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Lynda Nead charts the relationship between London's formation into a modern organised city in the 1860s and the emergence of new types of production and consumption of visual culture.
"In this innovative look at nineteenth-century London, Lynda Nead offers a fresh account of modernity and metropolitan life. Taking a highly interdisciplinary approach, Nead charts the relationship between London's formation into a modern city in the 1860s and the emergence of new ways of producing and consuming visual culture."--BOOK JACKET.
A study of British and American Utopian writing of the 1800s in the context of developments in real architectural, political, and cultural life. The book studies utopian visions published in the UK and the USA in the 1800s by writers such Robert Owen, James Silk Buckingham, Edward Bellamy, and William Morris.
With an interdisciplinary approach that encompasses political history, the history of ideas, cultural history and art history, The Victorian World offers a sweeping survey of the world in the nineteenth century. This volume offers a fresh evaluation of Britain and its global presence in the years from the 1830s to the 1900s. It brings together scholars from history, literary studies, art history, historical geography, historical sociology, criminology, economics and the history of law, to explore more than 40 themes central to an understanding of the nature of Victorian society and culture, both in Britain and in the rest of the world. Organised around six core themes – the world order, economy and society, politics, knowledge and belief, and culture – The Victorian World offers thematic essays that consider the interplay of domestic and global dynamics in the formation of Victorian orthodoxies. A further section on ‘Varieties of Victorianism’ offers considerations of the production and reproduction of external versions of Victorian culture, in India, Africa, the United States, the settler colonies and Latin America. These thematic essays are supplemented by a substantial introductory essay, which offers a challenging alternative to traditional interpretations of the chronology and periodisation of the Victorian years. Lavishly illustrated, vivid and accessible, this volume is invaluable reading for all students and scholars of the nineteenth century.
The Victorian era was a time of dramatic change. During this period Britain ruled the largest empire on earth, witnessed the expansion of democracy, and developed universal education and mass print culture. Both its imperial might and the fact that it had industrialised and urbanised decades before any other nation, allowed it to dominate world politics and culture in many ways for the better part of the nineteenth century. Understanding the Victorians paints a vivid portrait of the era, combining broad survey with close analysis, and introduces students to the critical debates taking place among historians today. It encompasses all of Great Britain and Ireland over the whole of the Victorian period, giving prominence to social and cultural topics alongside politics and economics and emphasising class, gender, and racial and imperial positioning as constitutive of human relations. Starting with the Queen Caroline Affair in 1820 and coming right up to the start of World War I in 1914, Susie L. Steinbach uses thematic chapters to discuss and evaluate politics, imperialism, the economy, class, gender, the monarchy, arts and entertainment, religion, sexuality, religion, and science. Steinbach also provides three much-needed chapters on topics rarely covered at this introductory level on space, consumption, and the law. With a clear introduction outlining the key themes of the period, a detailed timeline, and suggestions for further reading, this is the ideal companion for all students of the nineteenth century.
From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.
A captivating look at the origins of our own tabloid culture in the salacious and titillating media of the Victorian era.
"The persistence of organized prostitution reflected one of the less savory aspects of Victorian life. In particular, attention was increasingly paid to the large number of young girls drawn into this way of life. Legislation, in the form of the Criminal Law Amendment Bill, was introduced in Parliament in the early 1880s with the intent of protecting young women. This was to be done through the dual means of raising the age of female consent from 13 to 16 and making brothels more susceptible to legal controls. For several years the Bill languished in Parliament. At a crucial moment, support for it was energized by a sensational report, serialized in the daily Pall Mall Gazette in 1885, documenting the complexity and reach of organized prostitution as an industry and its reliance on sophisticated techniques for the entrapment of young girls. The full text of this report, by the crusading journalist W.T. Stead, is reprinted here in its entirety for the first time since its original publication. Its impact was tremendous and the report itself is thought to have provided the necessary impetus for the enactment of the most influential piece of legislation in British history relating to sexuality and its exploitation. It is a major primary source documenting Victorian attitudes toward female sexuality and its exploitation and is here generally accessible to the modern reader for the first time. Annotations to the original text identify people and places mentioned and other references made by Stead. An introductory essay places Stead's work in its historical context and identifies the various legal efforts made to combat organized prostitution from the 1820s onward. This essay also addresses one section of the Act, the so-called Labouchère Amendment, which provided the principal legal means for harassing homosexuals for the following eighty years."--From publisher description.
Focusing on 'filth' in literary & cultural materials from London, Paris & their colonial outposts in the 19th & early 20th centuries, the essays in this volume range over topics from the building of sewers to the fictional representation of labouring women as polluting.
Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis. In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day. Contributors. Michael Bérubé, Alexander Doty, Lauren M. E. Goodlad, Jim Hansen, Dianne Harris, Lynne Joyrich, Lilya Kaganovsky, Clarence Lang, Caroline Levine, Kent Ono, Dana Polan, Leslie Reagan, Mabel Rosenheck, Robert A. Rushing, Irene Small, Michael Szalay, Jeremy Varon