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A complete and authentic account of the terrible calamity that befell the city of the Golden Gate, stricken by earthquake and devasted by fire. Described and penned by eye-witnesses and those who worked to relieve the suffering. A vivid account of the eruption of Mount Vesuvius and other great historical catastrophes which have destroyed thousands of lives and laid whole countries in ruin.
Vesuvius, Campi Flegrei, and Campanian Volcanism communicates the state-of-the-art scientific knowledge on past and active volcanism in an area characterized by elevated risk due to high-density population. Eruptions, lahars and poisonous gas clouds have killed many thousands of people over recorded history, but volcanoes have given people some of the most fertile soil known in agriculture. The research presented in this book is useful for policymakers and researchers from these and other countries who are looking for risk assessment and volcanic evolution models they can apply to similar situations around the world. Naples and its surrounding area, in particular, the area situated between Vesuvius and the Campi Flegrei volcanic area has a population in excess of 4 million people. The volcanic areas that have similarly large populations in proximity to dormant, but hazardous volcanoes, i.e., Indonesia and Central America can also benefit from this work. - Covers the fundamental science of volcanoes, including new developments in the last decade relating to the use of crystals and melt inclusions to model the nature and evolution of volatiles - Includes the latest research on volcanism in Southern Italy that is presented as a case study for active and inactive volcanoes across the globe - Presents research that is applicable around the world, for people, scientists and policymakers living on, or near, active volcanoes
The beast beneath the mountain is restless... No one in the bustling city of Pompeii worries when the ground trembles beneath their feet. The beast under the mountain Vesuvius, high above the city, wakes up angry sometimes -- and always goes back to sleep.But Marcus is afraid. He knows something is terribly wrong -- and his father, who trusts science more than mythical beasts, agrees. When Vesuvius explodes into a cloud of fiery ash and rocks fall from the sky like rain, will they have time to escape -- and survive the epic destruction of Pompeii?
Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, and sculpture, to theatrical performances, photography, and film. This lavishly illustrated volume--featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chass�riau, and Alma-Tadema, as well as Duchamp, Dal�, Rothko, Rauschenberg, and Warhol--surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. Decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for Apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. Resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past. An exhibition of the same name will be on view at the Getty Villa from September 12, 2012, through January 7, 2013; at the Cleveland Museum of Art from February 24 through May 19, 2013; and at the Mus�e national des beaux-arts du Qu�bec from June 13 through November 8, 2013.