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Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.
This series mixes detecetive work with country studies. While using clues to discern the featured locations, readers will learn about the unique features found in each country, including landmarks, food and culture.
Professor Hai's road of musicology practice and musicology research goes beyond the confines of his country of origin. It covers Vietnamese/Oriental Music, from traditional Vietnamese Music of all genres, to the musical background of the Montagnards in the Vietnamese Highlands. It went on beyond borders to address the wonderful aspects of the Musical Heritage of different countries spanning from Southeast Asia to Central Asia to reach as far as Israel, Central Europe to Western Europe.Professor Hai has been working for the National Center for Scientific Research (CNRS) in France since 1968, and is now retired after working for 41 years at the Department of Ethnomusicology of the Musée de l'Homme (Paris). He was a lecturer on South East Asian music at the University of Paris X - Nanterre (1988-1995).He plays 15 musical instruments from Vietnam, China, India, Iran, Indonesia and Europe. Since 1966, he has given over 3,000 concerts in 70 countries, and has taken part in a hundred or so international traditional music festivals. He has taken part in radio and television broadcasts in Europe, America, Asia, Africa, and Australia.Professor Hai has perfected and made us understand more the Jew's Harp, the Song of Harmonics, he is the greatest specialist in overtone singing. Dr. Nguyen Vi Son
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The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.
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The Rough Guide to Vietnam is the essential guide with clear maps and detailed coverage of one of Southeast Asia's most enticing destinations. Using expert advice explore the best attractions of Ho Chi Minh City, roam the best Vietnamese markets, shopping, temples, national parks and then slow the pace down with a trip to the paddyfields of the Red River Delta. From the rugged mountains to the west to the South China sea to the east the Rough Guide steers you in the right direction to find the best hotels in Vietnam, Vietnam restaurants, stylish Vietnamese bars, caf�s, clubs and shops across every price range, giving you clear, balanced reviews and honest, first-hand opinions. This guide covers the unspoilt islands, pristine beaches and trekking opportunities that have long made Vietnam a travel hotspot, from magical Ha Long Bay to the hill-tribes of the mountainous north. Explore all corners of Vietnam with authoritative background on everything from Vietnam's ethnic minorities to Hanoi's impressive colonial architecture, relying on the clearest maps of any guide and practical language tips. Make the most of your holiday with The Rough Guide to Vietnam
News & media coverage! Book Launch of Golden Dragon and Purple Phoenix - 3rd July 2013 Many books have been written about the Chinese in Southeast Asia, but very few, if any, are written specifically about the multi-ethnic descendants of Chinese immigrants. Golden Dragon and Purple Phoenix is not about the diaspora per se of Chinese in Southeast Asia but about the impact of intermarriage between Chinese immigrants and the natives, that is, the intermingling of blood and the offspring from such unions — the influence they wielded on the society and environment they chose to live in. It is also about how they rose to high positions and their contributions to their societies. Some rose to become kings or king makers, others to become presidents, prime ministers, senior ministers, prominent businessmen, or religious leaders. Some openly declared their ancestry and are proud of their Chinese DNA, while others have forgotten their heritage and in their fervour to prove their allegiance to their country of birth, dissociate themselves, assertively through violence, indirectly through economic sanctions and various other means. In short, the multi-ethnic Chinese descendants form a unique community with unique cultural genes of its own, and these fresh and rarely-known stories about them in this book will be a good resource for historical researchers as well as fascinating reading materials for readers in general. With 14 years' experience as a journalist and a 29-year career as a politician and diplomat, Mr. Lee Khoon Choy has set foot on every land in Southeast Asia and observed closely the local life in each country. Mindful of his Hakka identity, Mr. Lee has a keen interest in multi-ethnic Chinese descendants in Southeast Asian countries such as Thailand, Indonesia, the Philippines, Singapore and Malaysia, etc. Contents:The Lokjins in ThailandThe Mestizos of the Philippines (混血儿米斯蒂佐)The Mingling of Chinese and Javanese Blood — The Peranakan (土生华人)The Tayoke Kabya and the Kokangese in MyanmarThe Konkat-Cen in CambodiaThe Minh Huong (明乡) of VietnamSino-Laos and the Hmong (苗) in LaosBaba (峇峇) and Nyonya (娘惹) in MalaysiaWesternised SingaporeansBrunei: Land of the Smiling People Readership: General readers, academics, professionals and students who are interested in the history and culture of multi-ethnic Chinese descendants in ten Southeast Asian countries, including their language, lifestyle, influence as well as stories on prominent state leaders and business of Chinese heritage. Keywords:Southeast Asia;Mixed-Blood Chinese;CultureKey Features:Brings new knowledge about the Chinese immigrants in Southeast AsiaShowcases the differences between Chinese immigrants and their multi-ethnic descendantsBrings awareness to the large portion of younger Chinese citizens of Southeast Asia