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This guide combines historical information with design ideas and advice on how to decorate, renovate and maintain a vintage home.
For any house-proud owner of a Victorian property this book represents a unique and invaluable resource. Packed with information about Victorian architectural ideas, it includes a wealth of practical advice about the maintenance and conservation of Victorian homes. Part One provides a concise overview of the development of the Victorian house, the wide range of architectural styles that came in and out of fashion over the period, and the lifestyles of the original owners the houses were designed to accommodate. Throughout, the emphasis is on family houses of various sizes rather than the great houses of the aristocracy, which are discussed only in relation to their influence on contemporary builders and architects. Part Two discusses structures and materials, covering brickwork, stone, renders and stuccos, roofs, woodwork, windows and doors, ironwork, and conservatories. In each case there is comprehensive advice on symptoms of trouble, techniques for preservation and restoration, and the correct choice of materials. Part Three covers services—fireplaces and chimneys, lighting, kitchens and bathrooms—all subjects requiring particular sensitivity to achieve a satisfactory compromise between preserving the spirit of the original building and meeting modern standards of comfort and convenience. Part Four examines all aspects of interior decoration, including plasterwork, decorative tiles, paint colors and finishes, wall coverings, curtains and blinds, and floor coverings. The book is completed by lists of further reading, places to visit, and useful addresses, including those of specialist suppliers and contractors, and sources of more detailed information and advice.
A three-dimensional book that opens to reveal two stories and eight rooms of a Victorian home, with decorative details, pop-up furniture, and press-out pieces. Covers can be tied with attached ribbons to allow the book to stand on its own.
The English country house reached its apotheosis in the nineteenth century. Designed by the most eminent architects of the age, the houses were bigger, more elaborate and more lavishly furnished than ever before, becoming a byword throughout the world for luxury, technological innovation and convenience of plan. Michael Hall's new survey draws on the Country Life archive to present the most complete visual record yet published of the Victorian country house. Chronologically arranged to span the decades from the 1830s to the 1890s, the houses range from the High Gothic of Tyntesfield to Ferdinand Rothschild's flamboyantly French Waddesdon Manor and Philip Webb's Arts and Crafts interiors at Standen. Victorian houses have suffered more from sales and demolitions than houses from any other period. The Country Life images are the only record of great houses such as Wrest Park, Thoresby Hall and Hewell Grange in their heyday. Houses that have survived with their interiors intact but are little known to the public are also featured, such as Flintham Hall and the Earl of Harrowby's Sandon Hall. Here, too, are spectacular colour photographs of some of the most celebrated houses of the period, from A. W. N. Pugin's Scarisbrick Hall to J. D. Crace's astonishing interiors at Longleat. With over 150 superb photographs and a commentary by one of the world's leading authorities on the subject, this book provides an excellent overview of a major period in British architectural history. Michael Hall is an architectural historian and the Editor of Apollo magazine. A former Architectural Editor and Deputy Editor of Country Life, he is a Fellow of the Society of Antiquaries, a trustee of Emery Walker's Arts and Crafts house and Chairman of the Victorian Society's activities committee. His books include The English Country House: From the Archives of Country Life, also published by Aurum.
A study of Britain's great nineteenth-century houses examines their architects, and the social, technological, and economic conditions that made the massive structures possible
Part one of an unusual and astonishing new fantasy trilogy that blends fine literary fare with a terrific romp through the reimagined outskirts of Victorian-era London In the imaginary borough of Filching, the extensive Iremonger family (“kings of mildew, moguls of mould”) have made a fortune from junk, building a dark and sprawling mansion from salvage scrap. Heap House is surrounded by the dangerous, noxious, shifting Heaps that stretch beyond its bounds. And within its walls, certain objects begin to display strange signs of life. Young Clod Iremonger is about to be "trousered" and betrothed (unwillingly) to his cousin Pinalippy when he meets the plucky orphan servant Lucy Pennant, with whose help he begins to uncover the dark secrets of his family’s empire. Mystery, romance and the perils of the Heaps await! Gorgeously (and ghoulishly) illustrated by the author, Heap House is peopled with unforgettable characters with delightfully skewed names--anxious, animal-loving Tummis with his pet seagull; menacing cousin Moorcus; dreadful Aunt Rosamud and more. As Carey writes, “Every life is thick with rubbish, but the Iremongers did it with a difference.”
This magnificent reproduction of a rare sourcebook, originally designed for prospective homeowners, designers, and builders of the early-Victorian era includes twenty-one designs for private residences. First published more than a century-and-a-half ago (and highly reflective of Victorian eclecticism), the models range from a charming eight-room house in the English style for $1,025 to a spacious French villa, complete with a wraparound veranda, ten bedrooms, and a walk-in china closet—for $10,441! Additional homes include—among others—a cozy, Swiss-styled chalet; a Tudor cottage; splendid residences with Indian and Egyptian architectural accents; and a two-story home with Anglo-Grecian elements. All designs are accompanied by landscaping layouts, floor plans, elevations, and detailed cost estimates for materials and labor. Of value to students of architectural history, home restorers, preservationists and builders, this richly illustrated book will be a welcome addition to the libraries of readers interested in period architecture.
Criminals, drifters, beggars, the homeless, immigrants, prostitutes, tramping artisans, street entertainers, abandoned children, navvies, and families fallen on hard times _ a whole underclass of people on the margins of society passed through Victorian l
'Victorian Houses' presents the architectural detailing of the time in the context of the era - providing a comprehensive understanding of its architecture and design. Pattern books played a vital role in the dissemination of taste between architect, builder and client in the nineteenth and early twentieth century. By focusing on the contribution of the pattern book to the architecture of the Victorian and Edwardian eras, the various trends of the time are documented. The types of publications and other sources of taste available at different points over this period reflected social and economic factors, such as the changing demand or changes in organisation of manufacturing and retail.