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Under the motto "Verne's Heirs: Snapshots of French Science Fiction" it includes the following stories: Michael Shreve: Editorial Claude Ecken: Paralysis Claude Ecken: Team Spirit Pierre Pelot: First Death Jean-Louis Trudel: The Way to Compostela Jean-Claude Dunyach: Paranamanco Jacques Barbéri: The Soul of Scanners José Moselli: The City in the Abyss Maurice Renard: Them! Jean-Claude Dunyach: The Hitch-Hiker's Guide To French Science Fiction InterNova #4 has just been uploaded. This time it's a theme issue about French science fiction, compiled in collaboration with translator Michael Shreve and French sf veteran Jean-Claude Dunyach. It includes stories by Claude Ecken, Pierre Pelot, Jean-Louis Trudel, Jean-Claude Dunyach and Jacques Barbéri, two rediscovered classics by Maurice Renard and José Moselli with introductions by Michael Shreve and an exclusive update of Jean-Claude Dunyach's "Hitch Hiker's Guide to French Science Fiction".
Under the motto "Uncommon Relationships" it includes the following stories: Ahmed A. Khan (Canada): »Physiognomy Works!« C. M. Teodorescu (Romania): »Spin Happy« Álex Souza (Brazil): »Invisible Bodies« Bill Kitcher (Canada): »The Last Day On Rigel X« Sven Kloepping (Germany): »Bloodhound« Mike Jansen (Netherlands): »Eudaimonia« Mark Tiedemann (USA): »Rain From Another Country" Jeremy Szal (Australia): »Dead Man Walking" Bonnie Jo Stufflebeam (USA): »The Damaged« Vaughan Stanger (UK): »Star in a Glass« Thanks to Nicole Ashfield and Tasha Bajpai for proofreading.
Eight centuries from now-- long after the Big Mistake and the death of Old Earth-- humanity is again on the brink of war. Galactic war this time.
A humiliating military defeat by Bismarck's Germany, a brutal siege, and a bloody uprising—Paris in 1871 was a shambles, and the question loomed, "Could this extraordinary city even survive?" With the addition of an evocative new preface, Mary McAuliffe takes the reader back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and César Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and vivid narrative, McAuliffe brings this vibrant and seminal era to life.
Since the end of the Second World War—and particularly over the last decade—Japanese science fiction has strongly influenced global popular culture. Unlike American and British science fiction, its most popular examples have been visual—from Gojira (Godzilla) and Astro Boy in the 1950s and 1960s to the anime masterpieces Akira and Ghost in the Shell of the 1980s and 1990s—while little attention has been paid to a vibrant tradition of prose science fiction in Japan. Robot Ghosts and Wired Dreams remedies this neglect with a rich exploration of the genre that connects prose science fiction to contemporary anime. Bringing together Western scholars and leading Japanese critics, this groundbreaking work traces the beginnings, evolution, and future direction of science fiction in Japan, its major schools and authors, cultural origins and relationship to its Western counterparts, the role of the genre in the formation of Japan’s national and political identity, and its unique fan culture. Covering a remarkable range of texts—from the 1930s fantastic detective fiction of Yumeno Kyûsaku to the cross-culturally produced and marketed film and video game franchise Final Fantasy—this book firmly establishes Japanese science fiction as a vital and exciting genre. Contributors: Hiroki Azuma; Hiroko Chiba, DePauw U; Naoki Chiba; William O. Gardner, Swarthmore College; Mari Kotani; Livia Monnet, U of Montreal; Miri Nakamura, Stanford U; Susan Napier, Tufts U; Sharalyn Orbaugh, U of British Columbia; Tamaki Saitô; Thomas Schnellbächer, Berlin Free U. Christopher Bolton is assistant professor of Japanese at Williams College. Istvan Csicsery-Ronay Jr. is professor of English at DePauw University. Takayuki Tatsumi is professor of English at Keio University.
1819. Iax Agolasky, a young assistant to a notable French explorer, sets off on a journey to the Russian wilderness. They soon discover a group of creatures living in a cave: children with animal traits. But are they animals, or are they human? Faced with questions of faith, science and the fundamentals of truth, tensions rise in the camp. Soon the children's safety becomes threatened and Agolasky needs to act. The novel is based on the photo series and synopsis by Pekka Nikrus. Why Peirene chose to publish this book: Greek legends, fables and fairy tales all share an interest in mythical beings. In this book Sammalkorpi imagines what would happen if these creatures really existed. How would we respond? The answer to this question matters hugely. It determines what it means to be human. 'A truly enjoyable read with its beautiful and precise language.' Savonia prize jury 'One of the most ambitious works of this year. A novel that deals with what it means to be human and the associated ethical and moral questions.' Kuvastaja prize jury
“Far more than a conventional novel. It is a meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small, to which just about every reader will respond.” — People In The Unbearable Lightness of Being, Milan Kundera tells the story of two couples, a young woman in love with a man torn between his love for her and his incorrigible womanizing, and one of his mistresses and her humbly faithful lover. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine. This magnificent novel is a story of passion and politics, infidelity and ideas, and encompasses the extremes of comedy and tragedy, illuminating all aspects of human existence.
In schools, every day is "game day." Every day, teachers need the best resources and forms of support because students deserve the best we as educators can offer. An instructional playbook aims to serve as that kind of support: a tool that coaches can use to help teachers match specific learning goals with the right research-based instructional strategies. Coaches have enormous potential to help teachers learn and implement new teaching practices, but coaches will be effective only if they deeply understand the strategies they describe and their explanations are clear. The Instructional Playbook: The Missing Link for Translating Research into Practice addresses both issues head on and offers a simple and clear explanation of how to create a playbook uniquely designed to meet teachers' instructional needs. The idea of an instructional playbook has caught fire since Jim Knight described it in The Impact Cycle (2017). This book helps instructional coaches create playbooks that produce a common language about high-impact teaching strategies, deepen everyone's understanding of what instructional coaches do, and, most important, support teachers and students in classrooms. “em>A joint publication of ASCD and One Fine Bird Press.
The history of globalisation is usually told as a history of shortening distances and acceleration of the flows of people, goods and ideas. Channelling Mobilities refines this picture by looking at a wide variety of mobile people passing through the region of the Suez Canal, a global shortcut opened in 1869. As an empirical contribution to global history, the book asks how the passage between Europe and Asia and Africa was perceived, staged and controlled from the opening of the Canal to the First World War, arguing that this period was neither an era of unhampered acceleration, nor one of hardening borders and increasing controls. Instead, it was characterised by the channelling of mobilities through the differentiation, regulation and bureaucratisation of movement. Telling the stories of tourists, troops, workers, pilgrims, stowaways, caravans, dhow skippers and others, the book reveals the complicated entanglements of empires, internationalist initiatives and private companies.