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"Take one inventive genius indebted to the friend who saved his life; add an English aristocrat hopelessly consumed with a selfish and spiritually bankrupt woman; stir together with a Faustian pact to create the perfect woman--and voilà! Tomorrow's Eve is served. Robert Martin Adams's graceful translation is the first to bring to English readers this captivating fable of a Thomas Edison-like inventor and his creation, the radiant and tragic android Hadaly. Adams's introduction sketches the uncompromising idealism of the proud but penurious aristocrat Jean Marie Mathias Philippe Auguste, Count Villiers de l'Isle-Adam, a friend and admired colleague of Charles Baudelaire, Stèphane Mallarmé, and Richard Wagner. Villiers dazzles us with a gallery of electronic wonders while unsettling us with the implications of his (and our) increasingly mechanized and mechanical society. A witty and acerbic tale in which human nature, spiritual values, and scientific possibilities collide, Tomorrow's Eve retains an enduring freshness and edge." --Descripción del editor.
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Isis

Auguste de Villiers de l'Isle Adam

Published: 2019-08-12

Total Pages: 184


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Here, presented in English in a long-belated translation by Brian Stableford, is Isis, the first novel of the acclaimed author of Contes cruels, Villiers de l'Isle-Adam. Deserving to be reckoned as one of the foundation-stones of Decadent prose fiction, redolent with echoes of Byron and Poe, reconfigured in the Baudelairean manner, and flamboyant with Gautieresque elements, this book is a tour de force of extravagant implication and esthetic dexterity: a work of peculiar genius. In its vaulting ambitions, its quirky mannerisms, its philosophical posturing and its lush descriptions, Isis is certainly a tale given to excess, but that excess is the essence of the endeavor, the wand of its enchantment.
Villiers De L'isle Adam was one of the greatest symbolist writers of the 19th century. His works, in the Romantic style, are often fantastic in plot and filled with mystery and horror. Originally published in 1886, 'The Future Eve' is a stunning work, noted for popularizing the term 'android'. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In this collection of "Cruel Tales," we meet a unique and colorful cast of extraordinary characters such as Akedysseril the Queen of India, Mayeris the big game hunter who capured the sacred white elephant, Maryelle the courtesan, Catalina the gypsy toast of Santander, Mahoin the brigand, the murderous Doctor Hallidon, Grand Inquisitor Tomas de Torquemada and Tomolo K K the Antipodean who traversed the Earth. The Comte de Villiers de l'Isle Adam (1838-1889), pioneer of the Symbolist Movement, is known for his proto-science fiction works Axel (1885) and L'Eve Future (1886). He also wrote many "cruel tales", only a handful of which have ever been translated before this publication of The Scaffold. Poet Paul Verlaine called Villiers' works a "genial melange of irony, metaphysics and terror"and translator Brian Stableford dubs it "a bizarre literary landmark." Brian Stableford has published more than fifty novels and two hundred short stories. This book is the first English-language edition, and includes an authoritative introduction and historical notes.
Villiers de l'Isle-Adam (1838-1889), though best known for his contes cruels and his proto science fiction novel L'Ève future, began his career with two volumes of verse, Deux essais de poésie (1858) and Premières poésies (1859), the contents of which are here presented in their entirety as Complete Early Poetry, translated for the first time into English, by Richard Robinson. Under the spell of Baudelaire and Leconte de Lisle, the young author produced these early exemplars of Decadent verse, which are filled with exoticism, nocturnal fantasies, and mystery. Complete Early Poetry offers further insight into one of the most interesting and eccentric of the French Symbolists.
Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, "authorship," and the formation and origins of narrative. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Wearied of its own turning, Distressed with its own busy restlessness, Yearning to draw the circumferent pain- The rim that is dizzy with speed- To the motionless centre, there to rest, The wheel must strain through agony On agony contracting, returning Into the core of steel. And at last the wheel has rest, is still, Shrunk to an adamant core: Fulfilling its will in fixity. But the yearning atoms, as they grind Closer and closer, more and more Fiercely together, beget A flaming fire upward leaping, Billowing out in a burning, Passionate, fierce desire to find The infinite calm of the mother's breast...