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“A Ready Reckoner Reference Handbook on Hinduism Concepts recommending Practical Vedic Approaches for Today’s Modern Life” This book is an attempt to change your Outlook on ‘LIFE’ & ways of maintaining its ‘HEALTH’ - offering new positive solutions in Vedic context. HOLISTIC HEALTH truly refers to a way of living. It emphasizes the body, mind, spirit, and emotions in its pursuit for optimal health, wellness, and well-being, considering the whole individual and the environment, rather than focusing only on illness or specific body parts. • What is the first & the foremost step before getting down from bed - PUSHPANJALI • How to avoid ‘LIFESTYLE DISORDERS’, in today’s trending Lifestyle – AAROGYAM • What is your body constitution TYPE as per Vata, Pitta, Kapha & how to balance it - AYURVEDA • How to determine the Auspicious moments of the days & nights - SAPTAGYANAM • How to awaken our ‘7’ body energy chakras step-by-step – DHAYANAM • How to perform ‘SURYANAMASKARA Yogic Kriya’ and its 360* effects on us – PRANAYOGAM • How do we perform the ‘ANTHESTI SANSKAAR’ – the death rituals for disposing the body to the Panchatatvas – SANSKAARAM "SAPTAMSIDHI" is a concept related to holistic health approaches, through the ‘7’ PGR MEASURES (PREVENTIVE, GUIDING & REMEDIAL), in which all topics are interconnected, interwoven, and interrelated between them and among themselves, influenced by the origin of Hinduism Vedic Life Culture. It is a "SELF HELP GUIDE" that instructs the reader to embrace any of THE 7-CONCEPTS of "HOLISTIC HEALTH APPROACHES" or to combine them all to avoid falling prey to MODERN LIFESTYLE DISORDERS. TABULAR FORMATS (TF) are condensed contents in a table format that give the reader a quick peek at the whole summary and the highlighted key points of each chapter on a single page. A total of 23 different tabular formats provides a completely new perspective for knowing, interpreting, and analyzing the subject matter with much greater clarity and understanding. Each chapter contains roughly 245 images, diagrams, and visual interpretations to provide readers with a clear, concise understanding of the relevant material of each topic discussed. The information is documented, assessed, and presented as an instant ready reckoner for all age groups, and it can be used at various times throughout one's important life phases.
There was a deafening silence in the world. No babies had been born for three long years. But just when humanity is about to give up hope,a baby boy is born to Doris and Tom Daley. The Press christens him Miracle. Overnight, the simple Daleys turn into celebrities and Miracle Daley becomes a walking headline. Although Doris and Tom do not allow the popularity to go to their heads, TomÕs mother, a fiercely ambitious woman, uses every opportunity to milk their good fortune. And with his GrannyÕs support, Miracle grows up believing love and stardom are his birthright. From magazine covers to peopleÕs hearts, Miracle rules for eleven uninterrupted years. But because of his spoilt ways, his popularity fades. Then the inevitable happensÉ the baby drought ends and Miracle becomes a Ôhas-beenÕ. When teachers stop home-schooling Miracle, he is forced to attend regular school and Joka Pack, the school bully, becomes his nemesis. One day, chased by JokaÕs gang, Miracle escapes into the woods. There, he meets and befriends a dolhorina Ð Vibgyor, who tells him that instead of creating problems, he should solve them. The deer guides Miracle on tackling the bully and gaining acceptance in school. As Miracle wonders if Vibgyor is real or just a figment of his imagination, he realizes it is time to get off his high horse and earn the adoration he so desperately misses. But can he do anything to win back the affection once showered upon him or will he need a miracle?
• What is the relation between Vaastu Shastra and Panchatavas - VAASTUTATVA • How is ‘TIME’ calculated in Vedic context – CHOUGHADIYAS • What are the Vedic Mantras for the nine Planets - ASTROLOGY • What are the ‘7’ Gemstones for ‘7’ days of the week – GEMOLOGY • Why do we call our palm – the mirror of our ‘LIFE’ - PALMISTRY • How are your inner & outer personality numbers calculated - NUMEROLOGY • What is Colour Therapy – CHROMOTHERAPY SAPTAGYANAM acquaints the reader with the ‘7’ Introductory topics about the universal HOLISTIC HEALTH APPROACHES practiced worldwide through ages as an alternate remedial measure for minimizing the cause and effects from natural energy of the cosmos, directly impacting the human existence, based on thought-full study contents, unfolding curiosities and interpretation leading to conclusions. For E.g.: - VAASTUTATVAH explains the influences of the PANCHATAVAHAS and the combined effect of Cosmic energies on the inhabitants and the placement of the structure (building environment) along with its surrounding with respect to the various materials used and the elements placed in the house needed for creating a conducive and peace full living environment. SAPTAGYANAM redresses this holistic medical approach to healing through THE ‘PGR’ MEASURES - (The Preventive, Guiding, and Remedial Measures) for achieving life balance and resolving human nature's search for optimal health, wellness, and well-being. The Special feature - TABULATED FORMATS – (TF) are brief contents in table form - to give readers at a glance the entire summary and highlighted important points of each chapter, directing to an entirely different perspective to know, understand, and analyse the subject matter with much better understanding and clarity at a glance.
This edited volume focuses on South and East Asian cinema, exploring transnational connections between these film industries from the point of view of narratives, topics and themes, as well as in terms of co-productions. At a time of resurgent nationalisms and increasing fortifications of (actual and symbolic) borders, the chapters in this book explore cinematic work that challenge these boundaries and promote a reflection on the social, cultural, political and economic value of international exchanges and collaborations within the context of Asia. Indeed, notwithstanding the aforementioned tendency to implement border policing and the revival of nationalist sentiments, South and East Asian cinemas retain a strong transnational character, as not only genres and themes are borrowed and exchanged across borders, but also the popularity of the Indian, Chinese and Korean film industries extend well beyond their national borders – within Asia as well as in the West. The chapters in this book were originally published as a special issue of Transnational Screens.
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.