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Even though public and critical reaction to the first exhibited fauvist works was one of hostility and astonishment, fauvist paintings are today among the most loved of all twentieth-century art. Here are the artists--their works, relationships, achievements, affinities, and critics. 170 illustrations.
171 paintings concentrated on works produced by Henri Matisse during the 1920s, when he lived in the South of France.
"This book is a revised and expanded edition of The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, published in 2013 by the Art Institute of Chicago"--Verso of title page.
Published on the occasion of an exhibition by the same name to be held at Musaee Matisse, Le Cateau-Cambraesis, Oct. 23, 2004-January 25 2005, Royal Academy of Arts, London, March 5-May 30 2005, and The Metropolitan Museum of Art, New York, June 23-September 25, 2005.
"Throughout his long career, Henri Matisse (1869-1954) continually expanded the boundaries of his art. By repeating images in pairs, trios, and series, he conducted an ongoing dialogue with his earlier works in order to, as he put it, "push further and deeper into true painting." In this fresh approach to a much-studied artist, prominent scholars from the United States and Europe examine more than sixty works in concise chapters that focus on this aspect of Matisse's working process. From early pairs such as Young Sailor I and II (1906) and Le Lexe I and II (1907-8) through a series of late studio scenes from Vence (1946-48), Matisse is shown revisiting a given theme with the aim of devising innovative, often radical, solutions to such problems as how to portray light, handle paint, select colors, and manipulate perspective. New technical studies of the early paired works and photographs documenting the evolution of his later paintings help to elucidate Matisse's complex evolution. In numerous excerpts from letters and interviews, he is revealed as an artist who regularly questioned himself and his methods, a man of powerful intellect who regarded each new painting as an adventure. A significant addition to art historical literature, Matisse: In Search of True Painting is a revelatory study of a seminal figure in 20th-century modernism."--Page 4 of cover.
Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online grieving; and from the mediation of visual culture to the thickening of the digital sphere. Accompanying an ambitious exhibition conceived by the Sharjah Art Foundation and volume editor and curator Omar Kholeif, the book is a work of art and a labor of love, emulating the labyrinthine corridors of the exhibition itself. Created by a group of writers, artists, designers, photographers, and publishers, Art in the Age of Anxiety calls upon us to consider what our collective future will be and how humanity will adapt to it.
Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.
In this beautifully illustrated book, the forty year friendship between Henri Matisse and Pierre Bonnard becomes a platform for new perspectives on the development of the European avant-garde. "Long live painting!" With this rallying cry, Henri Matisse, greeted his colleague Pierre Bonnard on a 1925 postcard from Amsterdam. Widely considered two of the greatest painters of French modernism, they were united by a forty-year-long friendship and a keen appreciation of each other’s work. This catalogue offers fascinating insights into their artistic dialogue. Focusing throughout on their creative exchanges, it highlights their respective contributions to the development of modern art, from the beginning of the twentieth century to the end of the Second World War. Comprising over 100 paintings, sculptures, drawings, and prints, the book makes palpable the many intersections between their artistic visions, and investigates their shared interest in subjects such as interiors, still life, landscape, and the nude. Scholarly essays and thematic introductions to their oeuvres provide a wealth of information on the two colleagues and friends gained from their writings and correspondence as well as archival material. Another highlight is a series of iconic photographs taken by Henri Cartier-Bresson, who visited both Matisse and Bonnard at their much-fabled houses in the South of France.