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PULITZER PRIZE WINNER • NATIONAL BESTSELLER • A seminal collection from one of the true masters of the short story. Spanning the duration of Cheever’s long and distinguished career, these sixty-one stories chronicle and encapsulate the lives of what has been called “the greatest generation.” From the early wonder and disillusionment of city life in “The Enormous Radio” to the surprising discoveries and common mysteries of suburbia in “The Housebreaker of Shady Hill” and “The Swimmer,” these are tales that have helped define the form. Featuring a preface by the Pulizter Prize-winning author, The Stories of John Cheever brings together some of the finest short stories ever written. "Cheever’s crowning achievement is the ability to be simultaneously generous and cynical, to see that the absurd and the profound can reside in the same moment, and to acknowledge both at the detriment of neither." —The Guardian
In his finely wrought novels and short stories, John Cheever created men and women, young and old, suburbanites and city dwellers, all of whom, whether they reside in St. Botolphs or Bullet Park or mid-century Manhattan or some other mythic place, are all recognizable as citizens of Cheever country. Vintage Cheever contains an essential selection of the master’s short stories and selections from the novels The Wapshot Chronicle, Bullet Park, Falconer and Oh What a Paradise It Seems. Vintage Readers are a perfect introduction to some of the great modern writers, presented in attractive, affordable paperback editions. From the Trade Paperback edition.
#1 NEW YORK TIMES BESTSELLER • Stunning and brutally powerful, "one of the most important novels of our time" (The New York Times) tells the story of a man named Farragut, his crime and punishment, and his struggle to remain a man in a universe bent on beating him back into childhood. In a nightmarish prison, out of Farragut's suffering and astonishing salvation, Pulitzer Prize-winning author John Cheever crafted his most powerful work of fiction. Only Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral imagination.
From one of the most renowned twentieth-century American writers, this “luminous ephiphany of life ... [is] a charming fable of old age, nostalgia, and loss” (The Washington Post Book World). Pulitzer Prize-winning author John Cheever's final novel is a fable set in a village so idyllic it has no fast-food outlet and having as its protagonist an old man, Lemuel Sears, who still has it in him to fall wildly in love with strangers of both sexes. But Sears's paradise is threatened; the pond he loves is being fouled by unscrupulous polluters. In Cheever's accomplished hands the battle between an elderly romantic and the monstrous aspects of late-twentieth-century civilization becomes something ribald, poignant, and ineffably joyful. "This is perfect Cheever—it is perfect." —The New York Times Book Review
From one of the greatest writers of the 20th century—the darkly comic yet deeply compassionate sequel to the National Book Award–winning novel, The Wapshot Chronicles. Pulitzer Prize-winning author John Cheever shares the further adventures of the Wapshot clan, which for generations has called the New England village of St. Botolphs home. Now, though, the family is cast far and wide: Coverly Wapshot to a secretive missile test site and the formidable Cousin Honora self-exiled in Italy after finding herself on the wrong side of the IRS. Meanwhile, closer to home, Coverly’s brother, Moses, is in dire straits—and worried that he’s being haunted by his father’s ghost. A powerful, sometimes bawdy work of fiction, The Wapshot Scandal is the story of one eccentric—and sometimes tragic—family from one of our greatest writers.
In this heartwarming essay collection, dozens of authors, actors, artists and others imagine one last lunch with someone they cherished. A few years ago, Erica Heller realized how universal the longing is for one more moment with a lost loved one. It could be a parent, a sibling, a mentor, or a friend, but who wouldn’t love the opportunity to sit down, break bread, and just talk? Who wouldn’t jump at the chance to ask those unasked questions, or share those unvoiced feelings? In One Last Lunch, Heller has asked friends and family of authors, artists, musicians, comedians, actors, and others, to recount one such fantastic repast. Muffie Meyer and her documentary subject Little Edie Beale go to a deli in Montreal. Kirk Douglas asks his father what he thought of him becoming an actor. Sara Moulton dines with her friend Julia Child. The Anglican priest George Pitcher has lunch with Jesus. And Heller herself connects with her father, the renowned author Joseph Heller. These richly imagined stories are endlessly revealing, about the subject, the writer, the passage of time, regret, gratitude, and the power of enduring love.
A portrait of five Concord, Massachusetts, writers whose works were at the center of mid-nineteenth-century American thought and literature evaluates their interconnected relationships, influence on each other's works, and complex beliefs.
John Cheever was one of the foremost chroniclers of post-war America, a peerless writer who on his death in 1982 left not only some of the best short stories of the twentieth century and a number of highly acclaimed novels, but also a private journal that runs to an astonishing four million words. Cheever’s was a soul in conflictm who hid his troubles - alcoholism, secret bisexuality - behind the screen of genial life in suburbia, but as John Updike came to remark: ‘Only he saw in its cocktail parties and swimming pools the shimmer of dissolving dreams . . .’ Blake Bailey, writing with unprecedented access to the journal and other sources, has brought characteristic eloquence and sensitivity to his interpretation of Cheever’s life and work. This is a luminous biography that reveals – behind the disguises with which he faced the world – a troubled but strangely lovable man, and a writer of timeless fiction. ‘Stunningly detailed . . . Even more eloquent and resourceful than Bailey’s celebrated biography of Richard Yates, A Tragic Honesty . . . Bailey’s interweaving of Cheever’s fiction with his experience is a tour de force’ New York Times Book Review
The story of how little Academy Chicago Publishers (co-owned by the author and her husband, Jordan Miller) tried to publish the late John Cheever's uncollected short stories, and was blocked from doing so by Cheever's family, is now a familiar part of publishing lore (and law).