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Have you ever wondered: “Why doesn’t she/he just leave?” “Why does he let her push him around? He’s such a big guy?” “How can it be domestic violence? I’ve never seen a bruise on her/him?” “Why doesn’t she/he just call the cops?” People often ask these questions when they do not have a full understanding of the dynamics of domestic violence. “Wifebeater” shirts are a stereotype not a style. In Wife Beater Shirt Optional, Dr. Laura Streyffeler dispels the myths and stereotypes about domestic violence and helps the reader to have a stronger understanding of the dynamics of domestic violence. Dr. Streyffeler will also help the reader understand the differences between a healthy, unhealthy and abusive relationship. All relationships experience challenges, conflict, and changes. Often times when these challenges and conflicts occur, couples struggle to communicate in a loving and healthy way. Conflict occurs when two (or more) people disagree. Conflict is a normal and healthy part of a relationship. If conflict escalates into verbal or physical violence, and one partner attacks the other, instead of addressing the problem, that’s abuse. In a healthy relationship, both partners want to resolve the conflict. In an abusive relationship, one partner wants to solve the conflict, but the abusive partner does not care about solving the conflict. He/she only wants to “win”, be right or get his/her or way. When one person has all the control in the relationship, makes all (or most) of the decisions, and will do whatever it takes to win and get his/her way and maintain control in the relationship, that is an abusive relationship...even if there has never been physical violence. After unraveling the myths about domestic violence, trauma and the reasons why victims stay (and leave) abusive relationships, tools for assessing the types and extent of the abuse, and practical safety planning for leaving an abusive relationship are provided. If you, or someone you care about, question whether or not you are in an abusive relationship, then this book is for you.
Bridging the fields of political theory and history, this comprehensive study of Victorian reforms in marriage law reshapes our understanding of the feminist movement of that period. As Mary Shanley shows, Victorian feminists argued that justice for women would not follow from public rights alone, but required a fundamental transformation of the marriage relationship.
The Victorians worried about many things, prominent among their worries being the 'condition' of England and the 'question' of its women. Sex, Crime and Literature in Victorian England revisits these particular anxieties, concentrating more closely upon four 'crimes' which generated especial concern amongst contemporaries: adultery, bigamy, infanticide and prostitution. Each engaged questions of sexuality and its regulation, legal, moral and cultural, for which reason each attracted the considerable interest not just of lawyers and parliamentarians, but also novelists and poets and perhaps most importantly those who, in ever-larger numbers, liked to pass their leisure hours reading about sex and crime. Alongside statutes such as the 1857 Matrimonial Causes Act and the 1864 Contagious Diseases Act, Sex, Crime and Literature in Victorian England contemplates those texts which shaped Victorian attitudes towards England's 'condition' and the 'question' of its women: the novels of Dickens, Thackeray and Eliot, the works of sensationalists such as Ellen Wood and Mary Braddon, and the poetry of Gabriel and Christina Rossetti. Sex, Crime and Literature in Victorian England is a richly contextual commentary on a critical period in the evolution of modern legal and cultural attitudes to the relation of crime, sexuality and the family.
Award-winning historian Antonia Fraser brilliantly portrays a courageous and compassionate woman who refused to be curbed by the personal and political constraints of her time. Caroline Norton dazzled nineteenth-century society with her vivacity, her intelligence, her poetry, and in her role as an artist's muse. After her marriage in 1828 to the MP George Norton, she continued to attract friends and admirers to her salon in Westminster, which included the young Disraeli. Most prominent among her admirers was the widowed Prime Minister, Lord Melbourne. Racked with jealousy, George Norton took the Prime Minister to court, suing him for damages on account of his 'Criminal Conversation' (adultery) with Caroline. A dramatic trial followed. Despite the unexpected and sensational result—acquittal—Norton was still able to legally deny Caroline access to her three children, all under seven. He also claimed her income as an author for himself, since the copyrights of a married woman belonged to her husband. Yet Caroline refused to despair. Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, she chose to fight, not surrender. She channeled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. Over the next few years she campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted, such as the right of a mother to have access to her own children, owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed.
Sensation novels, a genre characterized by scandalous narratives and emotionally and socially provocative dialogue and plots, had their heyday in England in the 1860s and 1870s, in the midst of growing concern about codes of behavior in marriage. Exploring the central metaphor of marital violence in these novels, Marlene Tromp uncovers the relationship between the representations of such violence in fiction and in the law. Her investigation demonstrates that sensational constructions of gender, marriage, "brutal" relationships, and even murder, were gradually incorporated into legal debates and realist fiction as the Victorian understanding of what was "real" changed. --from publisher description.
Hearing is followed by "Bibliography of genius, insanity, idiocy, feeblemindedness, alcoholism, pauperism, and crime" reprinted from "Abnormal Man", Circular of Information No. 4, Bureau of Education (p. 139-304).