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This book focuses on the question of how Venice designed and exported its own identity through all kinds of its goods. What are Venetian commodities? More than any other medieval or early modern city, Venice lived off of the trade of portable goods. In addition to trading foreign imports, the city also engaged in intense local production, manufacturing high quality glass, crystal, cloth, metal, enamel, leather, and ceramic objects, characterized by their exceedingly rich forms and complex production processes. Today, these objects are scattered in collections throughout the world, but little remains in Venice itself. In individual instances, it is often difficult to tell whether the objects in question were actually made in Venice or if they originated in Byzantine, Islamic, or other European contexts. This book focuses on the question of how Venice designed and exported its own identity through all kinds of its goods.
For the first time in a generation, leading scholars of medieval and Renaissance Venice join forces to define the current state of the field and to reveal in its rich diversity. Forays into neglected aspects of Venetian studies reveal new insights into coinage and concubinage, the first Jewish ghetto and the Fourth Crusade, and matters from dowry inflation to state spectacle to cheese...
During the 14th century, an English boy moves to Venice with his father and experiences many adventures and intrigues as he grows to young manhood.
"The foremost Venetian painter of the fourteenth century, Paolo Veneziano (ca. 1295-ca. 1362) is regarded as the founder of the Venetian school of painting. This publication, and the exhibition it accompanies, reunites, for the first time, the dispersed components of two of his rare surviving altarpieces and presents them alongside contemporaneous objects in various media to demonstrate how the innovative and visually rich work of Paolo Veneziano engaged with fourteenth-century advances in manuscript illumination, ivory carving, textile production, and metalwork"--