the beast that is man and the beast that is woman. She explores both the remoteness of the past (those radioactive fifties that were her childhood), and the weight of it?or, better, the responsibility of it. These modern traveler?s tales?musing, insistent, marvelous?place one woman?s collection of pasts into a world inhabited by Horace, Chekhov, the bank vault of England, and the giant octopus of Puget Sound.
A new collection of emotionally rich, issue-oriented poems from an award-winning poet whose work “has long been essential reading” (Jorie Graham) Carol Muske-Dukes has won acclaim for poetry that marries sophisticated intelligence, emotional resonance, and lyrical intensity. The poems in her new collection, Blue Rose, navigate around the idea of the unattainable – the elusive nature of poetry, of knowledge, of the fact that we know so little of the lives of others, of the world in which we live. Some poems respond to matters of women, birth, and the struggle for reproductive rights, or to issues like gun control and climate change, while others draw inspiration from the lives of women who persisted outside of convention, in poetry, art, science: the painter Paula Modersohn-Becker, the scientist and X-ray crystallographer Rosalind Franklin, and the Californian poet and writer Ina Coolbrith, the first poet laureate ever appointed in America.
An essential anthology of an innovative American poet Edward Dorn was not only one of America’s finest poets but a rare critical intelligence and commentator. He was a student of Charles Olson, who helped him to see the American West as a site for his quest for self-knowledge; at the core of his work is a deep sense of place and the people who occupy it, underpinned by a wry ironic dissent. It was Dorn’s comic-epic masterpiece, Gunslinger, which began appearing in 1968 and had already become an underground classic by the time it was published in its entirety in 1974, that established his reputation in the wider world. This new volume brings together poems from Dorn’s entire career, including previously uncollected work.
From Hum: Things are incidental Someone is weeping I weep for the incidental The days are beautiful Tomorrow was yesterday The days are beautiful Since the mid-1970s, Ann Lauterbach has explored the ways in which language simultaneously captures and forfeits our experience. In Hum, her seventh collection of poetry, loss and the unexpected (the title poem was written directly in response to witnessing the events of 9/11) play against the reassurances of repetition and narrative story. By turns elegant, fierce, and sensuous, her musically charged poems move from the pictorial or imagistic to a heightened sense of the aural or musical in order to depict the world humming with vibrations of every kind from every source—the world as a form of life.
One of the most respected poets of the Beat and San Francisco Renaissance periods, David Meltzer has kept alive interest in the interface between jazz and poetry that exploded in the 1950s. This new edition of selected poems includes previously unpublished material and serves as a map to this very prolific and interesting poet.
The New York Times has called Carl Dennis’s poetry “wise, original, and deeply moving.” A poet with a growing audience of admirers, Dennis writes in a clear, classically simple language that is both personal and universal. Making use of a rich variety of genres—advice, meditation, elegy, and prophecy—his poems take unexpected turns as they explore their subjects, catching the reader off balance in a way that is liberating. This new anthology gathers the best of his eight previous books along with a generous sampling of new poems.
New from the author of Nervous Systems, winner of the National Poetry Series. William Stobb has won acclaim for wide-ranging poetry that features tender realism, jazzy dissonance, luminous descriptions, and, in the words of Donald Revell, a "strange and elegantly accomplished serenity of tensions attenuated to their uttermost." The poems in his second collection, Absentia, see the big picture-the sweep of history, the ongoing evolution of consciousness, evidence of geological time in the landscape. Humbled by scales beyond comprehension, Stobb is nonetheless seduced and stricken by the present in its many manifestations. Whether dealing with family, friends, or nature, the poems in Absentia, with their rich emotional palette and vivid, precise language, respond and transform, calling us to attend to the wide skies above and inside us.