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The flagship issue fêtes Christine Brooke-Rose, one of the most innovative voices of the twentieth century, whose fiction plays challenging games with form and structure, using grammatical constraints, multiple languages, and a dicing of genre styles and theoretical discourses as an integral component of her novels. Brooke-Rose is among an unfortunate revue of writers whose work is fading out of print, rarely part of critical or academic discussion. This 320-page issue contains creative and critical responses to her fiction, theory, and criticism, written with an eye to the general literary reader unfamiliar with her output, but with enough homage, parody, imitation, and analysis to excite her devoted fan base.
Queneau uses a variety of literary styles and forms in ninety-nine exercises which retell the same story about a minor brawl aboard a bus.
With these audacious and murderously witty stories, Donald Barthelme threw the preoccupations of our time into the literary equivalent of a Cuisinart and served up a gorgeous salad of American culture, high and low. Here are the urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Barthelme's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This Whitbread Book of The Year Award winner for 1990 is the final novel of the "Catastrophe Practice" series. Set in the 1920s and 30s it tells the story of two young radicals, Max and Eleanor, who meet, love, separate and come together again during the maelstrom of the Spanish Civil War.
In a jet-black satire based on a real-life scandal, the leading writer in a school of literary criticism that says authors are meaningless-"dead"-is discovered to have been a Nazi. Gilbert Adair is the author of "Love and Death on Long Island" and the screenplay for Bernardo Bertolucci's "The Dreamers,"
A sweeping fictional account of the early Christians, whose unlikely beliefs conquered the world Gripped by the tale of a Messiah whose blood we drink and body we eat, the genre-defying author Emmanuel Carrère revisits the story of the early Church in his latest work. With an idiosyncratic and at times iconoclastic take on the charms and foibles of the Church fathers, Carrère ferries readers through his “doors” into the biblical narrative. Once inside, he follows the ragtag group of early Christians through the tumultuous days of the faith’s founding. Shouldering biblical scholarship like a camcorder, Carrère re-creates the climate of the New Testament with the acumen of a seasoned storyteller, intertwining his own account of reckoning with the central tenets of the faith with the lives of the first Christians. Carrère puts himself in the shoes of Saint Paul and above all Saint Luke, charting Luke’s encounter with the marginal Jewish sect that eventually became Christianity, and retracing his investigation of its founder, an obscure religious freak who died under notorious circumstances. Boldly blending scholarship with speculation, memoir with journalistic muckraking, Carrère sets out on a headlong chase through the latter part of the Bible, drawing out protagonists who believed they were caught up in the most important events of their time. An expansive and clever meditation on belief, The Kingdom chronicles the advent of a religion, and the ongoing quest to find a place within it.
Two women, two secrets: one desperate and extraordinary day. In the high heat of an Indiana summer, news spreads fast. When Marvel, the local county seat, plans to lynch three young black men, word travels faster. It is August, 1930, the height of the Jim Crow era, and the prospect of the spectacle sends shockwaves rumbling through farm country as far as a day's wagon-ride away. Ottie Lee Henshaw, a fiery small-town beauty, sets out with her lecherous boss and brooding husband to join in whatever fun there is to be had. At the opposite end of the road to Marvel, Calla Destry, a young African-American woman determined to escape the violence, leaves home to find the lover who has promised her a new life. As the countryside explodes in frenzied revelry, the road is no place for either. It is populated by wild-eyed demagogues, marauding vigilantes, possessed bloodhounds, and even by the Ku Klux Klan itself. Reminiscent of the works of Louise Erdrich, Edward P. Jones, and Marilynne Robinson, The Evening Road is the story of two remarkable woman on the move through an America riven by fear and hatred, and eager to flee the secrets they have left behind.