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“A fantastic story, thrillingly told. This book has a superpower—you can’t put it down.” —Jonathan Stroud, author of the bestselling Bartimaeus Trilogy The truth about the Super children—who have real powers like flight and super strength—is finally exposed, and the town of Noble’s Green has created a special boarding school for its superpowered children. That’s where all Daniel’s friends are headed, while he—regular kid that he is—is headed to summer school. But all is not well at the Academy for the Extraordinarily Gifted. A clique of popular kids (led by a pair of sinister twins) has taken over the school, and once again, it’s powerless Daniel who may be able to stop them. To do so, he will have to turn to his sworn enemy, the Shroud, for help.
Everyone thinks they know the real story behind the villains in fairy tales—but the villains themselves beg to differ. In Troll's-Eye View, you'll hear from the Giant's wife ("Jack and the Beanstalk"), Rumpelstiltskin, the oldest of the Twelve Dancing Princesses, and many more. A stellar lineup of authors, including Garth Nix, Jane Yolen, and Nancy Farmer, makes sure that these old stories do new tricks!
“A fantastic story, thrillingly told. This book has a superpower—you can’t put it down.” —Jonathan Stroud, author of the bestselling Bartimaeus Trilogy The truth about the Super children—who have real powers like flight and super strength—is finally exposed, and the town of Noble’s Green has created a special boarding school for its superpowered children. That’s where all Daniel’s friends are headed, while he—regular kid that he is—is headed to summer school. But all is not well at the Academy for the Extraordinarily Gifted. A clique of popular kids (led by a pair of sinister twins) has taken over the school, and once again, it’s powerless Daniel who may be able to stop them. To do so, he will have to turn to his sworn enemy, the Shroud, for help.
H.I.V.E. (Higher Institute of Villainous Education) is a top-secret school of applied villainy where children with a precocious gift for wrongdoing are sent to develop their talents into criminal mastermind. After all, 'villains have the best lines and wear the best costumes'. One small catch is that the children cannot leave until training is complete, six years later. With villainy comes a certain freedom of thought, and every year one student in particular will show exceptional talent - after all, it takes the best to produce the worst. This year there are two students: Otto Malpense and his new friend Wing Fanchu are both exceptionally bad, and they are definitely not keen on being held against their will for six long years . . .
Many nefarious characters have passed through Maine on their way to infamy, including the pirates Dixie Bull and Blackbeard (Edward Teach), and gangster Al Brady, who was gunned down by G-men in the streets of Bangor. The rogues and scoundrels assembled in this book, however, are either Maine natives or notorious individuals whose mischief, misdeeds, or mayhem were perpetrated in the Pine Tree State.
Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.
Your hero is not the most important character in your book. Your villain is. Are you fed up of drowning in two-dimensional villains? Frustrated with creating clichés? And failing to get your reader to root for your villain? In 13 Steps to Evil, you’ll discover: + How to develop a villain’s mindset + A step-by-step guide to creating your villain from the ground up + Why getting to the core of a villain’s personality is essential to make them credible + What pitfalls and clichés to avoid as well as the tropes your story needs Finally, there is a comprehensive writing guide to help you create superbad villains. Whether you’re just starting out or are a seasoned writer, this book will help power up your bad guy and give them that extra edge. These lessons will help you master and control your villainous minions, navigate and gain the perfect balance of good and evil, as well as strengthening your villain to give your story the tension and punch it needs. If you like dark humor, learning through examples and want to create the best villains you can, then you’ll love Sacha Black’s guide to crafting superbad villains. Read 13 Steps to Evil today and start creating kick-ass villains.
A fiendish lifestyle guide for today’s discerning evil-doers from the author of the perilously popular How to Be a Villain. All those aspiring ne’er-do-wells who cackled all the way to the cash register with the Neil Zawacki’s How to Be a Villain are ready to embrace the finer points of the evil life with The Villain’s Guide to Better Living. It covers all the topics contemporary villains care about, such as: Home d cor—Gothic? Apocalyptic? Ikea? Friends—Do I have any? Can I make them? Work—Should I be a mad scientist or obsessed with revenge? Or both?
The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.