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2017 IBPA Benjamin Franklin Award: Silver for Memoir 2017 National Indie Excellence Awards: Finalist 2017 Independent Press Award: Distinguished Favorite for Memoir 2016 Beverly Hills Book Awards: Memoir Finalist 2016 Readers' Favorite:Silver Medal for Non-fiction Memoir New York Public Library Top Pick Summer 2017 When Barbara Bracht's mother disappears, she is left a confused child whose blue-collar father is intent upon erasing any memory of her mother. Forced to keep the secret of her mother's existence from her younger brother, Barbara struggles to keep from being crushed under the weight of family secrets as she comes of age and tries to educate herself, despite her father's stance against women's education. The story is not only of loss and resilience, but one showing the power of literature—from Little Orphan Annie to Prince Valiant to the incomparable Nancy Drew—to offer hope where there is little. Told with true literary sensibility, this captivating memoir asks us to consider what it is that parents owe their children, and how far a child need go to make things right for her family.
A princess is missing and a peace treaty is on the verge of collapse in this new Veronica Speedwell adventure from the New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. January 1889. As the newest member of the Curiosity Club--an elite society of brilliant, intrepid women--Veronica Speedwell is excited to put her many skills to good use. As she assembles a memorial exhibition for pioneering mountain climber Alice Baker-Greene, Veronica discovers evidence that the recent death was not a tragic climbing accident but murder. Veronica and her natural historian beau, Stoker, tell the patron of the exhibit, Princess Gisela of Alpenwald, of their findings. With Europe on the verge of war, Gisela's chancellor, Count von Rechstein, does not want to make waves--and before Veronica and Stoker can figure out their next move, the princess disappears. Having noted Veronica's resemblance to the princess, von Rechstein begs her to pose as Gisela for the sake of the peace treaty that brought the princess to England. Veronica reluctantly agrees to the scheme. She and Stoker must work together to keep the treaty intact while navigating unwelcome advances, assassination attempts, and Veronica's own family--the royalty who has never claimed her.
Visiting a ladies-only club for intrepid women, Victorian adventuress Veronica Speedwell is challenged to save a society art patron from execution.
A train station becomes a police station; lands held sacred by Apaches and Mexicanos are turned into commercial and residential zones; freeway construction hollows out a community; a rancho becomes a retirement community—these are the kinds of spatial transformations that concern Mary Pat Brady in Extinct Lands, Temporal Geographies, a book bringing together Chicana feminism, cultural geography, and literary theory to analyze an unusual mix of Chicana texts through the concept of space. Beginning with nineteenth-century short stories and essays and concluding with contemporary fiction, this book reveals how Chicana literature offers a valuable theoretics of space. The history of the American Southwest in large part entails the transformation of lived, embodied space into zones of police surveillance, warehouse districts, highway interchanges, and shopping malls—a movement that Chicana writers have contested from its inception. Brady examines this long-standing engagement with space, first in the work of early newspaper essayists and fiction writers who opposed Anglo characterizations of Northern Sonora that were highly detrimental to Mexican Americans, and then in the work of authors who explore border crossing. Through the writing of Sandra Cisneros, Cherríe Moraga, Terri de la Peña, Norma Cantú, Monserrat Fontes, Gloria Anzaldúa, and others, Brady shows how categories such as race, gender, and sexuality are spatially enacted and created—and made to appear natural and unyielding. In a spatial critique of the war on drugs, she reveals how scale—the process by which space is divided, organized, and categorized—has become a crucial tool in the management and policing of the narcotics economy.
Joseph P. Laycock tells the story of Veronica Lueken, a Catholic housewife in Bayside, Queens, New York, who began receiving visions of the Virgin Mary in 1968. Lueken relayed some 300 messages from Mary, Jesus, and other heavenly personages over three decades and inspired followers who continue to promote her message today.
A birch tree grows tall and arabesque in the front yard of Nancy Chadwick’s childhood home. Over time the tree becomes her buddy and first learned connection, synonymous with home—and one spring morning, she makes a discovery under its boughs that foreshadows the many disconnections within her family, relationships, jobs, and home that are to come. Through the chapters in her life, Chadwick’s search for home carries her through with unflinching honesty, but in the end, it is a story of survival and triumph over adversity. She does not wallow in self-pity but remains tenacious as she examines her life. An exploration of what it means to belong, Under the Birch Tree is a success story of finding home.
"Let the wicked be ashamed, and let them be silent in the grave." These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests. Prepared to accept that Edward's death was due to a longstanding physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth. Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.
What could be cooler, thinks teen Elizabeth Garber in 1965, than to live in a glass house designed by her architect dad? Ever since childhood, she’s adored everything he loves—his XKE Jaguar, modern art, and his Eames black leather chair—and she’s been inspired by his passionate intensity as he teaches her about modern architecture. When Woodie receives a commission to design a high-rise dormitory—a tower of glass—for the University of Cincinnati, Elizabeth, her mother and brothers celebrate with him. But less than twenty years later, Sander Hall, the mirror-glass dormitory, will be dynamited into rubble. Implosion: Memoir of an Architect’s Daughter delves into the life of visionary architect Woodie Garber and the collision of forces in the turbulent 1970s that caused his family to collapse. Soon after the family’s move into Woodie’s glass house, his need to control begins to strain normal bonds; and Elizabeth’s first love, a young black man, triggers his until-then hidden racism. This haunting memoir describes his descent into madness and follows Elizabeth’s inspiring journey to emerge from her abuse, gain understanding and freedom from her father’s control, and go on to become a loving mother and a healer who helps others.
As featured in the New York Times “Modern Love” column * a Redbook Magazine must-read * Rumpus, Hello Giggles, Bustle, and Southern Living magazine Fall book pick Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she’s put that chapter of her life behind her—until a woman she knows is murdered, and she suddenly sees that it’s her mother’s choices she’s been trying to escape all along. Without preaching or prescribing, I’m the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.