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"I have returned, Isobel, and this time I am calling the shots!" Ruthless, sophisticated Lorenzo Cicolla had one single, dramatic goal – revenge! Isobel had betrayed him once, and now it was her turn to pay... . But what Lorenzo didn't know was that she'd already paid, in heartache and tears.
Sweet Nights, No Promises… After her year-long affair with Solomon Maclaine, it was clear to Roberta that she would never be anything but his mistress. Mac's first marriage had left its scars on him, but he still seemed to give most of his time to his ex-wife and spoiled daughter. Roberta faced a hard decision: if she were to have the commitment and children she craved, she'd have to leave. But could she really give up the love she shared with Mac? A love that brought with it no promises…but the sweetest nights of passion?
Sins Wedding nerves… This was supposed to be the happiest day of Gabriella's life—her wedding day. But last night the fear had finally begun to tear her apart and she knew she couldn't go through with the ceremony. She could walk out, vanish. But Stephen would search for her until he found her. And then she would have to face the truth: that she was frightened to make love with her husband-to-be! Love can conquer the deadliest of Sins.
Bella Lawrence can’t hide her disappointment after she loses the auction for a painting that she wanted to get for her grandmother’s birthday present. Instead the work went to a man with a hard face and a confident smile. So she is pleased when the same man, Olivier, shows up at her grandmother’s birthday party. When he asks Bella to go on a date, she is enthralled by his magical words. How could she possibly know that this is all part of Olivier’s plan for revenge on the Lawrence family.
They acted on impulse! Falling in love again… Lauren hadn't wanted or expected to. Yet when Michael Timberlane smiled at her across a crowded room, all her good resolutions went out of the window. Michael had also vowed never to fall in love again. And the last woman he wanted to share a life with was Lauren. He had every reason to despise her…and when she learned that he was out to break her heart, she resolved never to see him again. Too late! For their one-night stand had consequences that would keep them together forever…. Praise for Emma Darcy's The Fatherhood Affair "Emma Darcy pulls no punches with this emotionally stirring tale that readers will want to savor." —Romantic Times
Penny Jordan needs no introduction as arguably the most recognisable name writing for Mills & Boon. We have celebrated her wonderful writing with a special collection, many of which for the first time in eBook format and all available right now.
Read this classic romance by New York Times bestselling author Penny Jordan, now available for the first time in e-book! She had weathered life’s storms alone. Tara had been only seventeen when she’d given herself to James. She had borne him twins in secret, inventing a short-lived marriage to protect her fatherless children and to hide her shame. The years had brought Tara added wisdom, though time hadn’t dulled the pain of James’s rejection or the aching pleasure of their remembered passion. Meeting him again was a shock, but Tara was determined never to let him know the price she had paid in silence for her first and only love. Title originally published in 1983.
In desperation Claire asked Dane to marry her Her adoptive grandfather had left Claire Fletcher his entire estate on the condition that she marry one of his grandsons. But he must have forgotten that the free–spirited Dane Visconti, though long banished from the family's realm, still qualified. And Claire had always idolised and trusted Dane. With his worldly reputation, Claire conceded Dane was not the marrying kind, so when he agreed she promised to make no demands on him. But Dane made no promise in return – and insisted on a few conditions of his own.
"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.