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A collection of macabre tales originally published from 1679 to 1909.
In this International Book Awards anthology finalist, the best vampire short stories from the first half of the 19th century are unearthed from long forgotten journals and magazines. They are collected for the first time in this groundbreaking book on the origins of vampire lore. Watch the book trailer: www.AndrewBarger.com/bestvampirestories1800.html The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, Andrew found the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu. As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, author photos and a foreword titled "With Teeth." The ground-breaking stories are: 1819 The Vampyre - John Polidori (1795-1821) 1823 Wake Not the Dead - Ernst Raupach 1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870) 1839 Strange Event in the Life of Schalken the Painter - Joseph Sheridan le Fanu (1814-1873) 1826 Pepopukin in Corsica - Arthur Young (1741-1820) 1819 The Black Vampyre: A Legend of Saint Domingo - Robert Sands (1799-1832) 1836 Clarimonde - Théophile Gautier (1811-1872)
Vampire Vintage Maura Keegan, addicted to vampire romance novels, decides to add a gothic section to her vintage clothing store in SoHo. What better way to get a tax-deductible trip to Romania -- and summon her future vampire mate? Adrian, a sexy vampire living right under her nose in New York, owns a vineyard in France producing very special wine for his exclusive clients. It allows him and o6hers like him to walk in daylight and avoid snacking on strangers. He's horrified to learn that the redhead he admires is planning to visit Romania to summon a "real" vampire. Adrian has every intention of being that vampire. Only trouble is, she thinks he's a wino tourist intent on spoiling her fun. A visit to his wacky Romanian family might help convince her he's for real, or send her screaming into the night.
A collection of stories features a pair of centuries-old vampires whose relationship is tested by a sudden fear of flying, a dejected teen who communicates with the universe, and a massage therapist who heals a tattooed veteran by manipulating the imageson his body.
First in a delightfully irreverent new series-and second to none when it comes to beautiful 227-year-old career women. Being dead isn't all it's cracked up to be. Take it from Francesca Marinelli, trapped underground for over 200 years and rediscovered during the renovation of a Victorian mansion in historic St. Augustine. A tourist attraction herself, she's well suited for a job as an Old Ghost Town Tour guide. Francesca's due for a new lease on afterlife-and with enough sunblock, she can finally live it. Unfortunately, everything she learned about men is a little dated. And when people in her tour group turn up dead, naturally the police suspect her. After all, she is a vampire. Which is why a crazed vampire-hunting vigilante squad is out to get her as well. Between the dead bodies, the stalkers, and a seriously non-existent love life, she's starting to wish she was dead. Or at least buried, where she was safe.
Drawing on a 200-year-old tradition, this original collection features a deft combination of vintage vampire tales with more contemporary stories. Anthologist Mike Ashley introduces a dozen fantasies that weave together dark, psychological elements with well-recognized vampire themes. His notes trace the development of vampire fiction, illustrating the genre's life beyond the well-known conventions established by Bram Stoker's Dracula. Selections range from Lord Byron's contribution to the legendary storytelling session that produced Mary Shelley's Frankenstein to Nancy Holder's "Blood Gothic," a modern perspective on the corrupting influence of the romantic vampire image. Additional contributors include Alexandre Dumas, Karl von Wachsmann, Tanith Lee, Elizabeth Lynn Linton, Julian Osgood Field, R. Murray Gilchrist, Dick Donovan, Brian Stableford, Sidney Bertram, and Ernst Raupach.
From yesterday to a hundred years ago, he lives in the world and walks among us. He enjoys the finest things in life, including beautfiul women, well-aged wine, and the finest classical composers. He has no guilt—he has no need of it. Neither good, nor bad, neither angel nor devil, he is a man, he is a vampire. And this is his story. . . . “Women are my weakness. Or to be more accurate, I should say they are my greatest weakness, for I have many. Travel. Books. Classical music. Art. Excellent wine. And, formerly, cocaine. I admit these things without a sense of guilt. I am, as my friend from Vienna says, a man with a man’s contradictions. I am neither good nor bad, neither angel nor devil. I am a man. I am a vampire.”—From I, Vampire
Even in the twenty-first century, the undead walk among us... Before Twilight and True Blood, vampires haunted the nineteenth century, when brilliant writers indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Acclaimed author and anthologist Michael Sims brings together the finest vampire stories of the Victorian era in a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Aleksei Tolstoy's tale of a vampire family to Fitz James O'Brien's invisible monster to Mary Elizabeth Braddon's rich and sinister widow, Good Lady Ducayne. Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and finishes the collection with Stoker's own Dracula's Guest - a chapter omitted from his landmark novel. Vampires captivated Victorian society, and these wonderful stories demonstrate how Romantic and Victorian writers refined the raw ore of peasant superstition into a whole vampire mythology of aristocratic decadence and innocence betrayed.
"I was Dracula every year for Halloween! Some little tykes want to be policemen when they grow up. I wanted to be Bela Lugosi!" --From the editor's introduction Come thrill with us through the unhallowed halls of the sepulchral and distorted UNDEADas we thrill-ride through fifteen classic vampire tales certain to get your blood-chilling in your veins. Ranging from classic novellas such as Le Fanu's "Carmilla," to the spectral excursions of famed horrorologist H.P. Lovecraft, this unearthly tome recounts even TRUE vampire lore as well as the literary classics of chilling fright. So come on! Your casket is waiting, the coach is stamping in the castle courtyard, and the children of the night are making their music! For as Bela might say, "The blood is the life, Mr. Renfield! The blood is the life!" Stories by Byron, LeFanu, Conan Doyle, Polidori, and more!