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Inspired by an Italian book binding dating to 1620, this cover showcases a floral pattern and rosette motif. The original book contained a series of illustrations in the circular "tondo" form. Book bindings from the 17th century are characterized by the ornamental richness of the cover's central area. Featuring sweeping tendrils in a centralized diamond shape, this cover is a classic example of the era's bookbinding style.
Twenty chapters present the range of current research into the study of textiles and dress in classical antiquity, stressing the need for cross and inter-disciplinarity study in order to gain the fullest picture of surviving material. Issues addressed include: the importance of studying textiles to understand economy and landscape in the past; different types of embellishments of dress from weaving techniques to the (late introduction) of embroidery; the close links between the language of ancient mathematics and weaving; the relationships of iconography to the realities of clothed bodies including a paper on the ground breaking research on the polychromy of ancient statuary; dye recipes and methods of analysis; case studies of garments in Spanish, Viennese and Greek collections which discuss methods of analysis and conservation; analyses of textile tools from across the Mediterranean; discussions of trade and ethnicity to the workshop relations in Roman fulleries. Multiple aspects of the production of textiles and the social meaning of dress are included here to offer the reader an up-to-date account of the state of current research. The volume opens up the range of questions that can now be answered when looking at fragments of textiles and examining written and iconographic images of dressed individuals in a range of media. The volume is part of a pair together with Prehistoric, Ancient Near Eastern and Aegean Textiles and Dress: an interdisciplinary anthology edited by Mary Harlow, Cécile Michel and Marie-Louise Nosch
Native Americans had a close affinity with the earth and an understanding of the natural forces which shaped their environment. They recognised that not only were our physical bodies composed of the elements of the earth but our core personalities also were influenced by seasonal characteristics and by the tides of time governed by the Sun and the Moon. The time of birth was no chance happening of fate, but an indication of personality traits and inherent potentials we were each born with to meet the challenges of life. The key to exploring your individuality is a Birth Totem - an animal representation which indicates the characteristics and attributes which combined together comprise your 'medicine' - your inner power and resources. Learn how to: - Identify your own Birth Totem - Connect yourself to your true potential - Discover your life purpose and learn how to fulfil it - Explore all aspects of your life including health and relationships.
"Curated by Massimiliano Gioni, the exhibition provides a unique view into the exceptional career of one of the world's best-known contemporary artists, whose work bridges Pop, Minimalism and the readymade. This is Koons' first exhibition in the Gulf region. Lost in America presents a portrait of American culture as seen through Koons' autobiography, beginning with his childhood in suburban Pennsylvania. The exhibition features more than sixty artworks drawn from Koons' four-decades-long career and is divided into 16 galleries, each introduced by the artist, emphasising his memories, influences and fascination with American visual culture. Conceived as an expansive self-portrait, Lost in America also includes sculptures and paintings with mesmerising, mirrored surfaces that reflect the viewers and call attention to notions of self-transformation and becoming."--
A defining characteristic of Laurel Burch's artwork is her use of vibrant colours that are embellished in gold and silver. On this brilliantly coloured cover, we've reproduced one of her paintings that perfectly captures these attributes as well as her joyful personality. Original Art: Painting by Laurel Burch. Era: Contemporary. Region: San Francisco, United States.
Animal fats are being welcomed back into the kitchen! Chefs and home cooks alike are rediscovering how fats create amazing texture — from the flakiest lard pie crust to the crispiest fried chicken — and define the flavor of a dish like authentic clam chowder with salt pork or duck fat French fries. The Fat Kitchen is the comprehensive guide to rendering and using whole animal fats, including lard, tallow, and poultry fat. Cooks will learn the distinctive qualities and best uses of each fat along with methods for curing and storing them. In addition, 100 scrumptious recipes highlight traditional cultural favorites like matzoh ball soup, pasta carbonara, pork tamales, roast beef with Yorkshire pudding, Southern-style collards, confit chicken, New England baked beans, and jelly doughnuts.
The Floral Ebony Lined journal reproduces a striking French fabric design with astonishing fidelity. Dating from the 1860s, this master pattern was hand-painted prior to machine production. Providing a glimpse into the creative process, this cover is inspired by the original artwork with a new fabric design which draws inspiration from the natural world and features an abundance of flowers and luscious plume-like foliage. The muted beauty of this floral design brings to mind the taste and delicate refinement of a 19th-centruy drawing room.timeless elegance.
The black and white photographs in the book were all made in an area less than half a mile square in Blackburn during 2019 and 2020. Working with a large-format wooden field camera, Easton spent long days and weeks in the neighbourhood talking to residents and sometimes making pictures. The project melds image and text -- Easton's portraiture and landscapes combined with poetry and an essay by Aziz Hafiz and with the testimonies of residents. This long-form collaboration acknowledges the issues and impacts of social deprivation, housing, unemployment, immigration and representation, as well as past and present foreign policy. The result is a collective and nuanced portrait of the town -- a sensitive response to the oversimplistic representation of such communities in both the media and by government, which deny the right of Bank Top to tell its own story
For news junkies and fans of the bizarre-but-true, here is an outrageous collection of all-real, all-weird news stories culled from the nation's mainstream newspapers. Line art throughout.