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The cross pervaded the whole of Anglo-Saxon culture, in art, in sculpture, in religion, in medicine. These new essays explore its importance and significance.
Music in the California missions was a pluralistic combination of voices and instruments, of liturgy and spectacle, of styles and functions - and even of cultures - in a new blend that was non-existent before the Franciscan friars' arrival in 1769. This book explores aesthetic, stylistic, historical, cultural, theoretical, liturgical, and biographical aspects of this repertoire. It contains a "Catalogue of Mission Manuscripts," 150+ facsimiles, translations of primary documents, and performance-ready music reconstructions.
Producing the Pacific offers the reader an interdisciplinary reading of the maps, narratives and rituals related to the three Spanish voyages to the South Pacific that took place between 1567 and 1606. These journeys were led by Álvaro de Mendaña, Pedro Fernández de Quirós and Isabel Barreto, the first woman ever to become admiral of and command a fleet. Mercedes Maroto Camino presents a cultural analysis of these journeys and takes issue with some established notions about the value of the past and the way it is always rewritten from the perspective of the present. She highlights the social, political and cultural environment in which maps and narratives circulate, suggesting that their significance is always subject to negotiation and transformation. The tapestry created by the interpretation of maps, narratives and rituals affords a view not only of the minds of the first men and women who traversed the Pacific but also of how they saw the ocean, its islands and their peoples. Producing the Pacific should, therefore, be of relevance to those interested in history, voyages, colonialism, cartography, anthropology and cultural studies. The study of these cultural products contributes to an interpretive history of colonialism at the same time that it challenges the beliefs and assumptions that underscore our understanding of that history.
First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.
Veneration of the Cross plays a major role in Hispanic popular religion. But for the Mozarabs, a Catholic community that traces its roots to the Visigoths and Hispano-Romans of seventh-century Spain, veneration of the Cross--particularly the Lignum Crucis, a relic of the ""True Cross""--has served to join devotion to Christ with a powerful symbol of religio-ethnic identity and survival in the face of persecution. The Mozarabs (the term may mean ""Arabized"") of Toledo maintained their Catholic identity through the period of Islamic rule. After the Christian reconquest of Spain and the imposition of uniform Roman liturgical rites, they clung tightly to their own Mozarabic Rite, which is still recognized and celebrated today.