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A SOLDIER'S JOURNEY TO A LAND OF WAR AND THEN A TIME OF HEALING AND REFLECTION
Memories and reflections of time in Vietnam by Captain Thomas J. Odom.
Featuring the work of 15 Viet Nam War veteran writers, this anthology of poems, stories, and essays looks through the lens of past and present perspectives and defines how modern warfare affects the lives of those who lived it and their families.
“I live in a holler, and I’ve heard some folks talk that holler bunch won’t amount to a hill of beans, and I’ve heard others say that the sun never shines in those hollers.” “My mother let me know I was as good as anyone. ‘Ralph, don’t walk with your head down. There’s nothing shameful about running out of taters.’” “My daddy said, ‘Ralph, don’t quit. Quitting follows you to the grave.’” The philosophy in these words was with Ralph from the time of his childhood. He heard them from relatives and witnessed the people around him live them.
Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)
This study examines tales from The Metamorphoses by the Roman poet Ovid (43 BC-18 AD) and from The Lais by the French poet Marie de France (fl. mid-to late twelfth century) to explore a paradox: how can a vibrant, complex, and timeless vision be conveyed in convention-informed and time-bound language? Marie plays against Ovid’s tales to probe the dilemma, thereby echoing Ovid who does the same to the canonical literary monuments of his day. Both poets suggest that poetry can avoid the flattening effect of monumental canonizing not only by the creative use of literary echoes, but also by shifting perspectives on the conventional, which in turn, can encourage readers to see reflections of many stories in any given tale. Ovid and Marie suggest and encourage in this manner by presenting literary love’s topoi and traditional lovers from a variety of metaliterary perspectives, thereby eliciting active readerly memory as well as providing the opportunity to see the conventional afresh, activity that allows even canonical texts to become living memorials.
Vietnam and Beyond is a collection of wartime letters written home by Jim Markson from March 1967 to March 1968. Jim carried sadness and boxed-up memories from Vietnam. Perhaps, if it were not for the general divided and oppositional public opinion of the Vietnam War at that time, the soldiers returning home might have been able to open up and begin the healing process. Instead, those soldiers returning from Vietnam were afraid to tell their story. These fears bound each soldier to the other. We are very proud to embrace all veterans and include stories of veterans of all wars, including WWII, Korea, Vietnam, Iraq, and Afghanistan to show the similarities of war and the soldier from one generation to another.
In a 1980s junior college classroom in western Florida, a young English professor assigns the first paper. Her students, of whom many are of Vietnamese origin, are unsure of what to write about. The professor offers one piece of advice: "Write about what you know." This book is a collection of essays written by Vietnamese refugees who vividly depict their memories of fear, danger, hope, and strength as they escaped Vietnam during one of the darkest periods of the twentieth century. Their stories provide a glimpse into this period that is grossly underemphasized by historical curricula, and remind us of the resilience of the human spirit in dangerous situations. In addition to the essays, the book includes a new introduction by the instructor who reflects on the lessons she learned from her Vietnamese students that stayed with her for the rest of her life. Peace, liberty, and freedom can be achieved on our planet, but only through communication, understanding, and empathy between different peoples. The people of the United States do not know nearly enough about the Vietnamese people for and against whom we battled so many years. We have not heard the voices, the thoughts, the experiences, and the attitudes of this population. Perhaps because we have not listened.
Journals are great for writing down ideas, taking notes, writing about travels and adventures, describing good and bad times. Writing down your thoughts and ideas is a great way to relieve stress. Journals are good for the soul!
It originated as a memoir of my time in Vietnam serving with the 101st Airborne Division. it's evolved into more than that as input from fellow Veterans and recollection of stories grew. in truth, the nature of war as an ongoing topic leads me to wonder if I can ever bring the book to a proper ending. I already have additional material I intend to include in a future Edition.