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THE STORY: Thomas, a beleaguered playwright/director, is desperate to find an actress to play Vanda, the female lead in his adaptation of the classic sadomasochistic tale Venus in Fur . Into his empty audition room walks a vulgar and equally
A novella that was originally part of the epic series Legacy of Cain by Leopold von Sacher-Masoch, Venus in Furs is an exploration of the themes of sado-masochism and female dominance in a time when the terms had yet to be conceived. The main character dreams of the goddess Venus wearing furs while he speaks to her about love. Unable to let go of the fantasy, he reads a book that tells the story of Severin and Wanda, a couple involved in a sado-masochistic relationship. Severin enslaves himself to Wanda, who treats him with ever-increasing brutality and disdain. The novel was translated into English in 1921 by Fernanda Savage, and has been adapted multiple times for film and theater. In 2013, it was adapted for film again into a French movie by the same title, based on the 2010 play by American playwright David Ives, which was in turn inspired by this classic.
When the rich and well-connected Raoule de Vénérande becomes enamored of Jacques Silvert, a poor young man who makes artificial flowers for a living, she turns him into her mistress and eventually into her wife. Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.
Emberley documents the 1980s confrontations between animal rights activists and native peoples that pitted Lynx, the organization responsible for the high-profile anti-fur ads in Great Britain, against Inuit and Dene societies' claims for a livelihood based on the selling and trading, consumption and production of animal fur. From colonial fur trading to twentieth-century globalization of the fur industry, Emberley analyzes the cultural, political, material, and libidinal values ascribed to fur.
Tracing the figure of Black Venus in literature and visual arts from different periods and geographies, Exploring the Black Venus Figure in Aesthetic Practices discusses how aesthetic practices may restore the racialized female body in feminist, anti-racist and postcolonial terms.
Fur Nation traces the interwoven relationships between sexuality, national identity, and colonialism. Chantal Nadeau shows how Canada, a white settler colony, bases its existence and its nationhood on a complex sexual economy based on women wrapped in fur. Nadeau traces the centrality of fur through a series of intriguing case studies, including: * Hollywood's take on the 330 year history of the Hudson Bay Company, founded to exploit Canada's rich fur resources * the life of a postwar fur fashion photographer * a 1950s musical called Fur Lady * the battle between Brigitte Bardot's anti-fur activists and the fur industry. Nadeau highlights the connection between 'fur ladies' - women wearing, exploiting or promoting furs - and the beaver, symbol of Canada and nature's master builder. She shows how, in postcolonial Canada, the nation is sexualised around female reproduction and fur, which is both a crucial factor in economic development, and a powerful symbol through which the nation itself is conceived and commodified. Fur Nation demonstrates that, for Canada, fur really is the fabric of a nation.
“This particular phase in my life is the most dangerous. My husband is planning ‘an accident’ in my car, brake failure and serious head injury in order to make the path clear for him to marry.” —Letter written by Princess Diana, late 1996 It is a moment that remains frozen in history. When the Mercedes carrying Diana, Princess of Wales, spun fatally out of control in the Pont de l’Alma tunnel in Paris in August 1997, the world was shocked by what appeared to be a terrible accident. But two decades later, the circumstances surrounding what really happened that night—and, crucially, why it happened—remain mired in suspicion, controversy, and misinformation. Until now. Dylan Howard has re-examined all of the evidence surrounding Diana’s death—official documents, eyewitness testimony and Diana’s own private journals—as well as amassing dozens of new interviews with investigators, witnesses, and those closest to the princess to ask one very simple question: Was the death of Princess Diana a tragedy…or treason? Diana: Case Solved has uncovered in unprecedented detail just how much of a threat Diana became to the establishment. In these pages you will learn of the covert diaries and recordings she made, logging the Windsors’ most intimate secrets and hidden scandals as a desperate kind of insurance policy. You will learn how the royals were not the only powerful enemies she made, as her ground-breaking campaigns against AIDS and landmines drew admiration from the public, but also enmity from powerful establishment figures including international arms dealers, the British and American governments, and the MI6 and the CIA. And, in a dramatic return to the Parisian streets where she met her fate, the two questions that have plagued investigators for over twenty years will finally be answered: Why was Diana being driven in a car previously written off as a death trap? And who was really behind the wheel of the mysterious white Fiat at the scene of the crash?
In the Lovecraftian universe there exists many terrible and horrifying things, from extraterrestrial gods and ancient secrets to zealous cults, supernatural beasts and beyond. Lovecraft's 1939 short story "In the Walls of Eryx" centres around the life and demise of a Venetian prospector who becomes lost in an invisible maze while mining on the planet Venus. Lovecraft's first and only science fiction story, this book is not to be missed by short story lovers and fans of Lovecraft's exceptional fiction. Other notable works by this author include: “At the Mountains of Madness”, “The Rats in the Walls”, and “The Shadow Over Innsmouth”. Howard Phillips Lovecraft (1890–1937) was an American writer of supernatural horror fiction. Though his works remained largely unknown and did not furnish him with a decent living, Lovecraft is today considered to be among the most significant writers of supernatural horror fiction of the twentieth century. Read & Co. is publishing this classic short story now as part of our “Fantasy and Horror Classics” imprint in a new edition with a dedication by George Henry Weiss.
The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. Its prime movers, the Vicomte de Valmont and the Marquise de Merteuil--gifted, wealthy, and bored--form an unholy alliance and turn seduction into a game. And they play this game with such wit and style that it is impossible not to admire them, until they discover mysterious rules that they cannot understand. In the ensuing battle there can be no winners, and the innocent suffer with the guilty. This new translation gives Laclos a modern voice, and readers will be able to judge whether the novel is as "diabolical" and "infamous" as its critics have claimed, or whether it has much to tell us about a world we still inhabit. Douglas Parmee is Retired Fellow of Queen's College, Cambridge. He is the translator of Nana, Attack on the Mill (Zola) and A Sentimental Journey (Flaubert) for World's Classics. David Coward is Professor of French at the University of Leeds. He is the translator and editor of Maupassant, de Sade, and Dumas in World's Classics.
Contains an essay on the psychology and origins of masochism called Coldness and cruelty by G Deleuze and the novel Venus in furs by L von Sacher-Masoch.