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The grievous loss of Stanley Crouch, one of America’s most renowned intellectuals, is underscored by the posthumous appearance of these remarkable essays. With Stanley Crouch’s untimely death in 2020, American literature lost “a critic without peer” (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music. In these essays—some discovered on his computer, unpublished until now—Crouch tackles subjects ranging from Malcolm X (“a thorned bud standing in the shadow of sequoias”) to the films of Quentin Tarantino (“With Django, Tarantino has slipped down . . . into a shallow and bloodstained hip-hop turn that his own best work has well-refuted”). Introduced by Jelani Cobb, with an afterword by Wynton Marsalis, and collected by his longtime editor Glenn Mott, Victory Is Assured canonizes the legacy of an inimitable, indispensable American critic.
In the late summer and fall of 1777, after two years of indecisive fighting on both sides, the outcome of the American War of Independence hung in the balance. Having successfully expelled the Americans from Canada in 1776, the British were determined to end the rebellion the following year and devised what they believed a war-winning strategy, sending General John Burgoyne south to rout the Americans and take Albany. When British forces captured Fort Ticonderoga with unexpected ease in July of 1777, it looked as if it was a matter of time before they would break the rebellion in the North. Less than three and a half months later, however, a combination of the Continental Army and Militia forces, commanded by Major General Horatio Gates and inspired by the heroics of Benedict Arnold, forced Burgoyne to surrender his entire army. The American victory stunned the world and changed the course of the war. Kevin J. Weddle offers the most authoritative history of the Battle of Saratoga to date, explaining with verve and clarity why events unfolded the way they did. In the end, British plans were undone by a combination of distance, geography, logistics, and an underestimation of American leadership and fighting ability. Taking Ticonderoga had misled Burgoyne and his army into thinking victory was assured. Saratoga, which began as a British foraging expedition, turned into a rout. The outcome forced the British to rethink their strategy, inflamed public opinion in England against the war, boosted Patriot morale, and, perhaps most critical of all, led directly to the Franco-American alliance. Weddle unravels the web of contingencies and the play of personalities that ultimately led to what one American general called "the Compleat Victory."
Les 81 jours à Saint Michel non seulement nous induit dans une prière constante et persévérante, mais garde aussi votre esprit centré sur la réalisation anticipée de vos désirs .La méthode utilisée est plutôt visuelle et émotionnelle, remplie de foi, d'espérance et d'abandon volontaire. Elle réduit l'ennemi à sa plus faible expression dans ses attaques et lui rend craintif. Vingt trois ans depuis, j’utilisais cette méthode sans même le savoir, dans les prières de libération et exorciste ainsi que dans ma vie personnelle. Une attitude, une façon de faire, une façon d’être qui nous fait côtoyer le miracle à volonté. Tous les miracles qui se font à travers le monde depuis la nuit des temps jusqu'à aujourd’hui. Pas un seul ne s’est produit sans elle. Ce livre vous apprend comment y parvenir sans trop d’effort si vous le désirez. Ce parcours à Saint Michel n’est pas un outil magique pour ceux qui doutent, mais un outil de chevet qui conduit au miracle ou à une vie de pratique de foi de tous les jours. Vous devenez ce que vous pratiquez.
This book is a provocative and thoroughly documented reassessment of President Truman's profound influence on U.S. foreign policy and the Cold War. The author contends that Truman remained a parochial nationalist who lacked the vision and leadership to move the United States away from conflict and toward detente. Instead, he promoted an ideology and politics of Cold War confrontation that set the pattern for successor administrations."
One of our most distinguished Army commanders identifies the failed policies that have compromised the U. S. military's ability to protect the nation's interests.
How the Civil War changed the face of war The Civil War represented a momentous change in the character of war. It combined the projection of military might across a continent on a scale never before seen with an unprecedented mass mobilization of peoples. Yet despite the revolutionizing aspects of the Civil War, its leaders faced the same uncertainties and vagaries of chance that have vexed combatants since the days of Thucydides and the Peloponnesian War. A Savage War sheds critical new light on this defining chapter in military history. In a masterful narrative that propels readers from the first shots fired at Fort Sumter to the surrender of Robert E. Lee's army at Appomattox, Williamson Murray and Wayne Wei-siang Hsieh bring every aspect of the battlefield vividly to life. They show how this new way of waging war was made possible by the powerful historical forces unleashed by the Industrial Revolution and the French Revolution, yet how the war was far from being simply a story of the triumph of superior machines. Despite the Union’s material superiority, a Union victory remained in doubt for most of the war. Murray and Hsieh paint indelible portraits of Abraham Lincoln, Ulysses S. Grant, William Tecumseh Sherman, and other major figures whose leadership, judgment, and personal character played such decisive roles in the fate of a nation. They also examine how the Army of the Potomac, the Army of Northern Virginia, and the other major armies developed entirely different cultures that influenced the war’s outcome. A military history of breathtaking sweep and scope, A Savage War reveals how the Civil War ushered in the age of modern warfare.
In this penetrating collection of original essays, legendary gadfly and esteemed critic Stanley Crouch tackles the notion on authenticity-what it is, what it isn't, and what we make of it, for good or for bad. While the question of who's the real deal and who isn't has now seeped into nearly every corner of American culture, nowhere does the idea of authenticity hold greater sway than in the realm of ethnicity. In this bracing collection of original essays, Crouch brings all his rhetorical skills to bear on this animating-and polarizing-idea, and investigates the motives behind those who present themselves as authentic, those who claim to expose the inauthentic, and what this all tells us about the state of the arts-from the vaulted halls of literary fiction to the arena of soft drink-shilling pop stars-in America today. For Crouch, this is not simply an academic exercise, but a summation of our peculiar historical moment. Living in a time in which much of the conventions that defined and limited people's futures-whether it be race, class, or sex-have been obliterated, we're both liberated from bigotries and yet-still-facing profound disillusionment. As influences come and go at breakneck speed, as traditions are remade and re-imagined, it has become hard to tell which metaphorical end is up. The result, Crouch argues, is not only a national paranoia that someone may have put something over on us-i.e. that we have too often been duped into believing that the counterfeit is authentic-but also a deep retrenchment of imagination and artistic expression, from white and black alike. As he promises in his introduction: "This book is an argument with all of that, however sympathetic it might be to the search for alternatives to our disappointments. It hopes to present, through affirmation, a new form of rebellion in our time of cosmetic dissent."
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“A tour de force. . . . Crouch has given us a bone-deep understanding of Parker’s music and the world that produced it. In his pages, Bird still lives.” — Washington Post A stunning portrait of Charlie Parker, one of the most talented and influential musicians of the twentieth century, from Stanley Crouch, one of the foremost authorities on jazz and culture in America. Throughout his life, Charlie Parker personified the tortured American artist: a revolutionary performer who used his alto saxophone to create a new music known as bebop even as he wrestled with a drug addiction that would lead to his death at the age of thirty-four. Drawing on interviews with peers, collaborators, and family members, Stanley Crouch recreates Parker’s Depression-era childhood; his early days navigating the Kansas City nightlife, inspired by lions like Lester Young and Count Basie; and on to New York, where he began to transcend the music he had mastered. Crouch reveals an ambitious young man torn between music and drugs, between his domineering mother and his impressionable young wife, whose teenage romance with Charlie lies at the bittersweet heart of this story. With the wisdom of a jazz scholar, the cultural insights of an acclaimed social critic, and the narrative skill of a literary novelist, Stanley Crouch illuminates this American master as never before.
Victory Over Death Every living mortal must die. A born again Christian knows that among his inheritance is salvation and sanctification. Then the spirit and soul will rise. The victory of your soul and spirit over death comes in here, as you are assured of a place in the third heaven when you finish your sojourn on earth.