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In the early morning hours of March 29, 1911, a fire broke out in the New York State Capitol at Albany. By sunset, the entire western portion of the building had sustained extensive structural damage. Within lay the entire collection of the New York State Library, almost completely reduced to ashes. Founded in 1818, this had been one of the finest research libraries in the country and home to innumerable manuscript and printed rarities. In a particularly bitter irony, the fire struck as the overcrowded library was four months away from moving into new, spacious quarters under construction across the street. Miraculously there was only one fatality, an elderly watchman, Samuel Abbott, whose body was not recovered until several days later. Images of America: The New York State Capitol and the Great Fire of 1911 includes recently discovered photographs documenting the construction of the building, beginning in 1867, as well as eyewitness accounts of its destruction.
Claiborne Fox Jackson (1806-1862) remains one of Missouri's most controversial historical figures. Elected Missouri's governor in 1860 after serving as a state legislator and Democratic party chief, Jackson was the force behind a movement for the neutral state's secession before a federal sortie exiled him from office. Although Jackson's administration was replaced by a temporary government that maintained allegiance to the Union, he led a rump assembly that drafted an ordinance of secession in October 1861 and spearheaded its acceptance by the Confederate Congress. Despite the fact that the majority of the state's populace refused to recognize the act, the Confederacy named Missouri its twelfth state the following month. A year later Jackson died in exile in Arkansas, an apparent footnote to the war that engulfed his region and that consumed him. In this first full-length study of Claiborne Fox Jackson, Christopher Phillips offers much more than a traditional biography. His extensive analysis of Jackson's rise to power through the tangle that was Missouri's antebellum politics and of Jackson's complex actions in pursuit of his state's secession complete the deeper and broader story of regional identity--one that began with a growing defense of the institution of slavery and which crystallized during and after the bitter, internecine struggle in the neutral border state during the American Civil War. Placing slavery within the realm of western democratic expansion rather than of plantation agriculture in border slave states such as Missouri, Philips argues that southern identity in the region was not born, but created. While most rural Missourians were proslavery, their "southernization" transcended such boundaries, with southern identity becoming a means by which residents sought to reestablish local jurisdiction in defiance of federal authority during and after the war. This identification, intrinsically political and thus ideological, centered--and still centers--upon the events surrounding the Civil War, whether in Missouri or elsewhere. By positioning personal and political struggles and triumphs within Missourians' shifting identity and the redefinition of their collective memory, Phillips reveals the complex process by which these once Missouri westerners became and remain Missouri southerners. Missouri's Confederate not only provides a fascinating depiction of Jackson and his world but also offers the most complete scholarly analysis of Missouri's maturing antebellum identity. Anyone with an interest in the Civil War, the American West, or the American South will find this important new biography a powerful contribution to our understanding of nineteenth-century America and the origins--as well as the legacy--of the Civil War.
Created as the seat of government for the State of Missouri, Jefferson City was named in honor of President Thomas Jefferson. Because of its location both on the Missouri River and north of the Mason Dixon Line, the city was a source of political controversy as it struggled for an economic base. Showcased here in over 200 vintage photographs and detailed captions is the history of the City of Jefferson, and how it came to be the capital of the state known as "The Gateway to the West." There were only 30 people residing in the area when Jefferson City became the capital of Missouri in October 1826. Many of the first legislators to drive were housed in tents behind a shack, labeled a "hotel." From these humble beginnings, the city labored to establish a secure economy. Pictured here are the vintage images of the first and second capitol buildings being constructed and ultimately destroyed, the founding fathers of the Commercial Club, and the main commercial strip of High Street.
In this fascinating work, Paul Nagel tells the full story of George Caleb Bingham (1811–1879), one of America’s greatest nineteenth-century painters. While Nagel assesses Bingham’s artistic achievements, he also portrays another very important part of the artist’s career—his service as a statesman and political leader in Missouri. Until now, Bingham’s public service has been largely forgotten, overshadowed by his triumph as a great artist. Yet Nagel finds there were times when Bingham yearned more to be a successful politician than to be a distinguished painter. Born in Virginia, Bingham moved with his family to Missouri when he was eight years old. He spent his youth in Arrow Rock, Missouri, and returned there as an adult. He also kept art studios in Columbia and St. Louis. In his last years, he served as the first professor of art at the University of Missouri in Columbia. Because of his ties to the state, he was known nationally as “the Missouri artist.” Bingham began his distinguished public service to Missouri as a member of the legislature. During the Civil War, he grew even more politically involved, holding the office of state treasurer, and he remained active throughout the period of Reconstruction. From 1875 to 1877, Bingham served as Missouri’s adjutant general, with most of that time spent in Washington, D. C., where he attempted to settle Missourians’ war claims against the federal government. Contrary to the idyllic scenes portrayed in most of his paintings, Bingham’s life ranged from moments of high achievement to times of intense distress and humiliation. His career was often touched by controversy, sorrow, and frustration. Personal letters and other manuscripts reveal Bingham’s life to be quite complicated, and Paul Nagel attempts to uncover the truth in this biography. Beautifully illustrated, this book includes a magnificent landscape entitled Horse Thief, which had been missing since Bingham painted it sometime around 1852. Recently discovered by art historian Fred R. Kline, this splendid work will appear in print for the first time. Anyone who has an interest in art, Missouri history, or politics will find this new book extremely valuable.
American Historical Review is the oldest scholarly journal of history in the United States and the largest in the world. Published by the American Historical Association, it covers all areas of historical research.